Schammasch

Titaan is the one-man occult black metal project of Italian musician Lalartu, based in Trieste, built around a conceptual exploration of ancient Mesopotamian mythology across Kadingir (2016) and ITIMA (2020). The project fuses aggressive second-wave black metal with dark ambient textures and ritualistic vocal chanting, aiming for a 'cinematic' rather than song-based listening experience. Releases are issued via the Italian label ATMF.

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Grave Gnosis is a ritualistic occult black metal band from St. Petersburg, Florida, formed in 2015, rooted in Theistic Satanism, framing its recording sessions as literal ritual and trance work.

Echo Zero is a Kraków project that debuted in 2026 with "E0," a concept album about an antenna recovered from the Arctic Ocean floor — "the first rung of Jacob's Ladder" — released on Pest Productions. No Clean Singing folded the band into Poland's long tradition of weird black metal, praising its mind-warping ambient stretches, groove-heavy riffs, prowling bass, and "constantly-mutating" multi-tongued vocal performance that never lets the strangeness dull the aggression. The project is led by IHS (Patryk Rzeszutek, aka Faustyna IHS Moreau), also the mainman of atlas act Biesy.

Jute Gyte is the prolific solo project of Adam Kalmbach, based in Springfield, Missouri, best known for pioneering microtonal black metal on guitars retuned to 24-tone equal temperament, so that unfamiliar intervals create shimmering, dislocating interference patterns. Kalmbach fuses the black-metal template with classical serialism, dark ambient and industrial textures, and releases a parallel stream of purely electronic/ambient 'synth music in a variety of tunings.' Records himself, doesn't tour, and runs the project as an avowedly antifascist enterprise that channels sales to mutual-aid causes.

Experimental/atmospheric black metal duo from Brooklyn, New York, formed by multi-instrumentalist Brendon Randall-Myers (conductor of the Glenn Branca Ensemble) and vocalist Doug Moore (Pyrrhon). Their 2022 debut 'Aveilut,' released on The Flenser, is a single 45-minute composition built on post-Branca microtonal guitar and cinematic, orchestral scope, written as a requiem for pandemic-era grief. Critics place it alongside Jute Gyte and Krallice; it was engineered by Colin Marston.

London's Sea Mosquito wrap raw black metal in ambient synth haze and echo-drenched production, favoring atmospheric wash over riff-forward songwriting - tremolo guitar and drums function as background texture behind cascading, almost lead-like drumming. Their 2025 album Majestas (I, Voidhanger Records) explores religious ecstasy across cultures, with harsh vocals occasionally giving way to spoken passages in English and Arabic. They sit closer to psychedelic/atmospheric black metal than to the death-metal-adjacent avant-garde acts on this chart, but the noise-and-texture-first approach is exactly the kind of unorthodox BM the label built its name on.

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Omega Centauri is a UK-based atmospheric black metal project built around multi-instrumentalist Tom Vallely, blending glacial tremolo-riff black metal with dark ambient textures, doom-paced passages, and cinematic post-rock swells. Recorded piecemeal between 2006 and 2011, debut Universum Infinitum favors slow-burn atmosphere and philosophical/theological themes over aggression. The project sits in the same cold-and-spacious atmospheric black metal lineage as labelmates on Duplicate Records.

Hail Spirit Noir is a Greek band from Thessaloniki (formed 2010) that welds 1970s psychedelic and progressive rock — vintage organ, synth and mellotron textures — onto a modern second-wave black metal frame. Founded by Haris and Theoharis, both veterans of the prog outfit Rex Mundi and the avant/symphonic project Transcending Bizarre?, the band cultivates an occult, horror-tinged atmosphere across concept albums, drifting further into synth-forward territory on Eden in Reverse. Frequently filed alongside Oranssi Pazuzu and Arcturus as psychedelic/avant-garde black metal.

Ôros Kaù is the solo black/death metal outlet of Belgian multi-instrumentalist CZLT (also of Sol Kia and Neptunian Maximalism), built from a self-described 'inner existential crisis' and steeped in occult Hermetic imagery. Across Imperii Templum Aries (2020) and Thanatos (2023) the project folds drone and psychedelic passages — including a Pink Floyd cover — into otherwise violent, blast-driven black metal. Vocals are handled by fellow Belgian musician Déhà, tying the project into Brussels' small experimental extreme-metal circle.

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De Magia Veterum is the guitar-driven black metal outlet of Dutch multi-instrumentalist Maurice "Mories" de Jong, founded in 2003 as a dedicated counterpart to his more electronic/drone-leaning project Gnaw Their Tongues. Across five studio albums released between 2005 and 2017 (Spikes Through Eyes, Migdal Bavel, The Divine Antithesis, The Deification, Naked Swords into the Wombs of the Enemy) the project pursues dissonant, atonal black metal steeped in esoteric and biblical imagery. De Jong self-releases the project through his own label Transcendental Creations and hosts it on the shared Gnaw Their Tongues Bandcamp alongside his other aliases Aderlating, Cloak of Altering and Seirom.