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Angst Skvadron was a Norwegian avant-garde/post-black metal project formed in 2008 by Trond Bråthen (Trondr Nefas, also of Urgehal, Kvist, and In Lingua Mortua), fusing early-90s black metal with 70s progressive rock around a recurring alien-invasion concept. Core collaborator Lars Fredrik Frøislie (drums, keyboards, mellotron, minimoog) helped build the project's spacey, synth-laden atmosphere across the Flukt (2008) and Sweet Poison (2010) full-lengths on Agonia Records, with Octavia Marina Petru contributing vocals, Tibetan singing bowls, and vocoder. Bråthen died in 2012, and the project's status is listed as split-up.

Hasard is a French dissonant/avant-garde black metal project by the musician Hazard, an offshoot of his prior orchestral/classical one-man project Les Chants du Hasard. Debut album Malivore (I, Voidhanger Records, 2023) inverts that project's formula, building chaotic, dissonant black metal shot through with classical/orchestral flourishes, piano guest work from John Steven Morgan of Wreche, and comparisons to early Ævangelist, Abyssal and Blut Aus Nord. A follow-up, Abgnose, was released in 2025, also on I, Voidhanger.

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Titaan is the one-man occult black metal project of Italian musician Lalartu, based in Trieste, built around a conceptual exploration of ancient Mesopotamian mythology across Kadingir (2016) and ITIMA (2020). The project fuses aggressive second-wave black metal with dark ambient textures and ritualistic vocal chanting, aiming for a 'cinematic' rather than song-based listening experience. Releases are issued via the Italian label ATMF.

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Osculum Serpentis ('Kiss of the Serpent') is a French one-man raw/vampiric black metal project from Paris, formed in 2022 by Maxime Taccardi under the alias Vipera, who handles all guitars, bass, synth, drums, and vocals. In roughly two years the project released a striking run of material — Maleficia (2023), The Curse of the Vampyre (2023), Miseria (2024), Satanā (2024, Giin Productions), Vampyre Lord (2024), and The Streams of Sorrow (2025) — steeped in the primitivist Légions Noires lineage but pushed toward theatrical excess: Vipera deploys 'a multitude of demonic voices' compared to Attila Csihar's ceremonial delivery, layered over dark-ambient, cinematic textures amid the raw riffing. Reviewers have called it 'sheer diabolic Black Metal extravaganza,' an 'epic, even flamboyant' take on vampiric/occult raw black metal.

The Return of the Vampyre Lordplay in the dock

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Ebonylake are a UK avant-garde gothic/black/death metal band from Ossett, West Yorkshire, formed in 1997 by vocalist/guitarist/keyboardist Ophelius and drummer Sighmon W. Their 1999 debut On the Eve of the Grimly Inventive (Cacophonous Records) fused technical black metal with avant-garde classical influences (Penderecki, Prokofiev) and horror-film scoring. The band went dormant after 2000, reunited around 2009, and released a second album, In Swathes of Brooding Light, in 2011/2012.

I Painted the Suicide of Neptuneplay in the dock

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Schammasch are a Basel, Switzerland avant-garde black metal band formed in 2009, named for the Mesopotamian sun god Shamash. Beginning in black/death territory, they grew increasingly experimental, peaking with the triple-album Triangle (2016) whose final disc is pure ambient, and Hearts of No Light (2019), which folds clean/post-punk vocals and ritualistic dark-ambient into their black-metal core. Occultism, spirituality and surrealism thread their long-form, atmosphere-first releases on Prosthetic Records.

Gardenjia is a Brindisi, Italy act formed in 2010 that started in djent/experimental territory before drifting into cinematic, atonal experimental black metal steeped in film and anime scores; 2018's Machina Dei explicitly quotes Ghost in the Shell and reworks Franz Liszt. Built around Raffaele Galasso with Giuseppe Miglietta and Antonio Martire, the trio remains unsigned and self-releases via Bandcamp.

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Echo Zero is a Kraków project that debuted in 2026 with "E0," a concept album about an antenna recovered from the Arctic Ocean floor — "the first rung of Jacob's Ladder" — released on Pest Productions. No Clean Singing folded the band into Poland's long tradition of weird black metal, praising its mind-warping ambient stretches, groove-heavy riffs, prowling bass, and "constantly-mutating" multi-tongued vocal performance that never lets the strangeness dull the aggression. The project is led by IHS (Patryk Rzeszutek, aka Faustyna IHS Moreau), also the mainman of atlas act Biesy.

Grave Gnosis is a ritualistic occult black metal band from St. Petersburg, Florida, formed in 2015, rooted in Theistic Satanism, framing its recording sessions as literal ritual and trance work.

Porta Nigra is a German avant-garde black metal band founded in Koblenz in 2010 by Gilles deRais (guitars, bass) and drummer/vocalist O., who recorded the first two albums as a duo before expanding to a full band. Their concept records — Fin de Siècle (2012), Kaiserschnitt (2015), Schöpfungswut (2020) and Weltende (2023), the last inspired by World War I — move between straightforward black metal fury and more psychedelic, spoken-word-laced detours, released through Soulseller Records. Guitarist Gilles deRais has described the project as a way of channeling 'old spirits' through the music.