Opeth
Sweden · formed 1990 · last active 2024
Opeth are a Stockholm band formed in 1990 who spent three decades welding death metal to 1970s progressive rock — Mikael Åkerfeldt growling over one riff and crooning over the next, with acoustic guitar, mellotron and knotty jazz-leaning chord changes given as much room as the heaviness. Steven Wilson's production on Blackwater Park (2001) and the entirely clean, mellotron-soaked Damnation (2003) pushed the prog half to the front, and by Heritage (2011) the growls were gone altogether in favour of jazz rock, Camel and Swedish folk. The Last Will and Testament (2024) brought the death vocals back after sixteen years inside a narrated 1920s will-reading concept record, with Jethro Tull's Ian Anderson on flute and narration. Theirs is the rare case where the experiment became the mainstream success, and the audience followed them into the strange parts anyway.
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
WHY THOSE SCORES
- Jazzy 4 — Jazz fusion is a stated core influence (Mahavishnu Orchestra, Billy Cobham, Alphonse Mouzon, Herbie Hancock's Head Hunters); Heritage (2011) is classified as jazz rock, its title track drawn from Swedish jazz pianist Jan Johansson, and the Rhodes-and-Hammond records that followed keep the loose, jazz-leaning chord movement.
- Death 7 — Growled, palm-muted death metal is the band's foundation from Orchid (1995) through Watershed (2008), set aside after Heritage and deliberately brought back on The Last Will and Testament (2024).
- Black 2 — Tremolo-picked, blackened passages surface on the early records.
- Technical 7 — Lengthy compositions built from knotty key and chord changes, shifting time signatures and instrumental interludes - AllMusic's 'epic, progressive death metal'.
- Theatrical 2 — Concept records rather than staging: The Last Will and Testament (2024) narrates a 1920s will-reading across its tracks with Ian Anderson speaking the interludes. No stage show or costumes.
- Folk 4 — Folk sits among the ingredients the band is described as folding into its long compositions; acoustic guitar runs through the whole catalogue, Damnation (2003) is entirely clean and acoustic, Heritage's title track leans on Swedish folk, and Jethro Tull's Ian Anderson plays flute across The Last Will and Testament (2024).
- Doom 4 — Slow, heavy riffing anchors the long-form songs, most plainly on My Arms, Your Hearse and Deliverance.
- Ambient 2 — Mellotron-and-Rhodes atmospheric interludes bridge the heavy sections, though the mellow passages stay song-form prog rather than texture.
MEMBERS
- Mikael Åkerfeldtguitars, lead vocals (1990-present)
- Peter Lindgrenguitars (1991-2007)
- Martín Méndezbass (1997-present)
- Martin Lopezdrums (1997-2006)
- Fredrik Åkessonguitars, backing vocals (2007-present)
- Gene Hoglantouring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member· also in Daemon, Dark Angel, Death, Dethklok, Fear Factory, Old Man's Child, Pitch Black Forecast, Strapping Young Lad, Tenet, Testament, Zimmer's Hole
CONNECTIONS
- Daemonsatellitepath →
Gene Hoglan in both — drums in Daemon, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Dark Angelsatellitepath →
Gene Hoglan in both — drums in Dark Angel, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Deathpath →
Gene Hoglan in both — drums in Death, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Dethklokpath →
Gene Hoglan in both — drums in Dethklok, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Fear Factorypath →
Gene Hoglan in both — drums in Fear Factory, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Old Man's Childpath →
Gene Hoglan in both — session drums (Ill-Natured Spiritual Invasion, 1998) in Old Man's Child, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Pitch Black Forecastsatellitepath →
Gene Hoglan in both — drums in Pitch Black Forecast, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Strapping Young Ladpath →
Gene Hoglan (Strapping Young Lad drummer) stood in for Martin Lopez behind the Opeth kit - one date on the 2004 Lamentations tour and the majority of the 2005 Sounds of the Underground tour, playing a set with Strapping Young Lad and then Opeth the same evening, and appearing in the video for 'The Grand Conjuration'. A touring stand-in, never a member. source ↗
- Tenetsatellitepath →
Gene Hoglan in both — drums in Tenet, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Testamentpath →
Gene Hoglan in both — drums in Testament, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Zimmer's Holepath →
Gene Hoglan in both — drums in Zimmer's Hole, touring stand-in drums (2004 Lamentations tour, 2005 Sounds of the Underground tour) - not a member in Opeth. source ↗
- Baronesspath →
Opeth headlined a North American tour, September-October 2008, "backed by High on Fire, Baroness, and Nachtmystium" (High on Fire and Nachtmystium are not atlas nodes) — direct-support tour tie, corroborated independently on Opeth's own page. source ↗
- Gojirapath →
Gojira and Opeth ran a short US co-headlining tour in 2017. source ↗
- Mastodonpath →
Mastodon and Opeth co-headlined the "Heritage Hunter Tour", announced January 2012, with support from Ghost. source ↗
- The Oceanpath →
The Ocean's own Wikipedia page: "In April 2008, The Ocean embarked on a year-long tour through Europe and North America with bands like Intronaut, Opeth, and At the Gates" (Intronaut and At the Gates are not atlas nodes). Tour tie per ruling 8 (2026-08-07). source ↗
- Unexpectpath →
Opeth and Unexpect both co-supported Dream Theater on the Progressive Nation 2009 European tour, alongside Bigelf. source ↗
- Zeal & Ardorpath →
Zeal & Ardor opened for a co-headline Opeth and Mastodon tour beginning in 2021. source ↗
- Age of Silencepath →
Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork" credit on Opeth's Blackwater Park (2001) and "Design [Graphics Design], Artwork [Artwork Photography], Layout" credit on Age of Silence's Acceleration (2004), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗
- Between the Buried and Mepath →
Both bands' cover art is by Travis Smith (Discogs artist id 1829438, Seempieces): Between the Buried and Me's "Immersed" (2005, Artwork) and Opeth's own Travis Smith-credited release. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Part of Smith's existing 9-band client cluster, now 10 with this addition. source ↗
- Casualties of Coolpath →
Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork" credit on Opeth's Blackwater Park (2001) and "Artwork" credit on Casualties of Cool's Casualties of Cool (2014), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗
- Deathpath →
Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork" credit on Death's The Sound of Perseverance (1998) and "Artwork" credit on Opeth's Blackwater Park (2001), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗
- Devin Townsend (maximalist era)path →
Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork" credit on Opeth's Blackwater Park (2001) and "Artwork" credit on Devin Townsend's Ziltoid the Omniscient (2007), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗
- Kayo Dotpath →
Both credited to freelance artist Andy Low (Discogs artist id 2266877): Kayo Dot's Dowsing Anemone With Copper Tongue (2006, CD layout) and Opeth's Still Day Beneath The Sun / Patterns In The Ivy II (2003, artwork / vinyl artwork arrangement). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Low is not an atlas band member so there is no anchor band. source ↗
- Soulflysatellitepath →
Freelance illustrator Travis Smith is credited "Artwork" on Opeth's Blackwater Park (2001) and "Layout" on Soulfly's Omen (2010) and Rise of the Fallen (2010), all confirmed via Discogs extraartists. Pairwise artwork tie per PROTOCOL rule 7 — Smith is not an atlas band member. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗
- Strapping Young Ladpath →
Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork" credit on Opeth's Blackwater Park (2001) and "Artwork [Visuals]" credit on Strapping Young Lad's SYL (2003), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗
- Testamentpath →
Freelance illustrator Travis Smith is credited "Artwork" on Opeth's Blackwater Park (2001) and on Testament's First Strike Still Deadly (2008), both confirmed via Discogs extraartists. Pairwise artwork tie per PROTOCOL rule 7 — Smith is not an atlas band member. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗
- Windspath →
Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork" credit on Opeth's Blackwater Park (2001) and "Design, Layout" credit on Winds' Reflections of the I (2002), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗
- A Perfect Circlepath →
Shared label roster: Music on Vinyl, per MusicBrainz. source ↗
- Age of Silencepath →
Shared label roster: Candlelight Records, per MusicBrainz. source ↗
- Angiziapath →
Shared label roster: Mystic Production, per MusicBrainz. source ↗
- Arcturuspath →
Shared label roster: Displeased Records, per MusicBrainz. source ↗
- Bad Acid Trippath →
Shared label roster: Sony Music, per MusicBrainz. source ↗
- Between the Buried and Mepath →
Shared label roster: AVALON, per MusicBrainz. source ↗
- Blut aus Nordpath →
Shared label roster: Spinefarm Records, per MusicBrainz. source ↗
- Cave Inpath →
Shared label roster: Robotic Empire, per MusicBrainz. source ↗
- Celtic Frostpath →
Shared label roster: Scarecrow Records, per MusicBrainz. source ↗
- Circlepath →
Shared label roster: Viva Hate Records, per MusicBrainz. source ↗
- Cult of Lunapath →
Shared label roster: Chaos Reigns, per MusicBrainz. source ↗
- Dødheimsgardpath →
Shared label roster: Peaceville, per MusicBrainz. source ↗
- Faith No Morepath →
Shared label roster: Warner Music, per MusicBrainz. source ↗
- Horse the Bandpath →
Shared label roster: KOCH Records, per MusicBrainz. source ↗
- Meshuggahpath →
Shared label roster: Reigning Phoenix Music, per MusicBrainz. source ↗
FURTHER LISTENING
Nearest score profiles in the atlas.
- UnaffiliatedEI 9ParasophismaTechnicalDeathDoom
Long-running Czech experimental/progressive metal outfit from the Ostrava/Karvina area (Moravian-Silesian Region), active on and off since 1994. Their sound folds jazz-tinged flute, female vocals, and philosophical spoken-word passages into a technically knotty doom-death base, an approach laid out most fully on 1999's Sole Light Point in Void Tangle of Luminous Rays of Incompatible Directions.
- UnaffiliatedEI 13ThanatoSchizODeathTechnicalDoom
A Portuguese progressive death/doom act from Vila Real, active 1997-2011 (as Thanatos until 2001), that pushed from straightforward death metal into an increasingly atmospheric, doom-tinged and progressive direction across five albums. Dual male/female vocals (Guilhermino Martins and Patrícia Rodrigues) traded off over jazzy detours, Middle-Eastern-flavored guitar-and-keyboard passages, and dreamlike, trance-inducing keyboard textures, drawing comparisons to Porcupine Tree and Lacuna Coil before disbanding in 2011.
- UnaffiliatedEI 9OrgoneDeathTechnicalJazzy
Orgone is a Pittsburgh, Pennsylvania avant-garde extreme-metal band formed in 2006, beginning as a technical deathgrind outfit (Accumulator, The Goliath) before drifting toward a genre-agnostic progressive death sound. The Joyless Parson (recorded 2008, released 2014) and Pleroma (2024) fold acoustic/chamber instrumentation, cello, jazz voicings and post-metal atmosphere into their knotty tech-death, with the band openly describing itself as unclassifiable. It stands as a cult, self-releasing act on the experimental fringe of American death metal.
- UnaffiliatedEI 12DagtumDeathTechnicalJazzy
Dagtum is a Filipino death metal trio from Pateros formed by veterans of the local extreme-metal underground, including Adam Carlo Along of Legion and brothers Ronaldo Jr. and Ronnel Vivo of Basalt Shrine. Their 2021 debut Revered Decadence (Eastbreath Records) folds dissonant, sludge-thickened death metal into jazz-inflected improvisation and creepy, horror-soundtrack atmosphere, drawing comparisons to Gorguts, Ulcerate and Portal.
- UnaffiliatedEI 13Between the Buried and MeTechnicalDeathJazzy
Between the Buried and Me are an American progressive metal band formed in 2000 in Raleigh, North Carolina, spanning progressive metalcore, technical death metal and avant-garde metal. Their genre-hopping suites mix death growls and cleans with sweep-picked leads that draw on bluegrass and jazz, plus ambient 'space music' passages and acoustic balladry.
- UnaffiliatedEI 17Azure EmoteDeathTechnicalJazzy
Azure Emote is an avant-garde death metal project founded in New York in 2003 by illustrator/vocalist Mike Hrubovcak (Monstrosity, Vile) as an outlet 'to express personal negativity without the genre limitations often present within Extreme Metal.' Built around a core band with guitarist Ryan Moll, bassist Kelly Conlon, drummer Mike Heller and violinist Pete Johansen, the project layers in shifting rosters of guest musicians — female vocalists, saxophone, harmonica, keyboards — to give nearly every song its own distinct color. Releases including The Gravity of Impermanence (2013) and The Third Perspective (2020) have come out on Selfmadegod Records.
- UnaffiliatedEI 19PapanguTechnicalDeathFolk
João Pessoa, Brazil quartet formed in 2012, blending sludge metal, zeuhl and prog rock with the traditional rhythms and folklore of Northeastern Brazil. Their 2021 debut Holoceno, a concept album about ecological apocalypse, drew comparisons to Mastodon jamming with 70s King Crimson and Magma; 2024's Lampião Rei tells a biographical narrative about bandit leader Lampião. Their 2026 album Celestial folds in MPB, black metal, ciranda and forró, tracked entirely to magnetic tape without computers.
- UnaffiliatedEI 16Forgotten SilenceTechnicalDeathJazzy
Forgotten Silence is a long-running Czech experimental/progressive metal band from Rosice, near Brno, founded in 1993 and still active. Fronted by Krusty (bass, vocals) alongside guitarists Medvěd and Hyenik, keyboardist Marty, drummer Čepa, and vocalist Petr Ševčík, the band moved from a death-metal-with-art-rock foundation on early albums toward the fully genre-dissolving 2006 LP "Kro Ni Ka," a mostly-instrumental, spoken-word record blending prog, jazz, ambient and Eastern folk textures that won a Razor Award for album of the year. Seven studio albums deep (through 2023's "Vemork Konstrukt"), the band is consistently described by critics as defying genre classification.
- UnaffiliatedEI 10Ingurgitating OblivionTechnicalDeathJazzy
Ingurgitating Oblivion are a German death metal band (active as such since 2002, roots in 1997) built around founder-guitarist Florian Engelke. Their later work, especially Vision Wallows in Symphonies of Light (2017) and Ontology of Nought (2024), moved into progressive, dissonant, avant-garde death metal, lacing Gorguts-style dissonance with jazz guitars, vibraphone, piano and musical saw, and drawing openly on Ligeti, Bartok and jazz. With Defeated Sanity's Lille Gruber on drums for the pivotal 2017 record, they became a fixture of the explorative death-metal underground.
- Dissonant tech-deathEI 23Moral CollapseTechnicalDeathJazzy
Moral Collapse is a Bengaluru, India extreme-metal project founded in 2020 by guitarist/vocalist Arun Natarajan, forging old-school death metal in the vein of Nile and Morbid Angel that is repeatedly derailed by dissonant, Dillinger Escape Plan-style riffing, free-jazz saxophone/violin, and glitchy ambient interludes. Session drummer Hannes Grossmann (ex-Necrophagist, Obscura, Alkaloid) anchors both the 2021 self-titled debut and 2023's Divine Prosthetics, records stacked with guest guitar spots from Kevin Hufnagel (Gorguts, Dysrhythmia) and Death's Bobby Koelble. The project splices Indian percussive texture and free-improv passages into an otherwise brutal technical-death chassis.