Bologna Violenta

A UK extreme-metal collaboration led by Wildhearts frontman Ginger Wildheart with Scott Lee Andrews (Exit International) and drummer Denzel, functioning as a revolving-door supergroup anchored by Napalm Death's Shane Embury. The double debut The Frankenstein Effect / Error 500 (2013) folds in Merzbow noise and Mark E. Smith spoken-word, veering from melodic pop-metal hooks into industrial noise-grind chaos. Error 500 was released on Mike Patton's Ipecac Recordings.

Gruntwhoreplay in the dock

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Angelwings Marmalade is Angel Marcloid's noise/cybergrind outlet — the looser, harsher counterpart to her better-known blackened-new-age project Fire-Toolz. Where Fire-Toolz builds structured genre-collage songs, Angelwings Marmalade leans into harsh noise, musique concrete, noisecore and cybergrind textures, often stitched together from years of accumulated source material and guest vocal/sample contributions. It's one of several aliases (alongside MindSpring Memories, Nonlocal Forecast, Toad Computers) through which Marcloid works out a specific corner of her sound.

Vortices Are Born.exeplay in the dock

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Patau is a Boston, Massachusetts noise/industrial project self-described as 'experimental electronic hardcore techno industrial metal noise,' with Rate Your Music tagging it Avant-Garde Metal, Power Noise, and Experimental. Releases include Krrrenž (2018) and Not One, Not Some, Not All (2021), delivered with confrontational, anti-capitalist framing.

Monastat 7 was a Cheyenne, Wyoming grindcore trio whose 1993/94 debut 'Now Available Without A Prescription' — produced by Dan Lilker of Brutal Truth and reissued on Relapse — paired technical cybergrind riffing with heavy sampling, comedy/rap interludes and skits (a track built around a grocery-store clerk's price-check announcement over the PA). The lineup leaned into avant-garde instrumentation for a 1993 grind band, with Henkaboo E. Boltz credited on guitar, programming AND violin alongside Dr. Stat3's bass/keyboards. A 1995 follow-up EP, 'Operatic Genitalia Of 7 Bowel Movements,' continued the project on the same Japanese DIY label, Lost Frog Productions.

My Corner of Lifeplay in the dock

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Sete Star Sept are a Tokyo noisecore/noisegrind duo formed in 2004 by drummer Kiyasu (ex-The Endless Blockade), now comprising Kae (bass, vocals) and Kiyasu (drums). Gerogerigegege-influenced and staggeringly prolific with well over 180 releases, they trade in short bursts of blasting chaos and pure noise. Relentless tourers, they have crisscrossed the global grind/noise underground via countless split records.

Phantomsmasher is a glitch-grind / digital-hardcore project led by guitarist James Plotkin, previously known as Atomsmasher, that fuses grindcore with electronic noise and cut-up programming. The trio of Plotkin (guitar, bass, electronics), vocalist DJ Speedranch, and drummer Dave Witte released their self-titled album on Mike Patton's Ipecac Recordings on August 19, 2002. Plotkin is a prolific experimentalist also known for OLD, Khanate, Khlyst, Jodis, and Scorn.

Today Is the Day is an American noise-rock and experimental-metal band led by guitarist/vocalist and producer Steve Austin, formed in Nashville in the early 1990s. Blending grindcore, hardcore and avant-garde metal with heavy sampling and unhinged, erratic arrangements, the group became a touchstone for the noisecore and mathcore underground. Their 1999 Relapse album In the Eyes of God featured a young rhythm section of bassist Bill Kelliher and drummer Brann Dailor, both formerly of Lethargy, who soon left to co-found Mastodon.

Sectlinefor is an NYC/London duo of Jared (vocals) and Piton (guitar, production, drum machine) making deliberately genre-shredding 'cinematic rock' that collides alternative/psychedelic metal, hardcore-ish punk energy, hip-hop-inflected interludes, and glitchy 80s/90s electronica. Formed in 2015 and solidified as a two-piece by 2018, they're compared to Faith No More, Sleepytime Gorilla Museum, Deftones, Devin Townsend, and early Ministry; their pandemic-era third album Kissing Strangers During an Outbreak (2021) leans hardest into disturbing, comedic, boundary-smashing songwriting.

The Saddest Face in All of Existenceplay in the dock

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Melt-Banana is a Japanese noise-rock band formed in Tokyo in 1992, built around vocalist Yasuko Onuki's rapid-fire, high-pitched yelp and guitarist Ichiro Agata's surgical, effects-drenched noise assault. Blurring grindcore velocity with electronic glitch, pop hooks and pure sound-sculpture, they became one of the defining bands of a new Japanese hardcore, finding a bigger audience abroad than at home. John Zorn captured them for his Tzadik label on the 1998 live album MxBx 1998/13,000 Miles at Light Velocity, and their relentless touring saw them open for Mr. Bungle, the Melvins, Fantômas and Tool.

The Hiveplay in the dock

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Nailbomb was an industrial-thrash side project formed in 1993 by Max Cavalera, then frontman of Sepultura, and English musician Alex Newport of Fudge Tunnel, welding grinding industrial metal and thrash to crust punk and sludge. Their lone studio album, Point Blank (Roadrunner, 1994), was cut largely by the duo with session help from Sepultura bandmates Igor Cavalera (drums) and Andreas Kisser (guitar) plus Fear Factory's Dino Cazares. The band played only a warm-up show and a set at the 1995 Dynamo Open Air Festival, documented on the live album Proud to Commit Commercial Suicide, before disbanding; its harsh, sample-laced attack became a cult touchstone of 90s extreme metal.

Wasting Awayplay in the dock

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