Porta Nigra
Germany · formed 2010 · last active 2023
Porta Nigra is a German avant-garde black metal band founded in Koblenz in 2010 by Gilles deRais (guitars, bass) and drummer/vocalist O., who recorded the first two albums as a duo before expanding to a full band. Their concept records — Fin de Siècle (2012), Kaiserschnitt (2015), Schöpfungswut (2020) and Weltende (2023), the last inspired by World War I — move between straightforward black metal fury and more psychedelic, spoken-word-laced detours, released through Soulseller Records. Guitarist Gilles deRais has described the project as a way of channeling 'old spirits' through the music.
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
WHY THOSE SCORES
- Death 3 — Death metal is a recurring ingredient blended into the black-metal core across the discography (deadrhetoric.com)
- Black 7 — Founded 2010 in Koblenz, Germany as an avant-garde black metal project by Gilles deRais and O. (open.spotify.com artist bio / metalkingdom.net)
- Theatrical 4 — Guitarist Gilles deRais describes channeling 'old spirits' through the music; Weltende (2023) slips 'into progressive detours and extended spoken word passages' across its WWI-themed concept (nocleansinging.com interview; angrymetalguy.com review)
- Doom 3 — Sound is described as spanning 'black metal, death metal, doom, thrash, and various connecting points in between' (deadrhetoric.com)
- Ambient 3 — Weltende uses guest synths and piano for 'a soundtrack-like flow with an enveloping sound' (angrymetalguy.com)
MEMBERS
- Gilles deRaisguitars, bass
- O. (Tongue / A.)drums, vocals
- Jöschu Käserdrums (later lineup)
CONNECTIONS
- Alcestpath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]) and Alcest's "Écailles De Lune" (2010, Layout). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Blut aus Nordpath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Blut aus Nord's "777 - Cosmosophy" (2012, Artwork) and Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Carnival in Coalpath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]) and Carnival in Coal's "Collection Prestige" (2005, Photography By [Pictures]). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Igorrrpath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]) and Igorrr's "Savage Sinusoid" (2017, Artwork). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Kostnatěnípath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]) and Kostnatění's "Přílišnost (Excess)" (2025, Cover, Design). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Lychgatepath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]) and Lychgate's "Precipice" (2025, Design [Wheel Symbol By]). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Nightmarersatellitepath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]) and Nightmarer's "Cacophony of Terror" (2018, Artwork, Layout). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Schammaschpath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Schammasch's "Sic Lvceat Lvx" (2015, Cover, Artwork) and Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- The Bodypath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]) and The Body's "xoroAHbin" (2015, Artwork). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Ulver (electronic era)path →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Ulver (electronic era)'s "The Norwegian National Opera" (2011, Design) and Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Vampilliapath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]) and Vampillia's "xoroAHbin" (2015, Artwork). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Wormfoodpath →
Both bands' cover art/design work was done by Metastazis (Valnoir's Paris design studio, Discogs artist id 1844235): Wormfood's "France" (2005, Artwork) and Porta Nigra's "Kaiserschnitt" (2015, Artwork [Cover Artwork]). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Metastazis is not an atlas band so there is no anchor band. source ↗
- Blut aus Nordpath →
Shared label roster: Debemur Morti Productions, per MusicBrainz. source ↗
- In the Woods...path →
Shared label roster: Soulseller Records, per MusicBrainz. source ↗
FURTHER LISTENING
Nearest score profiles in the atlas.
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Nomicon was a Helsinki act led by vocalist/bassist Tommi Launonen (Ceasar), moving from an early death/thrash sound into symphonic, atmospheric black metal by the 2001 album Halla, drawing comparisons to The Kovenant's Nexus Polaris but 'enriched with more deeply doomy atmospherics.' The band drew on a deep bench of Finnish extreme-metal talent, including guitarist Roope Latvala (later Children of Bodom), rhythm guitarist Miika Niemela (Shape of Despair), female vocalist Tanya Kemppainen (Lullacry), and drummer Yka 'Agathon' (Barathrum). A Metal Archives review characterizes Halla's keyboard-led sound as a 'misanthropic baroque celebration' anchored by 'apocalyptic witch-esque rasps.'
- UnaffiliatedEI 10AmthryaBlackTheatricalDeath
Amthrya is an Italian avant-garde death/black metal band founded by guitarist-drummer Barry Yukimura and fronted by vocalist Kasumi Onryō. Their 2022 concept album Passage (Ad Noctem Records/Drakkar Productions), recorded at Black Church studio in Ghemme, Italy, is built around Japanese mythological horror themes of demons and vengeful spirits, rendered through extended, dissonant, depressive-tinged compositions. Guest vocalist Clode of Tethra appears on the title track.
- Norwegian avant-blackEI 9Shining (Sweden)BlackTheatricalTechnical
Shining is a Swedish depressive/suicidal black metal band formed by Niklas Kvarforth in 1996 — a genuinely distinct entity from the atlas's Norwegian blackjazz Shining (shining-norway). Musically it is rooted in DSBM with early doom influences, gradually adopting clean guitars, solos and odd meters as it drifted toward progressive extreme metal, its avant-garde credentials thinner than most atlas nodes. Its most 'experimental' dimension is arguably Kvarforth's notorious confrontational stagecraft (self-mutilation, razor-blade distribution). Personnel overlap with Mayhem and Arcturus is significant.
- UnaffiliatedEI 9TitaanBlackTheatricalAmbient
Titaan is the one-man occult black metal project of Italian musician Lalartu, based in Trieste, built around a conceptual exploration of ancient Mesopotamian mythology across Kadingir (2016) and ITIMA (2020). The project fuses aggressive second-wave black metal with dark ambient textures and ritualistic vocal chanting, aiming for a 'cinematic' rather than song-based listening experience. Releases are issued via the Italian label ATMF.
- UnaffiliatedEI 8Old Man's ChildBlackDeathTechnical
Old Man's Child is a Norwegian symphonic/melodic black metal band formed in Oslo in 1993 (out of the earlier death/thrash outfit Requiem), and effectively the vehicle of sole permanent member Galder (Thomas Rune Andersen), who later also joined Dimmu Borgir. Their sound welds tremolo-driven melodic black metal to early-death-metal influence and symphonic keyboard orchestration, with a classic lineup that included drummer Tjodalv and guitarist Jardar. For the third album, Ill-Natured Spiritual Invasion (1998), Galder brought in American drummer Gene Hoglan as a session player, recording at Sunlight Studio in Sweden with Tomas Skogsberg.
- UnaffiliatedEI 14HasardBlackTheatricalTechnical
Hasard is a French dissonant/avant-garde black metal project by the musician Hazard, an offshoot of his prior orchestral/classical one-man project Les Chants du Hasard. Debut album Malivore (I, Voidhanger Records, 2023) inverts that project's formula, building chaotic, dissonant black metal shot through with classical/orchestral flourishes, piano guest work from John Steven Morgan of Wreche, and comparisons to early Ævangelist, Abyssal and Blut Aus Nord. A follow-up, Abgnose, was released in 2025, also on I, Voidhanger.
- UnaffiliatedEI 13Grave GnosisBlackTheatricalAmbient
Grave Gnosis is a ritualistic occult black metal band from St. Petersburg, Florida, formed in 2015, rooted in Theistic Satanism, framing its recording sessions as literal ritual and trance work.
- UnaffiliatedEI 7Ôros KaùBlackDeathTechnical
Ôros Kaù is the solo black/death metal outlet of Belgian multi-instrumentalist CZLT (also of Sol Kia and Neptunian Maximalism), built from a self-described 'inner existential crisis' and steeped in occult Hermetic imagery. Across Imperii Templum Aries (2020) and Thanatos (2023) the project folds drone and psychedelic passages — including a Pink Floyd cover — into otherwise violent, blast-driven black metal. Vocals are handled by fellow Belgian musician Déhà, tying the project into Brussels' small experimental extreme-metal circle.
- UnaffiliatedEI 16Osculum SerpentisBlackTheatricalAmbient
Osculum Serpentis ('Kiss of the Serpent') is a French one-man raw/vampiric black metal project from Paris, formed in 2022 by Maxime Taccardi under the alias Vipera, who handles all guitars, bass, synth, drums, and vocals. In roughly two years the project released a striking run of material — Maleficia (2023), The Curse of the Vampyre (2023), Miseria (2024), Satanā (2024, Giin Productions), Vampyre Lord (2024), and The Streams of Sorrow (2025) — steeped in the primitivist Légions Noires lineage but pushed toward theatrical excess: Vipera deploys 'a multitude of demonic voices' compared to Attila Csihar's ceremonial delivery, layered over dark-ambient, cinematic textures amid the raw riffing. Reviewers have called it 'sheer diabolic Black Metal extravaganza,' an 'epic, even flamboyant' take on vampiric/occult raw black metal.
- UnaffiliatedEI 13SaprovoreBlackDeathTechnical
Saprovore is the solo industrial black/death metal project of an Italian musician also known for the band Strigiform, released through I, Voidhanger Records. His album 'Numinous Abditory Deflagration' (2026) is described by the artist as exploring 'cosmic emptiness' with a more refined, symphonic-leaning songwriting approach than his debut 'Unuttered Aporetic Omen.' Cited influences include Gnaw Their Tongues, Jute Gyte, Blut Aus Nord, and Thantifaxath (stated influences, not collaborations).