Zhertvoprinosheniya

Seattle avant-garde doom/post-black metal band formed in 2012 around vocalist Joy Von Spain, melding melodic black metal, glacial doom, and psychedelic sludge into operatic, ghost-story atmospherics. Signed to Prophecy Productions, their catalog (Moros, Black Somnia, Ligeia) has been called too glacial for sludge, too disjointed for black metal, and too melodic for noise — a genuinely hard-to-pin-down hybrid.

Ligeiaplay in the dock

BandcampSpotify

compare profiles →

Sigihl is a drone/doom/avant-garde metal act from the Silesian Voivodeship, Poland, formed in 2012, describing themselves as 'drone jazz from the hellyard.' Their sole full release, Trauermärsche (and a tango upon the world's grave) (2014, Arachnophobia Records), fuses sludge, doom, drone and black metal with saxophone, funereal atmosphere, and tango-inflected song titles.

Haiku Funeral is a ritualistic industrial/black-metal-adjacent project born in a Marseille studio on Halloween 2008, built around Bulgarian multi-instrumentalist Dimitar Dimitrov (electronics, keyboards, vocals) and American bassist/vocalist William Kopecky, with Finnish drummer David Lillkvist also credited on record. Their sound is a hallucinogenic blend of occult drone, droning doom, and cinematic/ritual ambient, colored by theremin, e-bow, spring-drum, children's harp, and sitar - one reviewer singled out the sitar-and-tribal-percussion 'Cherni Shamani' as evoking cyber-shamanic trance. Six albums deep (most recently Drown Their Moons in Blood, 2021, via Aesthetic Death), they occupy a genuinely fringe niche between black metal atmosphere and psychedelic ritual ambient.

Cherni Shamaniplay in the dock

Bandcamp

compare profiles →

Khlyst is an American experimental drone/doom project formed in New York in 2006, built around guitarist James Plotkin (Khanate, OLD, Phantomsmasher), Norwegian vocalist Runhild Gammelsæter (Thorr's Hammer), and drummer Tim Wyskida (Khanate, Blind Idiot God). Their sole album, the dually-titled "Chaos Is My Name" / "Kaos er mitt navn," was released by Hydra Head Records in October 2006. Across eight Roman-numeral-titled pieces it alternates Gammelsæter's shrieked, free-form vocals with eerie ambient guitar and percussion soundscapes.

Nazoranai is an improvising power trio formed in 2011 by Keiji Haino (guitar, vocals, synth), Stephen O'Malley of Sunn O))) (bass) and Oren Ambarchi (drums), issuing its self-titled live debut on O'Malley's Ideologic Organ imprint in 2012. The name signals a stance against pure free improvisation, favoring a more deliberate approach as the trio moves from sparse, post-industrial landscapes into huge firestorms of riff and distortion. Its genesis traces to a 2006 introduction between Haino and O'Malley via Ambarchi.

Nazoranai (なぞらない)play in the dock

Bandcamp

compare profiles →

Polish occult doom/drone trio from Lodz built entirely around improvised 'automatism' -- the band records without prior composition or rehearsal, chasing psychedelic-rock, doom, and drone textures under an Austin Osman Spare-derived chaos-magick concept. Three full-lengths deep as of 2022, most released through Italy's I, Voidhanger Records.

Reto Mäder's long-running Sum Of R has cycled through several lineups since 2008; the current Swiss-Finnish incarnation with Marko Neuman (vocals) and Jukka Rämänen (drums) pushes furthest into ritual drone-doom territory on 2025's Spectral, an 'acoustic séance' of tape manipulation, mellotron, and psychedelic doom built around sustained tones rather than riffs. The record pulls in a small constellation of scene names as guests — Juho Vanhanen of Oranssi Pazuzu, Vicotnik of Dødheimsgård, and G. Stuart Dahlquist of Burning Witch/Goatsnake — placing the band at a crossroads of drone, post-metal, and avant-black circles, even as Mäder's other projects (Ural Umbo, Hexvessel, Dark Buddha Rising) sit outside this atlas.

Solaceplay in the dock

BandcampSpotify

compare profiles →

Moroghor was the solo studio vehicle of Massachusetts musician David Lanciani (aka Dimaension X), active 2007-2010 and built around a fictitious three-person lineup of invented characters (Ndethatl, Ygorathla, Zatholal). The 2009 debut '...and Space as Chaos' billed itself as 'Psychedelic Xperimental Black Metal From Beyond,' while its same-year companion 'Darkness...' pivoted to minimal drone/doom the artist himself pitched as sitting alongside Sunn O))), Nortt, and Nadja. Lanciani has continued working similar minimal blackened-drone territory under other names since the project went on hold.

Euclidean Dementiaplay in the dockcompare profiles →

The Crawling Chaos is a Moscow noise/sludge act formed in 2013 ('filth & stench since 2013'), blending doom, black metal and drone into an abrasive, atmosphere-heavy sound thickened by saxophone and noise/synth layers. They've released a self-titled full-length (2015), Гильотины поют о любви (2016), the EP Стерилизация преданных слуг, and the 2024 split Организованное безумие (Organized Madness) with fellow atlas act Neon Scaffold.

Ghostmass (大鬼眾) is a Beijing improvisation collective formed in 2021 from a shared passion for drone, doom, and extreme metal, filtered through harsh noise and free improvisation. Reviewer Michael Scharf (Outside Noise) describes their 2024 album 'Ghost Meditation' as evolving from chaotic noise toward a more structured, doom-metal-inspired sound, with anguished throat-singing-style vocals over grating feedback and power electronics. The lineup draws members from Beijing noise-rock scene acts Carsick Cars and Soviet Pop.