Lochrian Poem

Formed in Helsinki in 2016 and describing themselves as a "conjuration from the Northern Wilderness," Babes in the Abyss build a dark, primitive avant-garde sound around harmonium and organ rather than guitar, with bass and drums filling out the low end. Their 2022 debut Physis is organ-driven, cinematic and ritualistic, closer to a doom-adjacent drone ensemble than to riff-based metal, with haunting shared vocals over sustained keyboard tones.

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Timeless Necrotears is a Barcelona, Spain solo/duo project built around Christian L. Becker (guitars, synths, vocal effects), joined on some releases by Pablo Bermejo (additional vocals). The project's Bandcamp tags itself as experimental dungeon synth, doom metal, dark ambient and 'dystopia,' and it is extraordinarily prolific, releasing dozens of thematically-linked concept albums (the recurring 'Jurzikum,' 'She-Droid' and 'Planet' cycles) since the mid-2010s alongside a couple of 1990s-era demo reissues. The sound leans on long-form synth atmospheres punctuated by slow, doom-adjacent riffing rather than conventional song structure.

Zoroaster were an American sludge/doom-metal trio from Atlanta, active 2003-2013, running stoner-doom, sludge and Hawkwind-style space rock through a psychedelic blender. Their 2009 album Voice of Saturn is a high point, recorded at The Living Room in Atlanta. The record features fellow Atlantan Brent Hinds of Mastodon guesting with a guitar solo and snarling backing vocals on the track 'White Dwarf'.

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A Finnish outfit, founded by bassists Mika A. A. Hyytinen and Topi Aarnio, built around the gimmick-that-works of having no guitarists at all — two bass players (4-to-12-string, baritone-tuned) carry all the riffing, joined by keyboards/samples and dual male/female vocals from Kari Husa and Anna Pienimäki. Their sole full-length, 2009's On Rituals and Correspondence in Constructed Realities (Season of Mist), moves from doom-metal roots into a cavernous, drone-heavy hybrid of gothic, black, and alt-rock with electro-folk and Baroque touches.

Nàda were a Lucerne, Switzerland outfit (active 1992-1997) fusing sludge/doom heaviness with industrial clang and tribal/neofolk percussion, earning Terrorizer coverage in 1994 and comparisons to Neurosis, Swans and Einstürzende Neubauten. Their two albums, 'Celmètra' (1994, Licht & Blindheit/Common Cause) and 'Ùr' (1997, Licht & Blindheit), are murky, ritualistic slabs built on layered percussion and detuned riffing rather than conventional song structure. A largely forgotten act of 90s European experimental sludge, tangential to any scene rather than embedded in one.

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All Are to Return is a mostly-anonymous two-person industrial doom/noise project (credited only as 'F' and 'N') based in the Netherlands, releasing since 2020 via Tartarus Records. Their records (II, 2021; III, 2024; Limen, 2025) build colossal, FX-drenched noise-scapes from pulsing synths, doom-paced percussion, and screamed vocals, with lyrical/conceptual focus on ecological collapse and climate catastrophe. No gamelan or other Indonesian/Balinese percussion instrumentation was found in any source consulted, despite that being the scouting lead's premise — the confirmed sound is industrial/doom/noise, not gamelan-folk fusion.

Zatvor is a long-running experimental doom/sludge/drone project from Kursk, Russia, active since 1996. Their 2018 release 'Ключ земли' is a single 49-minute piece blending guitars, drums, flute, and saxophone with noise and electronic textures over a drone/doom foundation, mixed and mastered by James Plotkin.

The Crawling Chaos is a Moscow noise/sludge act formed in 2013 ('filth & stench since 2013'), blending doom, black metal and drone into an abrasive, atmosphere-heavy sound thickened by saxophone and noise/synth layers. They've released a self-titled full-length (2015), Гильотины поют о любви (2016), the EP Стерилизация преданных слуг, and the 2024 split Организованное безумие (Organized Madness) with fellow atlas act Neon Scaffold.

Beneath the Sod is the solo funeral/industrial doom project of Irish musician Ray Keenaghan (Wreck of the Hesperus), formed 2017. Releases include Circling the Drain (2017, Fort Evil Fruit), the split cassette Transmorphic Eye (2018, with Crypticum), and a self-titled 2021 EP on Cursed Monk Records described as harsh, synth-laced industrial doom metal with guest vocals from Richard Carson.

Wear Your Wounds is the atmospheric solo-turned-band project of Converge founder and vocalist Jacob Bannon, grown out of years of lo-fi bedroom recordings. Far from Converge's hardcore violence, its 2017 debut WYW (Deathwish Inc., Bannon's own label) is measured and ethereal, evoking Swans, early Pink Floyd, Sparklehorse and Songs: Ohia. Bannon fronts an expanded lineup with guests including Converge's Kurt Ballou, Mike McKenzie, Chris Maggio and Sean Martin.

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