Omega Centauri

Chiva was a Swiss atmospheric doom/black metal and darkwave project from Sion, Valais, formed in 1996 as a parallel/solo outlet for the person behind the band Sadness, described in its own liner notes as 'a desire to realise my personal work through a different and majestic music.' The sole release, the CD 'Oracle morte' (1996, Witchhunt Records/SPV), features four tracks exploring sadness, loneliness, winter and majesty, with additional vocals from Robert Frost on 'Fire And Ice.'

Grave Gnosis is a ritualistic occult black metal band from St. Petersburg, Florida, formed in 2015, rooted in Theistic Satanism, framing its recording sessions as literal ritual and trance work.

Præternatura is the solo project of Matron Thorn (also known for his work in Ævangelist), originally based in Portland, Oregon and later Tampere, Finland. Active since 2016, it plays dense, atmospheric black/death metal with doom elements, with Thorn handling all instruments and vocals across a series of Bandcamp-released albums.

Nomicon was a Helsinki act led by vocalist/bassist Tommi Launonen (Ceasar), moving from an early death/thrash sound into symphonic, atmospheric black metal by the 2001 album Halla, drawing comparisons to The Kovenant's Nexus Polaris but 'enriched with more deeply doomy atmospherics.' The band drew on a deep bench of Finnish extreme-metal talent, including guitarist Roope Latvala (later Children of Bodom), rhythm guitarist Miika Niemela (Shape of Despair), female vocalist Tanya Kemppainen (Lullacry), and drummer Yka 'Agathon' (Barathrum). A Metal Archives review characterizes Halla's keyboard-led sound as a 'misanthropic baroque celebration' anchored by 'apocalyptic witch-esque rasps.'

Titaan is the one-man occult black metal project of Italian musician Lalartu, based in Trieste, built around a conceptual exploration of ancient Mesopotamian mythology across Kadingir (2016) and ITIMA (2020). The project fuses aggressive second-wave black metal with dark ambient textures and ritualistic vocal chanting, aiming for a 'cinematic' rather than song-based listening experience. Releases are issued via the Italian label ATMF.

Kadingirplay in the dock

Bandcamp

compare profiles →

Towards Rusted Soil is a black metal side project of Tamás Kátai, better known as the founder/mainman of Thy Catafalque (and also of Gort and Gire), on which he performed all vocals, guitar, bass, keyboards and programming himself. The project released two demos, Forsaken in Fog (2000) and A Landscape Slumbering (2003), before its material was reissued on a 2014 four-way split alongside fellow Makó-scene acts Gort, Namtar and Gire.

Schammasch are a Basel, Switzerland avant-garde black metal band formed in 2009, named for the Mesopotamian sun god Shamash. Beginning in black/death territory, they grew increasingly experimental, peaking with the triple-album Triangle (2016) whose final disc is pure ambient, and Hearts of No Light (2019), which folds clean/post-punk vocals and ritualistic dark-ambient into their black-metal core. Occultism, spirituality and surrealism thread their long-form, atmosphere-first releases on Prosthetic Records.

One-person black/doom project from Seattle helmed by J.B., active since 2020, exploring prehistoric mysticism and psilocybin-tinged, entheogenic themes across the demo MMXX (2020) and a 2023 split with fellow Balor's Eye Productions act Graal. J.B. also drums in Graal, making the split a genuine bandmate connection rather than a mere label pairing.

Strigine Premonitionplay in the dock

Bandcamp

compare profiles →

Wyrmwoods is a one-man experimental/atmospheric black metal project from Oulu, Finland, active since 2014 under the alias Nuurag-Vaarn and signed to Inverse Records. Its four full-lengths (Earth Made Flesh, 2017; Spirit & Teeth, 2019; Gamma, 2020; No Sun Nor Moon, 2022) fold progressive rock, doom, jazz saxophone and ambient texture into a black metal core, with Gamma marking a deliberate turn from a chaotic, lo-fi approach toward more progressive, Opeth-indebted songwriting.

Ôros Kaù is the solo black/death metal outlet of Belgian multi-instrumentalist CZLT (also of Sol Kia and Neptunian Maximalism), built from a self-described 'inner existential crisis' and steeped in occult Hermetic imagery. Across Imperii Templum Aries (2020) and Thanatos (2023) the project folds drone and psychedelic passages — including a Pink Floyd cover — into otherwise violent, blast-driven black metal. Vocals are handled by fellow Belgian musician Déhà, tying the project into Brussels' small experimental extreme-metal circle.

Zeparplay in the dock

BandcampSpotify

compare profiles →