Giant Squid

Om is an American stoner/doom drone band formed in San Francisco in 2003 by bassist-vocalist Al Cisneros and drummer Chris Hakius, previously the rhythm section of Sleep. The band is known for droning, bass-driven, meditative songs steeped in spirituality and mysticism, a marked departure from Sleep's Black Sabbath-rooted sound. After Hakius departed in 2008, Emil Amos (of Grails) joined on drums, and the group's acclaimed fifth album Advaitic Songs was released by Drag City in 2012.

Nàda were a Lucerne, Switzerland outfit (active 1992-1997) fusing sludge/doom heaviness with industrial clang and tribal/neofolk percussion, earning Terrorizer coverage in 1994 and comparisons to Neurosis, Swans and Einstürzende Neubauten. Their two albums, 'Celmètra' (1994, Licht & Blindheit/Common Cause) and 'Ùr' (1997, Licht & Blindheit), are murky, ritualistic slabs built on layered percussion and detuned riffing rather than conventional song structure. A largely forgotten act of 90s European experimental sludge, tangential to any scene rather than embedded in one.

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Aarni is a Finnish avant-garde/funeral doom project founded in 1998 by Master Warjomaa, who casts the band as a fictional ensemble including the Comte de Saint-Germain, Doomintroll, and Mistress Palm.

Grayceon are a San Francisco progressive-metal trio formed in 2005, built around Jackie Perez Gratz's electric cello and vocals alongside Max Doyle's guitar and Zack Farwell's drums, releasing through Vendlus and later Profound Lore on records such as All We Destroy (2011). The cello-forward lineup fuses thrash and doom heaviness with chamber-folk melody. Perez Gratz also plays in Giant Squid, with whom Grayceon shared a 2007 split, and has collaborated widely across the Bay Area scene, including with Neurosis.

Squalus are an avant-garde sludge/doom quartet from Pacifica, California, formed in 2015 by Aaron Gregory, Zack Farwell, Andy Southard and Bryan Beeson -- all former members of Giant Squid -- after that band went on hiatus. Rejecting guitar entirely in favor of two basses, keyboards, and samples, the band built its debut album The Great Fish... (2017, Translation Loss Records) as a song-cycle retelling of Jaws with lyrics spliced from Peter Benchley's novel. They followed with the split LP Mass and Power alongside Shadow Limb (2018, Translation Loss Records).

Formed in Helsinki in 2016 and describing themselves as a "conjuration from the Northern Wilderness," Babes in the Abyss build a dark, primitive avant-garde sound around harmonium and organ rather than guitar, with bass and drums filling out the low end. Their 2022 debut Physis is organ-driven, cinematic and ritualistic, closer to a doom-adjacent drone ensemble than to riff-based metal, with haunting shared vocals over sustained keyboard tones.

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Mutyumu (夢中夢, 'a dream within a dream') was a six-piece Japanese band active 2002–2010, blending post-rock, classical minimalism and heavy metal around operatic vocals, strings and piano alongside blast beats and screamed vocals. Contrary to secondhand descriptions of it as a solo project, sources consistently describe a full band led by vocalist Hatis Noit. Their two albums, 夢中夢 (2006) and イリヤ -Il y a- (2008, on Gyuune Cassette), fold folk melody and droning classical passages into a metal/post-rock framework, with the latter featuring guest contributions from World's End Girlfriend, before the band split in 2010.

Umbra Nihil is a Finnish doom metal project built around multi-instrumentalist Vilpir (Ville Vierimaa), pairing slow, expansive doom weight with 70s progressive rock and Zeuhl-inflected passages, flute textures, and Lovecraft/weird-fiction-derived ritual concepts — The Borderland Rituals draws on William Hope Hodgson's The House on the Borderland. The band shares lead guitarist Master Warjomaa with atlas act Aarni, tying it directly into the same oddball Finnish doom orbit. Largely dormant since 2008 due to lack of motivation from its songwriters.

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A New York art-world side project active from 2000-2003, pairing visual artist Rita Ackermann with Gang Gang Dance's Lizzi Bougatsos in a ritualistic, blood-and-paganism-themed 'art + metal' hybrid — chant-like incantations and wordless vocal panting over heavy, dirge-paced guitar/bass, with Orthrelm's Mick Barr guesting on guitar for Labia Minora. Functioned as much as a performance-art and visual-art collective as a band, releasing on Captain Trip and, posthumously, Locust Music.

A Finnish outfit, founded by bassists Mika A. A. Hyytinen and Topi Aarnio, built around the gimmick-that-works of having no guitarists at all — two bass players (4-to-12-string, baritone-tuned) carry all the riffing, joined by keyboards/samples and dual male/female vocals from Kari Husa and Anna Pienimäki. Their sole full-length, 2009's On Rituals and Correspondence in Constructed Realities (Season of Mist), moves from doom-metal roots into a cavernous, drone-heavy hybrid of gothic, black, and alt-rock with electro-folk and Baroque touches.