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OvO

Italy · formed 2000 · last active 2025

OvO is the Italian noise-rock/avant-doom duo of guitarist-vocalist Stefania Pedretti and drummer Bruno Dorella, active in Ravenna since 2000-2001. Across eleven albums (through 2025's 'Gemma') they've fused sludge, industrial, EBM-tinged electronics and blackened shrieks with a theatrical, goth-camp stage presence, drawing Pitchfork and Decibel praise for records like 'Creatura' (2016) and 'Miasma' (2020). Beyond their own catalog, they've directly collaborated with Nadja on a full joint LP and mastering by James Plotkin, situating them at the edge of the drone/noise underground.

SCORE PROFILE

JazzyBalkanHardcoreSurfBarbershopDeathBlackTechnicalGlitchTheatricalFolkDoomDroneShoegazeAmbient8-bit
Jazzy0
Balkan0
Hardcore0
Surf0
Barbershop0
Death0
Black3
Technical0
Glitch4
Theatrical5
Folk0
Doom5
Drone3
Shoegaze0
Ambient0
8-bit0

Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.

WHY THOSE SCORES

  • Black 3Stefania Pedretti's vocals are described as a 'blood curdling, blackened snarl' (thequietus.com/quietus-reviews/ovo-miasma-review/).
  • Glitch 4Reviewer describes 'the utterly disorienting and schizoid nature of the electronics', compared to 1980s synth-punk, and 'sickeningly lo-fi synthetic punk' textures (thequietus.com/quietus-reviews/ovo-miasma-review/).
  • Theatrical 5Early live aesthetic featured 'satanic symbols painted on their faces, the tattered clothes of pagan druids, dreadlocks, campy horror vibes' — 'goth camp theatrics' per The Quietus; Bandcamp tags Miasma 'masked rock and roll' (thequietus.com/quietus-reviews/ovo-miasma-review/; ovomusic.bandcamp.com/album/miasma).
  • Doom 5Core genre elements are 'noise, industrial, EBM, sludge, doom'; V13 calls them 'Italy's avant-doom duo' (thequietus.com/quietus-reviews/ovo-miasma-review/; v13.net).
  • Drone 3Sound built on 'feedback noise' and 'shrieking wails of feedback' plus a full collaborative LP with drone act Nadja (thequietus.com/quietus-reviews/ovo-miasma-review/; nadjacollaborations.bandcamp.com/album/the-life-death-of-a-wasp).

MEMBERS

  • Stefania Pedrettivocals, guitar
  • Bruno Dorelladrums (half-kit)

CONNECTIONS

collaboration
  • Nadjapath →

    Joint collaborative LP 'The Life and Death of a Wasp' (2009, Bis Aufs Messer/Adagio830), recorded together in Berlin source ↗

split release · 2
producer
label · 10
3 split releases

FURTHER LISTENING

Nearest score profiles in the atlas.

  • UnaffiliatedEI 21
    Eye of Nix
    DoomTheatricalBlack

    Seattle avant-garde doom/post-black metal band formed in 2012 around vocalist Joy Von Spain, melding melodic black metal, glacial doom, and psychedelic sludge into operatic, ghost-story atmospherics. Signed to Prophecy Productions, their catalog (Moros, Black Somnia, Ligeia) has been called too glacial for sludge, too disjointed for black metal, and too melodic for noise — a genuinely hard-to-pin-down hybrid.

  • Southern Lord / droneEI 16
    Khanate
    DoomTheatricalDrone

    Khanate was an American drone/extreme doom supergroup formed in New York in 2000 by guitarist Stephen O'Malley and bassist James Plotkin, with vocalist Alan Dubin and drummer Tim Wyskida. Their glacial music paired extremely slow tempos and harsh layers of feedback with Dubin's torturous shrieking, debuting with a self-titled album on Southern Lord Records in 2001. The band split in 2006 before a surprise return with the album To Be Cruel, released via Sacred Bones Records in 2023.

  • UnaffiliatedEI 24
    Zhertvoprinosheniya
    DoomTheatricalDrone

    Zhertvoprinosheniya (Жертвоприношения, 'Sacrifices') is a St. Petersburg experimental funeral-doom/black metal project that explicitly reconstructs the late Sergey Kuryokhin's improvisatory 'Pop-Mechanics' performance-art tradition. 'Некромеханика' (2020) centers the self-built Soviet-era 'utyugon' synthesizer alongside trombone, radio noise and electronics for a drone-heavy, ritualistic funeral atmosphere rather than conventional riffing. It reads as a direct lineage act carrying Russian avant-garde/noise performance art into black/doom metal territory.

  • Blackgaze / avant-blackEI 16
    Umbrtka
    DoomBlackTheatrical

    Umbrtka is a prolific Czech black/doom/industrial project from Plzeň, active since 1999 and centered on a self-invented industrial deity presiding over the city's factories, railways and scrapyards. Their 'grey metal' sound layers dissonant black metal with field recordings, mechanical noise and surreal spoken-word narration. František 'Franta' Štorm — closely associated with Czech black metal pioneers Master's Hammer — served as a past vocalist.

  • Southern Lord / droneEI 25
    Khlyst
    DoomTheatricalGlitch

    Khlyst is an American experimental drone/doom project formed in New York in 2006, built around guitarist James Plotkin (Khanate, OLD, Phantomsmasher), Norwegian vocalist Runhild Gammelsæter (Thorr's Hammer), and drummer Tim Wyskida (Khanate, Blind Idiot God). Their sole album, the dually-titled "Chaos Is My Name" / "Kaos er mitt navn," was released by Hydra Head Records in October 2006. Across eight Roman-numeral-titled pieces it alternates Gammelsæter's shrieked, free-form vocals with eerie ambient guitar and percussion soundscapes.

  • Tool-verseEI 23
    Author & Punisher
    DoomGlitchDrone

    Author & Punisher is the one-man industrial/drone/doom-metal project of San Diego mechanical engineer Tristan Shone, who performs on custom-designed and hand-fabricated instruments he calls 'Drone Machines' and 'Dub Machines'. Handpicked by Tool to support their 2020 tour, Shone returned the favor on his 2022 Relapse album Krüller: Tool's Danny Carey drums on 'Misery' and bassist Justin Chancellor plays on 'Centurion'. The result pairs monolithic, machine-driven weight with dub space and industrial menace.

  • Southern Lord / droneEI 14
    Burning Witch
    DoomTheatricalDrone

    Burning Witch was an American doom/sludge metal band formed on Capitol Hill in Seattle in early 1995 from the ashes of the doom/death band Thorr's Hammer, active until 1998. Known for extremely slow tempos, dense feedback and Edgy 59's alternately mournful and tortured vocals, the group is best remembered as a formative pre-Sunn O))) project for guitarist Stephen O'Malley. Their EP recordings were gathered on the compilation Crippled Lucifer, released in 1998 on Southern Lord Records, the label O'Malley co-founded with fellow Seattle musician Greg Anderson.

  • UnaffiliatedEI 9
    Killing Joke
    TheatricalDoomGlitch

    Killing Joke are an English post-punk band formed in Notting Hill, London in 1979, whose 'tension music' fused aggressive rhythms with gothic, industrial and metallic weight across landmark records like Night Time (1985) and Pandemonium (1994). Frontman Jaz Coleman's apocalyptic delivery and the band's dense, dubwise heaviness made them a widely cited influence on industrial and alternative acts including Metallica, Nirvana and Nine Inch Nails. Longtime bassist Paul Raven, who joined in 1982, was later briefly recruited for a planned Godflesh US tour that collapsed before it began.

  • Southern Lord / droneEI 23
    Thrones
    DoomDroneTheatrical

    Thrones is the long-running solo project of American bassist Joe Preston, begun in 1994 and given to bass-heavy doom, avant-garde noise rock and experimental drone. Preston is a scene hub in his own right — a former member of Earth and the Melvins and a guest on Sunn O)))'s recordings — and Thrones channels that low-end lineage into one-man records like the Southern Lord compilation Day Late, Dollar Short (2005). The music pairs crushing riffs and heavily processed vocals with an eclectic, unpredictable sensibility.

  • UnaffiliatedEI 9
    Abishai
    GlitchDoom

    Abishai is the lo-fi noise-rock vehicle of Torrance, California multi-instrumentalist Abishai Smith (aliases DJ Bathtub, Eden, Mizpah), who splatters feedback, drum machines, and kazoo across deliberately unpolished sludge, no wave, and noisecore excursions. The 43-track 'Raw and Legendary!!!' (2017) is a maximalist, comedic blowout of punk-metal bits, while the wider catalog under various aliases swings into death industrial, drone, power electronics, and ambient territory — DIY extremity closer to a bedroom noise scene than conventional metal songcraft.

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