Gnaw Their Tongues
Netherlands · formed 2005 · last active 2025
Gnaw Their Tongues is the solo project of Dutch composer Maurice de Jong (a.k.a. Mories), established in 2004 and originally conceived under the name Dimlit Hate Cellar. The music fuses noise, dark ambient, black metal, drone, and industrial into oppressive, orchestral-sounding walls of dread, with the project name drawn from the Book of Revelation 16:10-11. De Jong is prolific to the point of running several parallel aliases (De Magia Veterum, Aderlating, Cloak of Altering, Seirom), and Gnaw Their Tongues alone accounts for over seventy releases across labels including Crucial Blast, Consouling Sounds, and Candlelight.
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
MEMBERS
- Maurice de Jongvocals, samplers, keyboards, all instruments (as Mories)
CONNECTIONS
- Cloak of Alteringpath →
Both are solo projects of Maurice "Mories" de Jong; Gnaw Their Tongues is his primary, more electronic/drone-leaning alias. source ↗
- Crystalline Thunderbolts Pierce the Sacred Mountainpath →
Maurice 'Mories' de Jong is the sole creator of both Crystalline Thunderbolts Pierce the Sacred Mountain and Gnaw Their Tongues; the project is hosted directly on the Gnaw Their Tongues Bandcamp. source ↗
- De Magia Veterumsatellitepath →
Both are solo vehicles of Maurice "Mories" de Jong; De Magia Veterum is his guitar-driven black metal project alongside his primary act Gnaw Their Tongues source ↗
- Obscuring Veilpath →
Maurice 'Mories' De Jong, who plays keyboards/synthetics in Obscuring Veil, is the mastermind behind Gnaw Their Tongues. source ↗
- Ophiuchuspath →
Maurice "Mories" de Jong is also the sole member of Gnaw Their Tongues; Ophiuchus's own 1998 demo was reissued and is hosted on Gnaw Their Tongues' Bandcamp label. source ↗
- The Black Mysteriespath →
Maurice de Jong (Mories) is 'Everything' in both The Black Mysteries and Gnaw Their Tongues source ↗
- Self Spillerpath →
Gnaw Their Tongues (Maurice de Jong) remixed Self Spiller's "Words" as "Words (Strong But Damaged Remix)", track 6 on the Worms In The Keys Remixes EP (2017), confirmed via Discogs extraartists. source ↗
- Dead Raven Choirpath →
Lurking in the Shadows (2012) source ↗
- Persistence in Mourningpath →
Lurking in the Shadows (2012) source ↗
- Cave Inpath →
Maurice de Jong (Gnaw Their Tongues, as "Mories") created the sleeve art for Cave In's "Live At Roadburn 2018 | Tribute To Caleb Scofield" (2018, Sleeve). De Jong is an atlas band member (Gnaw Their Tongues), so this anchors at his band per PROTOCOL rule 6, not the pairwise artwork exception. source ↗
- Age of Silencepath →
Shared label roster: Candlelight Records, per MusicBrainz. source ↗
- All Are to Returnpath →
Shared label roster: Tartarus, per MusicBrainz. source ↗
- Amenrapath →
Shared label roster: Consouling Sounds, per MusicBrainz. source ↗
- Behold... The Arctopuspath →
Shared label roster: Crucial Blast, per MusicBrainz. source ↗
- Book of Sandpath →
Shared label roster: Paradigms Recordings, per MusicBrainz. source ↗
- Caïnapath →
Shared label roster: Universal Tongue, per MusicBrainz. source ↗
- Church of Miserysatellitepath →
Shared label roster: Burning World Records, per MusicBrainz. source ↗
- Cloak of Alteringpath →
Crucial Blast artist (Plague Beasts, 2014; Manifestation, 2015) — anchored at Gnaw Their Tongues, the label's flagship (both are Mories projects). source ↗
- Crowhurstpath →
Shared label roster: Crown and Throne Ltd., per MusicBrainz. source ↗
- Ehnahrepath →
Shared label roster: Crucial Blast, per MusicBrainz. source ↗
- Epistasispath →
Crucial Blast artist (Light Through Dead Glass, 2014) — anchored at Gnaw Their Tongues, the label's flagship with six releases 2009-2016. source ↗
- Genghis Tronpath →
Shared label roster: Crucial Blast, per MusicBrainz. source ↗
- Goatsnakesatellitepath →
Shared label roster: Prosthetic Records, per MusicBrainz. source ↗
- Gojirapath →
Shared label roster: Prosthetic Records, per MusicBrainz. source ↗
- Grave Gnosispath →
Crucial Blast artist (Pestilence Crowned, 2023) — anchored at Gnaw Their Tongues, the label's flagship with six releases 2009-2016. source ↗
- Howling Sycamorepath →
Shared label roster: Prosthetic Records, per MusicBrainz. source ↗
- KK Nullpath →
Shared label roster: Crucial Blast, per MusicBrainz. source ↗
- Locrianpath →
Shared label roster: At War With False Noise, per MusicBrainz. source ↗
- Nadjapath →
Shared label roster: Crucial Blast, per MusicBrainz. source ↗
- Noismpath →
Crucial Blast artist (±, 2008) — anchored at Gnaw Their Tongues, the label's flagship with six releases 2009-2016. source ↗
- Orthrelmsatellitepath →
Shared label roster: Crucial Blast, per MusicBrainz. source ↗
- Schammaschpath →
Shared label roster: Prosthetic Records, per MusicBrainz. source ↗
- Shining (Norway)path →
Shared label roster: Prosthetic Records, per MusicBrainz. source ↗
- Testamentpath →
Shared label roster: Prosthetic Records, per MusicBrainz. source ↗
- The Masspath →
Shared label roster: Crucial Blast, per MusicBrainz. source ↗
- Venowlpath →
Shared label roster: Ominous Silence, per MusicBrainz. source ↗
- Yakuzapath →
Shared label roster: Prosthetic Records, per MusicBrainz. source ↗
FURTHER LISTENING
Nearest score profiles in the atlas.
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Cloak of Altering is the avant-garde black metal solo alias of Dutch multi-instrumentalist Maurice "Mories" de Jong, begun in 2011 as a continuation of his earlier black metal band Ophiuchus and run alongside his other projects Gnaw Their Tongues, De Magia Veterum, Aderlating and Seirom. Where De Magia Veterum is his straight black-metal outlet, Cloak of Altering fuses 'mutated symphonic black metal' with breakcore-derived electronics and industrial noise, inviting comparisons to Blut Aus Nord and An Axis of Perdition. Albums such as Plague Beasts (2014) and Manifestation (2015), released via Crucial Blast, circle cosmic and occult themes across sprawling, drone-heavy tracks.
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Bethlehem are a German black/doom band formed in Grevenbroich in 1991 by Jürgen Bartsch and Klaus Matton. Their 1994 debut Dark Metal gave an entire subgenre its name, welding black metal's tremolo and shriek to doom's crawl plus violin, piano and keyboard for a uniquely desolate, avant-garde atmosphere. Later records pushed further into Suicidal/Depressive Black Metal territory and, briefly, electronic Neue Deutsche Härte.
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