Blackgaze / avant-blackView on the map →

Gnaw Their Tongues

Netherlands · formed 2005 · last active 2025

Gnaw Their Tongues is the solo project of Dutch composer Maurice de Jong (a.k.a. Mories), established in 2004 and originally conceived under the name Dimlit Hate Cellar. The music fuses noise, dark ambient, black metal, drone, and industrial into oppressive, orchestral-sounding walls of dread, with the project name drawn from the Book of Revelation 16:10-11. De Jong is prolific to the point of running several parallel aliases (De Magia Veterum, Aderlating, Cloak of Altering, Seirom), and Gnaw Their Tongues alone accounts for over seventy releases across labels including Crucial Blast, Consouling Sounds, and Candlelight.

YouTube

SCORE PROFILE

JazzyBalkanHardcoreSurfBarbershopDeathBlackTechnicalGlitchTheatricalFolkDoomDroneShoegazeAmbient8-bit
Jazzy0
Balkan0
Hardcore2
Surf0
Barbershop0
Death3
Black7
Technical3
Glitch6
Theatrical5
Folk0
Doom5
Drone4
Shoegaze0
Ambient3
8-bit0

Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.

MEMBERS

  • Maurice de Jongvocals, samplers, keyboards, all instruments (as Mories)

CONNECTIONS

member · 6
remix
  • Self Spillerpath →

    Gnaw Their Tongues (Maurice de Jong) remixed Self Spiller's "Words" as "Words (Strong But Damaged Remix)", track 6 on the Worms In The Keys Remixes EP (2017), confirmed via Discogs extraartists. source ↗

split release · 2
artwork
  • Cave Inpath →

    Maurice de Jong (Gnaw Their Tongues, as "Mories") created the sleeve art for Cave In's "Live At Roadburn 2018 | Tribute To Caleb Scofield" (2018, Sleeve). De Jong is an atlas band member (Gnaw Their Tongues), so this anchors at his band per PROTOCOL rule 6, not the pairwise artwork exception. source ↗

label · 27
4 split releases

FURTHER LISTENING

Nearest score profiles in the atlas.

  • Dissonant blackEI 23
    Hex Arcana
    BlackDoomGlitch

    Hex Arcana is an international avant-garde/black metal project based in Tampere, Finland, led by American multi-instrumentalist Matron Thorn (also of Ævangelist and Præternatura) with vocalist Frater A.A. and Erethe Arashiel on vocals/artwork. The project operated 2018-2020 as Devil Worshipper before adopting the Hex Arcana name, fusing dissonant black metal with industrial textures, doom, and occult theatrics for I, Voidhanger Records. The 2022 album 'Eternally Yours' was mixed and mastered by Jeremie Bezier of Emptiness.

  • Blackgaze / avant-blackEI 25
    Cloak of Altering
    BlackGlitchTheatrical

    Cloak of Altering is the avant-garde black metal solo alias of Dutch multi-instrumentalist Maurice "Mories" de Jong, begun in 2011 as a continuation of his earlier black metal band Ophiuchus and run alongside his other projects Gnaw Their Tongues, De Magia Veterum, Aderlating and Seirom. Where De Magia Veterum is his straight black-metal outlet, Cloak of Altering fuses 'mutated symphonic black metal' with breakcore-derived electronics and industrial noise, inviting comparisons to Blut Aus Nord and An Axis of Perdition. Albums such as Plague Beasts (2014) and Manifestation (2015), released via Crucial Blast, circle cosmic and occult themes across sprawling, drone-heavy tracks.

  • Southern Lord / droneEI 25
    Khlyst
    DoomBlackGlitch

    Khlyst is an American experimental drone/doom project formed in New York in 2006, built around guitarist James Plotkin (Khanate, OLD, Phantomsmasher), Norwegian vocalist Runhild Gammelsæter (Thorr's Hammer), and drummer Tim Wyskida (Khanate, Blind Idiot God). Their sole album, the dually-titled "Chaos Is My Name" / "Kaos er mitt navn," was released by Hydra Head Records in October 2006. Across eight Roman-numeral-titled pieces it alternates Gammelsæter's shrieked, free-form vocals with eerie ambient guitar and percussion soundscapes.

  • UnaffiliatedEI 21
    Eye of Nix
    BlackDoomTheatrical

    Seattle avant-garde doom/post-black metal band formed in 2012 around vocalist Joy Von Spain, melding melodic black metal, glacial doom, and psychedelic sludge into operatic, ghost-story atmospherics. Signed to Prophecy Productions, their catalog (Moros, Black Somnia, Ligeia) has been called too glacial for sludge, too disjointed for black metal, and too melodic for noise — a genuinely hard-to-pin-down hybrid.

  • UnaffiliatedEI 24
    Choronzon
    BlackGlitchTheatrical

    Choronzon is a merger of two unrelated American projects — Florida black-metaller P. Emerson Williams and San Francisco industrial artist Demitria Monde Thraam — who discovered each other online in 2002 and combined forces. What resulted, starting with 1998's Samoth-signed Magog Agog, is ritualistic, electronics-soaked black-industrial metal conceived explicitly as ceremonial music for occult initiates. Williams' background in London's FoolishPeople theatre troupe, where he literally played the demon Choronzon on stage, leaks into everything the band does.

    compare profiles →
  • Norwegian avant-blackEI 11
    Bethlehem
    BlackDoomTheatrical

    Bethlehem are a German black/doom band formed in Grevenbroich in 1991 by Jürgen Bartsch and Klaus Matton. Their 1994 debut Dark Metal gave an entire subgenre its name, welding black metal's tremolo and shriek to doom's crawl plus violin, piano and keyboard for a uniquely desolate, avant-garde atmosphere. Later records pushed further into Suicidal/Depressive Black Metal territory and, briefly, electronic Neue Deutsche Härte.

    compare profiles →
  • Blackgaze / avant-blackEI 24
    Oranssi Pazuzu
    BlackGlitchTheatrical

    Oranssi Pazuzu is a Finnish psychedelic black metal band formed in 2007 in Tampere. Their sound fuses black metal with psychedelic rock, space rock, krautrock, dark ambient and electronic textures into a hypnotic, boundary-dissolving whole, a synthesis critics have struggled to categorize. Across six studio albums, from Muukalainen puhuu (2009) to the acclaimed Muuntautuja (2024), they have become one of the most celebrated exports of Finland's experimental heavy underground.

    compare profiles →
  • UnaffiliatedEI 28
    Terra Tenebrosa
    BlackTheatricalGlitch

    Terra Tenebrosa were a masked, pseudonymous Swedish avant-garde/industrial black metal project from Stockholm (2009-2021), fronted by 'The Cuckoo' (Tomas Hallbom) alongside 'Hisperdal' and 'Hibernal.' Rising out of the ashes of cult post-hardcore band Breach, their three albums - The Tunnels (2011), The Purging (2013), and The Reverses (2016) on Debemur Morti Productions - combine black metal shrieks with industrial noise, sludge-doom heaviness, and dark-ambient drone. The Cuckoo's own history gives the band a direct, sourced tie to the atlas: he was a member of The Ocean (as 'The Ocean Collective,' 2004-2007) and appeared as one of the credited guest vocalists on The Ocean's 2006 album Aeolian.

    compare profiles →
  • Blackgaze / avant-blackEI 16
    Umbrtka
    BlackDoomGlitch

    Umbrtka is a prolific Czech black/doom/industrial project from Plzeň, active since 1999 and centered on a self-invented industrial deity presiding over the city's factories, railways and scrapyards. Their 'grey metal' sound layers dissonant black metal with field recordings, mechanical noise and surreal spoken-word narration. František 'Franta' Štorm — closely associated with Czech black metal pioneers Master's Hammer — served as a past vocalist.

  • UnaffiliatedEI 13
    Saprovore
    BlackGlitchTheatrical

    Saprovore is the solo industrial black/death metal project of an Italian musician also known for the band Strigiform, released through I, Voidhanger Records. His album 'Numinous Abditory Deflagration' (2026) is described by the artist as exploring 'cosmic emptiness' with a more refined, symphonic-leaning songwriting approach than his debut 'Unuttered Aporetic Omen.' Cited influences include Gnaw Their Tongues, Jute Gyte, Blut Aus Nord, and Thantifaxath (stated influences, not collaborations).

1a9cfef