Klang Schreit Nichts

Thorne was a short-lived experimental/atmospheric black metal band from Río Gallegos, Argentina, that recorded one demo (Until Their Ruins Be Our Trench, 2013) and one full-length, Ekpyrosis & Restitutio in Pristinum Status, released as a limited cassette in 2017 by Brotherhood of Light Recordings. The album mixes Spanish-language black metal with lengthy instrumental passages and a lute-song arrangement of Renaissance composer John Dowland's 'Grief'. The band split up after this release.

Todesstoß is the solo experimental black metal vehicle of German musician, poet and painter Martin Lang, active out of Munich since the early 2000s. Releases like Hirngemeer and the 46-minute single-track Ebne Graun fold harmonica, funeral-doom pacing and abrasive electronic texture into a deliberately disorienting, self-willed strain of black metal, released via I, Voidhanger Records.

In their early era Sólstafir, formed in Reykjavík in 1995, played raw, epic Icelandic black/viking metal in the vein of Bathory and Enslaved: cold tremolo riffing, harsh vocals and pagan atmosphere. The debut full-length Í Blóði og Anda ("In Blood and Spirit", 2002) crystallized this sound, and its follow-up Masterpiece of Bitterness (2005, Spinefarm) began folding in the progressive and post-metal textures that would later define the band. This era established Sólstafir as one of Iceland's most distinctive extreme-metal exports before their gradual drift away from black metal orthodoxy.

Í Blóði og Andaplay in the dock

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Hail Spirit Noir is a Greek band from Thessaloniki (formed 2010) that welds 1970s psychedelic and progressive rock — vintage organ, synth and mellotron textures — onto a modern second-wave black metal frame. Founded by Haris and Theoharis, both veterans of the prog outfit Rex Mundi and the avant/symphonic project Transcending Bizarre?, the band cultivates an occult, horror-tinged atmosphere across concept albums, drifting further into synth-forward territory on Eden in Reverse. Frequently filed alongside Oranssi Pazuzu and Arcturus as psychedelic/avant-garde black metal.

Caged Bastard is the solo project of Tunisian multi-instrumentalist Muhammad Oun (Bizerte, Tunisia), formed in 2018 as a blackened hardcore/grindcore act before evolving since 2019 into a broader fusion of black metal, sludge, drone, noise and ambient textures. Oun writes, performs, records, mixes and masters all material himself. Releases include "Inhumane Intentions" (2024), "Solace in Virtue's Absence" and "Mantra of Psychological Violence."

Echo Chamber of Woundsplay in the dock

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10:13 is the solo, largely instrumental black-metal vehicle of Southern California multi-instrumentalist Neil Carter, self-released through his own Unclebaby Records since 2019. Debut album "Result of an Iron Age" splices black-metal riffing with acoustic sylvan guitar, out-of-tune harmonica, organ and trip-hop-tinged samples into what one reviewer called "a piece broken down rather than a collection woven together," drawing comparisons to Arcturus' more deranged moments. Carter cites Camper Van Beethoven, Philip Glass and Gentle Giant alongside black-metal names like Xasthur and Darkspace as touchstones, and brought in prog-rock keyboardist Derek Sherinian and guitarist Mario Romero as guests.

Norwegian avant-garde project (1998-2006) from Notodden founded by Ihsahn (Emperor), his wife Ihriel and her brother Lord PZ, on their own Mnemosyne Productions. It began as symphonic avant-garde extreme metal and drifted toward classical-tinged avant-garde rock full of twisted synths, electronics, operatic female vocals and Ihsahn's shrieks. Lost in Reverie (2004) is regarded as a landmark of the genre-transcending Norwegian avant-garde.

Umbrtka is a prolific Czech black/doom/industrial project from Plzeň, active since 1999 and centered on a self-invented industrial deity presiding over the city's factories, railways and scrapyards. Their 'grey metal' sound layers dissonant black metal with field recordings, mechanical noise and surreal spoken-word narration. František 'Franta' Štorm — closely associated with Czech black metal pioneers Master's Hammer — served as a past vocalist.

Lychgate is a London-based avant-garde black/doom metal band formed around 2011-2012, built on a foundation of pipe/church organ used as the compositional backbone of every track. Their influences span late-19th/early-20th-century art music, Rock in Opposition and musique concrete. They record for Debemur Morti Productions, with a discography running from the 2013 self-titled debut through 2025's 'Precipice.'

Ägakäken is a one-person Estonian black metal/experimental project helmed by SÜBÜR (guitar, vocals, synths, percussion). Its 2022 EP "BlÄkk VVärkk" mixes black metal with harsh noise, noise rock, and post-rock textures across short, abrasive tracks, some under 30 seconds. Other 2021–2022 releases include "DEMO 2021," "AxLxBxUxM," and "Seksiori Indrek."