Space Streakings
Space Streakings were a Japanese noise-rock quartet active 1993-1996, formed by four Tokyo-underground video-game programmers who performed under aliases (Captain Insect, Kame Bazooka, Karate Condor, Screaming Stomach). Their sound was a hysterical barrage of shouted Japanese vocals, skronking saxophone and trumpet, whistles, samples and galloping electronic percussion, associated with Chicago's Skin Graft Records 'Now Wave' cohort. Steve Albini flew to Japan to record their second album 7-Toku (1994). They disbanded in 1996 after Screaming Stomach left.
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
WHY THOSE SCORES
- Jazzy 3 — Dual horns (alto saxophone and trumpet) drive a free, no-wave/skronk cacophony rather than clean metal riffing (member instrumentation per Wikipedia; Skin Graft 'Now Wave' scene).
- Hardcore 4 — Trouser Press describes 'a thick hysterical barrage... and shouted Japanese vocals' — frenetic, chaotic noise-rock energy (trouserpress.com/reviews/space-streakings).
- Glitch 4 — Sound is built on 'galloping electronic percussion... samples,' plus programming, guitar-synth and vocoder — cut-up electronic chaos as a core device (Trouser Press; Wikipedia member roles).
MEMBERS
- Captain Insectbass, programming
- Kame Bazookavocals, alto saxophone
- Karate Condorturntables, electronics
- Screaming Stomachguitar, trumpet
FURTHER LISTENING
Nearest score profiles in the atlas.
- UnaffiliatedEI 8Beta SatanGlitchHardcore
Beta Satan is a Copenhagen band that grew out of the remnants of Tiger Tunes, pairing 'festive hard rock' and post-punk with danceable electro and high-pitched, new-rave synth tones. Their 2008 debut Girls (Crunchy Frog) was a fast, arrogant, complex record whose lineup overlaps heavily with The Malpractice. The five-piece unites drummer Klaus Q. Hedegaard Nielsen and singer Kåre Rolf Hansen from Tiger Tunes with guitarist/I Am Bones frontman Johannes Gammelby, baritone guitarist Kenneth Nørby Andersen and keyboardist Morten Riis.
- Patton-verseEI 13Peeping TomGlitch
Peeping Tom is Mike Patton's self-described 'version of pop music' — chart-radio hooks, trip-hop and hip-hop production run through his warped sensibility, named after Michael Powell's 1960 voyeur thriller. Its sole, self-titled album (Ipecac, May 30, 2006) took roughly six years to assemble, built by swapping song files through the mail with a rotating cast including Dan the Automator, Rahzel, Norah Jones, Massive Attack, Kool Keith, Amon Tobin and Bebel Gilberto. Widely called Patton's most mainstream-accessible work since Faith No More, it reached #103 on the Billboard 200 and #1 on the Heatseekers chart — the atlas's clearest case of an avant-metal lifer infiltrating pop rather than escaping it.
- Patton-verseEI 7KLoAKHardcoreGlitch
KLoAK are a Danish speed metal/noise/experimental band from Billund, formed 1998, fronted by Anders Jørgen Mogensen — one of Escho's co-founders, alongside Düreforsög drummer Andreas Hauer-Jensen. The band became friends with and supported Düreforsög on tour, and Düreforsög's Nis Bysted and Boris Schiøler both guest on KLoAK recordings.
- ZornEI 11Bologna ViolentaHardcoreGlitch
Bologna Violenta is the noise/electrogrind project of Treviso violinist and multi-instrumentalist Nicola Manzan, founded in 2005. Early releases built distorted guitar, strings and electronic drums around samples from 1970s Italian poliziottesco cinema; the project expanded into a duo in 2015 with drummer Alessandro Vagnoni and later shifted toward violin-led arrangements on Cortina (2017) and Bancarotta Morale (2020), with 2026's OBLOMOVISMO returning to its cybergrind roots. Manzan has also worked as a sideman for Baustelle and Il Teatro degli Orrori and collaborated with J. Randall of Agoraphobic Nosebleed.
- Tool-verseEI 7Nine Inch Nails (industrial era)GlitchHardcore
Nine Inch Nails is Trent Reznor's industrial rock project, running from Pretty Hate Machine (1989) through The Downward Spiral, The Fragile, With Teeth, Hesitation Marks and Bad Witch. Atticus Ross joined as an official co-member in 2016 after years as Reznor's key collaborator and co-composer on their film scores. The catalog is built on layered, distorted programming and guitar — "industrial-strength noise over a pop framework" — distinct from the ambient instrumental Ghosts series the band also releases under its own name.
- UnaffiliatedEI 8The MalpracticeHardcoreGlitch
The Malpractice is the Copenhagen project of Danish songwriter Johannes Gammelby (also of I Am Bones and Beta Satan), blending grunge and aggressive rock with pop hooks and noisy synthesizers into what the band calls 'amphetamine reptile punk, sludge and grand, barking hymns' carrying violent, depressive existentialist narratives. The 2010 debut Tectonics (Crunchy Frog Records) drew players from Tiger Tunes, Marybell Katastrophy and Beta Satan and was named a top-ten Danish album of the year by GAFFA. The live lineup adds vocalist Marie Koldkjær Højlund, whose solo work ties the band into Copenhagen's Escho circle.
- UnaffiliatedEI 10DødsverkHardcoreJazzy
A short-lived 1990s Norwegian project that released two albums on Ironic Recordings — Sjelefred (1996) and Fun For All the Family (1997, produced by Helge Sten) — rooted more in punk and alternative metal than orthodox black or death metal, but stirring in jazz, 70s prog, dance and electronic influences via a rotating cast that included saxophone and trumpet players. Its genre-agnostic, eclectic approach later put it in the same critical orbit as Sleepytime Gorilla Museum and Primus.
- Patton-verseEI 11OxbowHardcoreJazzy
Oxbow were a San Francisco experimental/noise-rock band founded in 1988, built on the partnership of vocalist Eugene S. Robinson and multi-instrumentalist and composer Niko Wenner. Their music blends noise rock, avant-garde jazz, musique concrete and blues into caustic, paranoid soundscapes framed by Robinson's high, anguished voice. Their eighth and final album, Love's Holiday (2023), was their first for Ipecac Recordings; the band dissolved in 2024.
- Patton-verseEI 0QuisatelliteHardcore
Qui are a Los Angeles noise-rock group formed in 2000 by Paul Christensen (drums/vocals) and Matt Cronk (guitar/vocals) as a guitar-and-drums duo mixing punk, noise and experimental rock with tight vocal harmonies. In 2006, after a run of guest appearances, David Yow of The Jesus Lizard and Scratch Acid joined as full-time vocalist, fronting the 2007 album Love's Miracle. That record was released on Mike Patton's Ipecac Recordings.
- UnaffiliatedEI 11MutationGlitchHardcore
A UK extreme-metal collaboration led by Wildhearts frontman Ginger Wildheart with Scott Lee Andrews (Exit International) and drummer Denzel, functioning as a revolving-door supergroup anchored by Napalm Death's Shane Embury. The double debut The Frankenstein Effect / Error 500 (2013) folds in Merzbow noise and Mark E. Smith spoken-word, veering from melodic pop-metal hooks into industrial noise-grind chaos. Error 500 was released on Mike Patton's Ipecac Recordings.