Ground Zero

The Mars Volta is an American progressive rock band formed in 2001 in El Paso, Texas by guitarist Omar Rodríguez-López and vocalist Cedric Bixler-Zavala after the breakup of At the Drive-In. Their maximalist, Spanish-tinged sound fuses prog, psychedelia, Latin rhythms, jazz fusion and post-hardcore into sprawling suites, heard across landmark records De-Loused in the Comatorium (2003) and Frances the Mute (2005). Fronted by Bixler-Zavala's high, theatrical vocals and driven by Rodríguez-López's restless studio direction, the band won a Grammy for 'Wax Simulacra' before disbanding in 2013 and reuniting in 2022.

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Battles is an experimental/math rock band formed in New York City in 2002, celebrated for welding the muscle of a live rock band to loop-based electronics and processed vocals. Their debut album Mirrored (2007) on Warp Records, and its lead single "Atlas," became touchstones of the era's digitally-augmented rock. Anchored by drummer John Stanier's metronomic power and guitarist/keyboardist Ian Williams' looping, they have continued as a duo since bassist Dave Konopka's departure, releasing Gloss Drop (2011), La Di Da Di (2015) and Juice B Crypts (2019).

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Mats/Morgan is a Swedish avant-fusion duo of keyboardist Mats Öberg (blind since birth) and drummer Morgan Ågren, playing together since the early 1980s. Their music is a hyper-virtuosic, genre-splicing brew of jazz fusion, avant-prog, free improvisation, electronica and modern classical, delivered with a mischievous sense of humor. Discovered as teenagers by Frank Zappa after he heard them perform in Stockholm in 1988, the pair went on to appear in his Zappa's Universe projects and have recorded prolifically for Cuneiform Records.

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Girth is a Seattle instrumental trio — guitarist Dave Webb and drummer Peijman Kouretchian expanding to triple-guitar with Blane Patnode and Mark Corier of Swarming Hordes — playing dense, through-composed 'tech hardcore' described by one zine as splitting the difference between Orthrelm and Guapo with oddball electronic and jazz detours. Their breakthrough 2006 EP 'Sleeper, Awaken!' is a single 19-minute, four-movement piece recorded with engineer Randall Dunn (Sunn O))), Earth) and released on Trey Spruance's Web of Mimicry label, directly tying the band into the Mr. Bungle/Secret Chiefs 3-adjacent avant-metal underground. The project wound down after 2009's 'deconstruction.', with members moving on to Wah Wah Exit Wound and Satya Sena.

Peculate is the solo avant-garde/progressive metal project of American composer Ben Norton, self-releasing everything for free since 2012 under a self-styled 'Metal in Opposition' banner. Norton fuses djent and mathcore aggression with 12-tone technique, Zappa-esque jazz-fusion tangents and polished production, occasionally detouring into satirical protest-song territory (2015's viral 'This Sick Beat™'). It reads as a bedroom-scale answer to the Zorn/Zappa strand of metal-adjacent avant-composition.

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Praxis is producer/bassist Bill Laswell's shape-shifting experimental project, built around a core trio of Laswell, guitarist Buckethead and drummer Brain (Bryan Mantia) that fuses funk, jazz, hip-hop, dub and heavy metal into highly improvised music. The 1992 debut Transmutation (Mutatis Mutandis) drew in P-Funk's Bernie Worrell and Bootsy Collins, while the harsher 1993/94 album Sacrifist added John Zorn on saxophone and ex-Napalm Death drummer Mick Harris of Painkiller, plus vocalist Yamatsuka Eye. The result swings between noisy speed metal, dub and turntablist collage.

A San Diego collective mixing free-jazz horns (sax, tuba, French horn) and folk instrumentation (banjo, accordion) with noise-rock abrasion and beatnik-poetry vocals, resisting the 'metal band' label despite billing themselves as extreme. Press describes them as an unpredictable blend of free improvisation, algorithmic composition, and 'ancient campfire songs' colliding with shattered noise.

Five Pound Pocket Universe is a Zurich, Switzerland jazzcore trio founded in 2016 by drummer/composer Michel Barengo, saxophonist Andi Bissig, and guitarist Valentin Baumgartner. Their sole album, 'Brain Bubble Party' (2018), swings between pre-arranged jazz-metal themes and improvised noise built from samples and prepared/effected guitar, self-described as 'hyper sweet pastel jazzcore madness... spliced with lost cartoon snippets found in the places between channels.'

The Sound That Ends Creation is the one-man experimental mathgrind project of Chris Dearing, based in Allen, Texas, launched in 2016 and citing Daughters, Psyopus, and See You Next Tuesday as key influences. The project has evolved from deathgrind/mathgrind roots toward incorporating big-band and orchestral elements, culminating in 2021's Boomers, Zoomers, Desperate Coomers, which Metal Injection called a 'jazzy mathgrind explosion' arguably closer to 'mathjazz.' Dearing layers piano into nearly every track alongside tapping-heavy, panic-chord guitar work, building a chaotic, carnival-like sound across eight-plus full-lengths.

Peeping Tom is Mike Patton's self-described 'version of pop music' — chart-radio hooks, trip-hop and hip-hop production run through his warped sensibility, named after Michael Powell's 1960 voyeur thriller. Its sole, self-titled album (Ipecac, May 30, 2006) took roughly six years to assemble, built by swapping song files through the mail with a rotating cast including Dan the Automator, Rahzel, Norah Jones, Massive Attack, Kool Keith, Amon Tobin and Bebel Gilberto. Widely called Patton's most mainstream-accessible work since Faith No More, it reached #103 on the Billboard 200 and #1 on the Heatseekers chart — the atlas's clearest case of an avant-metal lifer infiltrating pop rather than escaping it.

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