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Winds

NON-METAL

Norway · formed 1998 · last active 2007

Winds are a Norwegian neoclassical progressive-metal band formed in 1998, trading black-metal ferocity for classically-informed composition, clean vocals and duelling piano and guitar. Drummer Jan Axel 'Hellhammer' Blomberg — best known from Mayhem — anchors the group alongside guitarist Carl August Tidemann and pianist Andy Winter across Of Entity and Mind (2001) and Reflections of the I (2002). The result is one of the scene's most overtly 'classical' side-projects, far from its members' extreme-metal roots.

SCORE PROFILE

JazzyBalkanHardcoreSurfBarbershopDeathBlackTechnicalGlitchTheatricalFolkDoomDroneShoegazeAmbient8-bit
Jazzy0
Balkan0
Hardcore0
Surf0
Barbershop0
Death0
Black1
Technical6
Glitch0
Theatrical3
Folk0
Doom0
Drone0
Shoegaze0
Ambient2
8-bit0

Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.

WHY THOSE SCORES

  • Black 1A faint blackened residue only, carried by personnel drawn from Norway's black-metal scene rather than the music itself.
  • Technical 6Neoclassical progressive metal built on virtuosic guitar (Carl August Tidemann) and classical-piano interplay.
  • Theatrical 3Grand, classically-derived arrangements and philharmonic sweep give a dramatic cast.
  • Ambient 2Floating synths and piano passages create quiet atmospheric interludes.

MEMBERS

CONNECTIONS

member · 5
artwork · 9
  • Age of Silencepath →

    Both bands' cover art was done by freelance illustrator Travis Smith: "Design [Graphics Design], Artwork [Artwork Photography], Layout" credit on Age of Silence's Acceleration (2004) and "Design, Layout" credit on Winds' Reflections of the I (2002), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗

  • Between the Buried and Mepath →

    Both bands' cover art is by Travis Smith (Discogs artist id 1829438, Seempieces): Between the Buried and Me's "Immersed" (2005, Artwork) and Winds's own Travis Smith-credited release. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Part of Smith's existing 9-band client cluster, now 10 with this addition. source ↗

  • Casualties of Coolpath →

    Both bands' cover art was done by freelance illustrator Travis Smith: "Design, Layout" credit on Winds' Reflections of the I (2002) and "Artwork" credit on Casualties of Cool's Casualties of Cool (2014), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗

  • Deathpath →

    Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork [Artwork By]" credit on Death's The Sound of Perseverance (1998) and "Design, Layout" credit on Winds' Reflections of the I (2002), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗

  • Devin Townsend (maximalist era)path →

    Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork" credit on Devin Townsend's Ziltoid the Omniscient (2007) and "Design, Layout" credit on Winds' Reflections of the I (2002), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗

  • Opethpath →

    Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork" credit on Opeth's Blackwater Park (2001) and "Design, Layout" credit on Winds' Reflections of the I (2002), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗

  • Soulflysatellitepath →

    Both bands' cover art was done by freelance illustrator Travis Smith: "Layout" credit on Soulfly's Omen (2010) and "Design, Layout" credit on Winds' Reflections of the I (2002), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗

  • Strapping Young Ladpath →

    Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork [Visuals]" credit on Strapping Young Lad's SYL (2003) and "Design, Layout" credit on Winds' Reflections of the I (2002), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗

  • Testamentpath →

    Both bands' cover art was done by freelance illustrator Travis Smith: "Artwork" credit on Testament's First Strike Still Deadly (2008 reissue) and "Design, Layout" credit on Winds' Reflections of the I (2002), both confirmed via Discogs extraartists. Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Smith is not an atlas band member so there is no anchor band. Companion credit logged in research/edge-taxonomy-ledger.json. source ↗

label · 2

FURTHER LISTENING

Nearest score profiles in the atlas.

  • Norwegian avant-blackEI 13
    Age of Silence
    TechnicalTheatrical

    Age of Silence is a Norwegian avant-garde progressive metal 'supergroup' formed in Oslo in 2004 by keyboardist Andy Winter of Winds, drawing members from Mayhem, Arcturus, The Kovenant, and Solefald. Their sole album, Acceleration (2004, The End Records), pairs 'aggressive guitar grind' with Winter's gothic, classically-tinged piano and synths, occasionally veering into pure electronic beats, per a Sputnikmusic review. A follow-up EP, Complications – Trilogy of Intricacy (2005), preceded a long hiatus for the project.

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  • UnaffiliatedEI 9
    Angerer
    TechnicalTheatrical

    One-man Vienna-based experimental progressive metal project helmed by David Angerer, whose 2026 album Palingenaeon plays like 'a film score at a party' -- neoclassical/symphonic prog metal stitched together with circus music, absurdist black comedy, and a loose concept about botched reincarnation. Extremely new and thinly documented outside a handful of prog/metal press write-ups.

  • Bay Area / SGMEI 9
    Giant Robot
    TechnicalTheatrical

    Giant Robot was the short-lived mid-1990s trio built around guitarist Buckethead, drummer Bryan 'Brain' Mantia, and keyboardist/producer Pete Scaturro, releasing one self-titled album on the Japanese NTT label in 1996 before Brain's departure broke up the group. The record is a virtuosic, sample-strewn instrumental record splicing film dialogue into dense guitar shredding, with absurdist song titles signaling its jam-session, prank-prone character. It sits adjacent to Buckethead's vast solo catalog but stands as its own band credit -- distinct from the same-titled 1994 Sony Japan Buckethead SOLO album that shares its name and caused the scout's identity confusion.

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  • UnaffiliatedEI 10
    Oh.
    TechnicalTheatrical

    Oh. is the solo moniker of Greek multi-instrumentalist, composer, and director Olivia Hadjiioannou, who writes, performs, records, and mixes every part of her music herself. Her instrumental progressive-metal EP Metallia (self-released, July 2018) is a six-part concept work built from layered electric/acoustic guitars, violin, keyboards, and shifting time signatures; its 'Red Lion' music video won Best Music Video at multiple festivals, including the French Riviera Film Festival in Cannes.

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  • Tool-verseEI 8
    A Perfect Circle
    Technical

    A Perfect Circle is an American rock supergroup formed in Los Angeles in 1999 by guitarist Billy Howerdel, a former guitar tech for Tool, Nine Inch Nails and the Smashing Pumpkins, and Tool vocalist Maynard James Keenan. Fronting a more melodic, art-rock-leaning counterpart to Tool, the band broke through with the platinum debut Mer de Noms (2000) and its David Fincher-directed single "Judith." The rotating lineup has drawn from across alternative rock, with Smashing Pumpkins guitarist James Iha, session drummer Josh Freese, and bassist Matt McJunkins among its long-running members. After a long hiatus the group returned with Eat the Elephant (2018).

  • UnaffiliatedEI 4
    Deli Creepssatellite
    Technical

    Deli Creeps is guitarist Buckethead's formative avant-garde/funk-metal band, formed in Claremont/San Francisco in the early 1990s and built around Maximum Bob's manic vocals and Buckethead's already-virtuosic, genre-hopping lead guitar. Their sole album, Dawn of the Deli Creeps (2005), compiles re-recorded demo-era material and functions as an origin document for Buckethead's later solo vocabulary — several of its riffs and songs were repurposed on his solo records. Mike Patton has praised the band, and it sits at the root of the Bay Area Buckethead/Praxis/Primus-adjacent avant-metal cluster.

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  • UnaffiliatedEI 17
    Real Loud
    TechnicalTheatrical

    Real Loud is a New York sextet billed as an 'antiphonal chamber metal' ensemble, staging mirrored pairs of electric bass, guitar and drums across the stage for four commissioned premieres on its 2021 self-titled debut (New Focus Recordings). The record spans Meshuggah-inspired mixed-meter riffing, no-wave-tinged fervor and two more ambient, spatialized pieces built from ringing harmonics and hollow echo. It reads as contemporary-classical composers writing idiomatically for a metal band's instrumentation.

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  • Bay Area / SGMEI 3
    Laundrysatellite
    Technical

    Bay Area funk-metal vehicle formed in 1993 by Primus drummer Tim 'Herb' Alexander during a break from that band, pairing his drums (and eventually lead vocals) with Tom Butler's guitar and Ian Varriale's Chapman Stick/Warr guitar. Two albums, Blacktongue (1994) and Motivator (1999, Rinse-N-Repent Records), trade on the same proggy, slap-and-stick alt-metal chops Alexander brought to Primus. A minor node whose interest for the atlas is almost entirely its direct Primus lineage rather than any genre-scrambling ambition of its own.

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  • UnaffiliatedEI 8
    Dakrya
    TechnicalTheatrical

    Dakrya are a theatrical/avant-garde metal band from Athens, Greece, founded in late 2004 by classically trained keyboardist Sophia Charalampous. Crime Scene (2010) was recorded in Sweden with producers known for work with Diablo Swing Orchestra and Dark Tranquillity.

  • UnaffiliatedEI 10
    Aberrant Vascular
    TechnicalTheatrical

    Aberrant Vascular is a Helsinki, Finland project built in 2003 around opera vocalist Vladimir "Lumi" and keyboardist Heikki "Mr. Rych" Pöntinen, releasing a single album, Aegisthus (2012), that layers operatic vocal theatrics over trip-hop beats, industrial synths and guitar riffing. It has been namechecked alongside Arcturus, Solefald, Vulture Industries and Sleepytime Gorilla Museum for its bombastic, genre-blending approach, though reviewers note the metal riffing itself stays fairly conventional under the vocal pyrotechnics.

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