Die Apokalyptischen Reiter

Sanguine Glacialis is a Montreal melodic death metal band, active since 2010, that layers jazz, classical, latin and folkloric elements atop a symphonic/melodic-black-tinged death metal base. Their third album, 2023's Maladaptive Daydreaming, brought in saxophone, clarinet and cello guests over the core lineup fronted by Maude Théberge's vocals, keys and violin. They've shared stages with Dark Tranquillity and Omnium Gatherum.

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Orgone is a Pittsburgh, Pennsylvania avant-garde extreme-metal band formed in 2006, beginning as a technical deathgrind outfit (Accumulator, The Goliath) before drifting toward a genre-agnostic progressive death sound. The Joyless Parson (recorded 2008, released 2014) and Pleroma (2024) fold acoustic/chamber instrumentation, cello, jazz voicings and post-metal atmosphere into their knotty tech-death, with the band openly describing itself as unclassifiable. It stands as a cult, self-releasing act on the experimental fringe of American death metal.

Sepultura is a Brazilian metal band formed in Belo Horizonte in 1984 by brothers Max and Igor Cavalera, and the most internationally successful heavy metal act to emerge from Brazil. Their late-1980s records helped codify a raw strain of thrash and death metal before Chaos A.D. (1993) and Roots (1996) pivoted the band toward a percussive groove metal laced with Brazilian tribal rhythms and indigenous instrumentation. Max Cavalera's 1996 departure fractured the classic lineup, but guitarist Andreas Kisser and bassist Paulo Jr. carried the band forward with American vocalist Derrick Green from 1997 onward.

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Korova is an Austrian avant-garde black metal band formed in Innsbruck in 1990 by Christof Niederwieser, Michael Kröll, Moritz Neuner and Georg Razesberger. Their 1995 Napalm Records debut A Kiss in the Charnel Fields fused black and death metal with dual vocals, unusual time signatures, and acoustic color from timpani, mandolin and violin, following it with Dead Like an Angel (1998). Niederwieser and Neuner later split off to form Korovakill, with Niederwieser also releasing solo material as Chryst.

This Trifixion (Piacenza/Brembio, Italy, 1988-1995) began as straightforward death metal on its 1991 demo before lurching into genuinely deranged avant-garde territory by 1993's Sindrome of a New Flesh and the posthumously-released Abschurfungepoch (1995, Ematofagia) - goth-industrial death metal punctuated by mandolin, atmospheric keyboard interludes, psych-rock jams, and an electronic-dance-music left turn on one closing track. It is one of the earliest and strangest entries in the avant-garde death metal lineage, its ambition outrunning its cohesion by most reviewers' accounts.

Between the Buried and Me are an American progressive metal band formed in 2000 in Raleigh, North Carolina, spanning progressive metalcore, technical death metal and avant-garde metal. Their genre-hopping suites mix death growls and cleans with sweep-picked leads that draw on bluegrass and jazz, plus ambient 'space music' passages and acoustic balladry.

Candy Cane were a Tampere/Helsinki, Finland act formed in 1995 that spent a decade as an indie/post-punk quartet before a 2006 lineup change pushed them into avant-garde black and death metal shot through with hardcore and jazz. Their later albums Fay-ra-Doowra (2007) and Jaula (2009) brought in guest saxophone, cello, mandolin and violin alongside the core lineup of Marko Neuman, Miikka Salonen, Tomi Isoviita, Jussi Lehtinen and Raine Näsi. The band split in 2013 after releasing a 2010 split LP with Oranssi Pazuzu on Verdura/Firebox Records.

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Azure Emote is an avant-garde death metal project founded in New York in 2003 by illustrator/vocalist Mike Hrubovcak (Monstrosity, Vile) as an outlet 'to express personal negativity without the genre limitations often present within Extreme Metal.' Built around a core band with guitarist Ryan Moll, bassist Kelly Conlon, drummer Mike Heller and violinist Pete Johansen, the project layers in shifting rosters of guest musicians — female vocalists, saxophone, harmonica, keyboards — to give nearly every song its own distinct color. Releases including The Gravity of Impermanence (2013) and The Third Perspective (2020) have come out on Selfmadegod Records.

Divina Enema is a Belarusian avant-garde/progressive metal act from Minsk, founded in 1998 with an explicit goal of 'theatrical extravaganza.' Records like 'Under Phoenix Phenomenon' (2003) layer gothic, death and black metal against folk and electronic detours, with guest violin, cello and tenor sax dressing up concept-album narratives about a man haunted by inner voices. It is a lesser-known post-Soviet entry in the theatrical/symphonic-adjacent avant-metal lineage.

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God of Shamisen is a Santa Cruz, California band formed in late 2004 and led by Tsugaru-shamisen player Kevin Kmetz, billed as the world's first rock band to combine metal, funk, and progressive rock with the Tsugaru-shamisen, a fretless lute from Northern Japan. Its lineup features Kevin Kmetz (shamisen), Lee Smith (drums), Karl Schnaitter (guitar), and Mark Thornton (bass). The band shares members with experimental band Estradasphere: drummer Lee Smith moved to Santa Cruz in 2004 to join Estradasphere as their permanent drummer, and Kmetz also worked with the group. Their second album, Smoke Monster Attack (2010), was produced by Billy Anderson and Mark Thornton.