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Glyptoglossio is a New York avant-garde metal / free-improvisation trio of guitarist-vocalist Eliane Gazzard, guitarist Colin Marston, and percussionist-vocalist Nándor Névai, announced publicly via Marston's other bands' social channels. Billed in its own words as 'Biomechanical 21st Century style,' the project pushes Marston's tech-death and brutal-prog pedigree into formless, freely improvised territory, pairing distorted riffs and freeform drumming with robotic spoken narration. Its catalogue includes GLYPTOGLO5510 (2016) and YOTTAANNUMS in the BYSS (2019), the latter recorded and produced at Marston's own Menegroth, The Thousand Caves studio.

Chryst is the solo, present-day moniker of Christof Niederwieser, who founded the Austrian avant-garde black metal band Korova in Innsbruck in 1990, continued it as Korovakill from 2000, then released the sole Chryst album PhantasmaChronica (2011). Niederwieser also sang on Angizia's first two studio albums.

Paris's 6:33 build unpredictable, theatrical avant-metal around rotating lead vocalists and songs that swerve from grinning electronic pop hooks ('I'm a Nerd') to widescreen prog-metal bombast. Signed to Kaotoxin Records for 2015's Deadly Scenes, the band draws comparisons to Devin Townsend's maximalism and Diablo Swing Orchestra's genre-hopping theatrics. Multi-vocalist trade-offs and electronic texture keep the material feeling more like a revue than a conventional metal band.

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こくまろみるく (Kokumaromilk) is a Japanese avant-garde outfit that dresses power and symphonic metal foundations in noise interludes, jazz-pop detours, and a vocalist who swings between saccharine-cute and unhinged within the same song. Reviewers place it alongside Sigh and Gonin-Ish in Japan's weird-metal lineage, praising its whiplash genre-shifts. Documentation outside Metal Archives is thin, so several details (full lineup, precise formation year) remain unconfirmed.

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Psychopathology Orchestra was a one-man Dijon, France project helmed by a musician known as Timmy (also of the black metal duo Astaarth), releasing a single 2003 album that pairs stop-start death/black/grind riffing with a heavy layer of synths and industrial-style programming. Mr. Bungle-indebted horn stabs, cartoonish pitch-bent keyboard tones, and a thematic fixation on psychiatric insanity give the record a theatrical, unhinged character within an otherwise French death-metal frame.

Atrox is a long-running Norwegian avant-garde metal band from Trondheim (formed 1988, debut album 1997) that brands its sound 'schizo/psycho metal' — experimental, progressive metal built on sharp contrasts of light and dark, unorthodox structures, and intense, bizarre vocals. Rooted in an atmospheric death/doom origin, later albums on Season of Mist (Contentum, Terrestrials, Binocular, Monocle) push toward melodic yet unpredictable, keyboard-and-sample-textured territory in the vein of Arcturus and Manes. The band's guitar core (viNd and Rune Sørgård) has anchored it since 1997.

Carnival in Coal was a French extreme/avant-garde metal duo formed in Amiens in 1995 by vocalist Arno Strobl and multi-instrumentalist Axel Wursthorn, active until 2007 (briefly revived 2014). The band mixed death and black metal with disco, pop, reggae, and chamber-rock elements under a recurring carnival/circus concept, releasing albums via War On Majors, Season of Mist, and Earache's Elitist imprint. Critics drew comparisons to Faith No More/Mr. Bungle, Frank Zappa, and John Zorn for the band's genre-defying juxtapositions.

Archangel is an avant-garde/electronic metal band from Venice, Italy, formed in 1994, notable for a groove-metal-rooted early sound that evolved into a symphonic, industrial, and electronically-inflected style incorporating elements as varied as saxophone passages within metal arrangements. Their 1996/97 debut 'In Tears the Angel Falls...' is often cited as a landmark avant-garde metal record and the band has been credited by some (including their own promotion) as the first metal act to tune entirely to the Golden Mean-derived 432 Hz standard. They continued releasing conceptually ambitious albums through 2010's 'The Story of My Immor(t)al Life', with core member Vam Kama Ocean Archangel (vocals/keyboards) present since formation.

Oxiplegatz was the solo project of Alf Svensson, founding guitarist and a chief early songwriter of At the Gates, who left the band in 1993 after With Fear I Kiss the Burning Darkness to pursue tattoo art and this stranger, self-described 'cyber doom' and 'electronic-opera-black metal' outlet. Released on Season of Mist, its two full-lengths (Worlds and Worlds, 1996; A Sidereal Journey, 1998) reject verse-chorus songwriting for continuous, narrative-driven compositions, the latter a concept record about an alien civilization's flight from its dying homeworld.

Flagman is a funk-metal/avant-metal band founded in 2015 in Orlando, Florida by bassist-vocalist Sam Stewart and guitarist Cody Singleton, later relocating to Seattle, Washington. Their sound centers on Stewart's Les Claypool-indebted slap bass and theatrical, character-voiced vocals, wearing clear influences from Primus, Mr. Bungle, System of a Down, and Faith No More across releases like 'Thank You, Come Again' (2022), 'Tastes Incredible' (2024), and the industrial-tinged EP 'Before The Blast' (2025). Press coverage has also compared their more recent, blunter material to 'funky Chat Pile.'

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