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Formed in Helsinki in 2016 and describing themselves as a "conjuration from the Northern Wilderness," Babes in the Abyss build a dark, primitive avant-garde sound around harmonium and organ rather than guitar, with bass and drums filling out the low end. Their 2022 debut Physis is organ-driven, cinematic and ritualistic, closer to a doom-adjacent drone ensemble than to riff-based metal, with haunting shared vocals over sustained keyboard tones.

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Om is an American stoner/doom drone band formed in San Francisco in 2003 by bassist-vocalist Al Cisneros and drummer Chris Hakius, previously the rhythm section of Sleep. The band is known for droning, bass-driven, meditative songs steeped in spirituality and mysticism, a marked departure from Sleep's Black Sabbath-rooted sound. After Hakius departed in 2008, Emil Amos (of Grails) joined on drums, and the group's acclaimed fifth album Advaitic Songs was released by Drag City in 2012.

A Finnish outfit, founded by bassists Mika A. A. Hyytinen and Topi Aarnio, built around the gimmick-that-works of having no guitarists at all — two bass players (4-to-12-string, baritone-tuned) carry all the riffing, joined by keyboards/samples and dual male/female vocals from Kari Husa and Anna Pienimäki. Their sole full-length, 2009's On Rituals and Correspondence in Constructed Realities (Season of Mist), moves from doom-metal roots into a cavernous, drone-heavy hybrid of gothic, black, and alt-rock with electro-folk and Baroque touches.

Giant Squid are an American post-metal and progressive/doom band formed in Sacramento, California in 2002 and led by Aaron Gregory, known for oceanic and marine-biology concept records including Metridium Fields (2006) and The Ichthyologist (2009), released via labels including Translation Loss. Cellist and vocalist Jackie Perez Gratz, of Amber Asylum and Grayceon fame, joined the band in January 2007, deepening its chamber-tinged heaviness. The band shares members and a 2007 split 7-inch, 'Sutter's Fort,' with fellow Bay Area group Grayceon.

Lochrian Poem is the solo project of Romanian multi-instrumentalist Andrei 'Solomonar' Oltean (Sibiu), billed as experimental atmospheric doom metal. Debut LP Snow (2019) is a short, bleak meditation on the grey, static urban-decay landscapes of Sibiu's Guşteriţa suburb, built on droning, dissonant doom guitar (Bandcamp tags it 'phasing') under a heavily atmospheric mix, with tracks stretching past sixteen minutes.

Aaen Anima is a Prague, Czechia avant-garde/doom-metal project founded April 25, 2002 as, in the band's own words, "originally playing acoustic avant-garde." Its 2003 album "Aniline Harp" pairs guitars and bass with cedar drum, bell, didgeridoo, darbuka and harmonium (all played by founder Aaen), plus flute (Ismia) and keyboards/djembe (Jari Velaochaga) — an eclectic, ritual-tinged folk-instrumentation palette rare even for avant-garde metal. No activity is documented past 2008.

Aarni is a Finnish avant-garde/funeral doom project founded in 1998 by Master Warjomaa, who casts the band as a fictional ensemble including the Comte de Saint-Germain, Doomintroll, and Mistress Palm.

A New York art-world side project active from 2000-2003, pairing visual artist Rita Ackermann with Gang Gang Dance's Lizzi Bougatsos in a ritualistic, blood-and-paganism-themed 'art + metal' hybrid — chant-like incantations and wordless vocal panting over heavy, dirge-paced guitar/bass, with Orthrelm's Mick Barr guesting on guitar for Labia Minora. Functioned as much as a performance-art and visual-art collective as a band, releasing on Captain Trip and, posthumously, Locust Music.

Birushanah are an experimental sludge/doom band from Osaka, Japan, formed in 2002, fusing crushing sludge metal with Japanese traditional percussion and scales. Founding bassist Sougyo was previously a member of fellow Osaka doom act Corrupted.

Senmuth is the solo project of Russian multi-instrumentalist Valery Androsov (b. 1973, Moscow), extraordinarily prolific with well over a hundred releases combining ambient, industrial/industrial metal, EBM, and 'ethno metal' built from guitars, programming, and ethnic instruments (sitar, dutar, domra, tarka, duduk, oud). Albums are conceptually organized around ancient civilizations — especially Egyptian, Mesoamerican, and Asian themes — with the project's style shifting from guitar-driven doom/industrial metal in its early years toward increasingly sample-based, ethnically-fused, ambient composition over time.