Ekpyrosis

Dëgénéréscence is a French black metal project, active since 2019, centered on the musician known as Infämie, who handles vocals and all instruments. The project is affiliated with the Cërcle Mortüaire collective (alongside Feuille Morte, Mortuaire, Olatom Amespïrïa and others) and released albums such as Hélas ! Je n'étais pas fait pour cette haine... (2020) and ...Ainsi ! Nous dansâmes aux limbes détestées... (2022) through Drakkar Productions. Its sound is catalogued as depressive/atmospheric black metal shading into blackgaze, pairing raw riffing with piano-led, ambience-forward passages.

Grave Gnosis is a ritualistic occult black metal band from St. Petersburg, Florida, formed in 2015, rooted in Theistic Satanism, framing its recording sessions as literal ritual and trance work.

Al-Kamar is a Japanese blackgaze/depressive black metal project, essentially the solo work of a musician known as Tsukisima, begun in 2010 as a doujin circle arranging Touhou Project music before evolving into an atmospheric post-black/shoegaze sound that incorporates Vocaloid/voice-synthesis vocals. Live performances feature supporting musicians; the self-titled 2022 album marked a deliberate return to black metal roots.

Shining is a Swedish depressive/suicidal black metal band formed by Niklas Kvarforth in 1996 — a genuinely distinct entity from the atlas's Norwegian blackjazz Shining (shining-norway). Musically it is rooted in DSBM with early doom influences, gradually adopting clean guitars, solos and odd meters as it drifted toward progressive extreme metal, its avant-garde credentials thinner than most atlas nodes. Its most 'experimental' dimension is arguably Kvarforth's notorious confrontational stagecraft (self-mutilation, razor-blade distribution). Personnel overlap with Mayhem and Arcturus is significant.

London's Sea Mosquito wrap raw black metal in ambient synth haze and echo-drenched production, favoring atmospheric wash over riff-forward songwriting - tremolo guitar and drums function as background texture behind cascading, almost lead-like drumming. Their 2025 album Majestas (I, Voidhanger Records) explores religious ecstasy across cultures, with harsh vocals occasionally giving way to spoken passages in English and Arabic. They sit closer to psychedelic/atmospheric black metal than to the death-metal-adjacent avant-garde acts on this chart, but the noise-and-texture-first approach is exactly the kind of unorthodox BM the label built its name on.

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Elagabalus is a Baltimore, Maryland avant-garde black metal duo formed in 2014 by Dustin Swanson (bass, vocals, synth) and Ben Price (drums, vocals, guitar). Across Damnatio Memoriae (2015), Antiquarian Black MIDI (2017), and Dark Money (2018), the project layers synthesizers over black-metal instrumentation, drawing press comparisons to Neurosis, My Bloody Valentine, Godflesh, and Nirvana. Dark Money is tagged 'doomgaze/shoegaze' on Bandcamp and explores themes of financial corruption and power through a cinematic, synth-heavy sound.

Emptiness are a Brussels avant-garde metal act formed in 1998 by bassist/vocalist Jérémie Bézier and guitarist Olivier J.L.W., both formerly of Enthroned (not in the E.M.M.A. atlas). Metal Archives tracks their evolution from Black/Death Metal in the early years toward Post-Metal/Post-Punk on later records, and their own bio describes the arc as moving 'through black and death metal, avant-garde experimentation, and claustrophobic minimalism.' Now signed to Season of Mist, their 2026 album Nowhere Speaks was tracked live in studio and deliberately loops back into the closing riff of 2014's Nothing But the Whole; the band also played Roadburn Redux 2021.

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Chiva was a Swiss atmospheric doom/black metal and darkwave project from Sion, Valais, formed in 1996 as a parallel/solo outlet for the person behind the band Sadness, described in its own liner notes as 'a desire to realise my personal work through a different and majestic music.' The sole release, the CD 'Oracle morte' (1996, Witchhunt Records/SPV), features four tracks exploring sadness, loneliness, winter and majesty, with additional vocals from Robert Frost on 'Fire And Ice.'

Schammasch are a Basel, Switzerland avant-garde black metal band formed in 2009, named for the Mesopotamian sun god Shamash. Beginning in black/death territory, they grew increasingly experimental, peaking with the triple-album Triangle (2016) whose final disc is pure ambient, and Hearts of No Light (2019), which folds clean/post-punk vocals and ritualistic dark-ambient into their black-metal core. Occultism, spirituality and surrealism thread their long-form, atmosphere-first releases on Prosthetic Records.

Porta Nigra is a German avant-garde black metal band founded in Koblenz in 2010 by Gilles deRais (guitars, bass) and drummer/vocalist O., who recorded the first two albums as a duo before expanding to a full band. Their concept records — Fin de Siècle (2012), Kaiserschnitt (2015), Schöpfungswut (2020) and Weltende (2023), the last inspired by World War I — move between straightforward black metal fury and more psychedelic, spoken-word-laced detours, released through Soulseller Records. Guitarist Gilles deRais has described the project as a way of channeling 'old spirits' through the music.