6:33
France · formed 2010 · last active 2023
Paris's 6:33 build unpredictable, theatrical avant-metal around rotating lead vocalists and songs that swerve from grinning electronic pop hooks ('I'm a Nerd') to widescreen prog-metal bombast. Signed to Kaotoxin Records for 2015's Deadly Scenes, the band draws comparisons to Devin Townsend's maximalism and Diablo Swing Orchestra's genre-hopping theatrics. Multi-vocalist trade-offs and electronic texture keep the material feeling more like a revue than a conventional metal band.
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
WHY THOSE SCORES
- Jazzy 3 — Press repeatedly compares 6:33 to Diablo Swing Orchestra, itself defined by swing/jazz-metal fusion.
- Technical 5 — Toured with and compared to Devin Townsend's maximalist prog style, indicating dense compositional complexity.
- Glitch 3 — Reviews describe the band blending metal with electronic textures and machines/keys credited in the lineup.
- Theatrical 6 — Press consistently frames 6:33 as 'unpredictable strange music' blending metal, electronic, and theatrical elements, with quirky material like 'I'm a Nerd' and masked stage presentation noted by New Noise Magazine.
MEMBERS
- Rorschach (Florent Charlet)vocals
- Nikoguitars
- S.A.D.bass
- Howahkan Ituhakeys, machines
CONNECTIONS
- Carnival in Coalpath →
Vocalist Arno Strobl fronted Carnival In Coal (1995-2007, 2014-present; albums incl. Fear Not, Collection Prestige) and directly collaborated with 6:33, co-billed as '6:33 & Arno Strobl' on the band's debut release and The Stench From The Swelling (A True Story), with a further guest vocal spot on 2015's Deadly Scenes. source ↗
- Acid Mothers Templepath →
Both bands' cover art was done by freelance artist Seldon Hunt (Discogs id 652485): Acid Mothers Temple's "Crystal Rainbow Pyramid Under The Stars" (2007) and this band's "Orphan Of Good Manners" (2011). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7); AMT joins the Seldon Hunt cluster as its 19th atlas client. source ↗
- Blind Idiot Godpath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Blind Idiot God's "Before Ever After" (2015). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Blut aus Nordpath →
Both bands' cover art/design work was done by freelance artist Dehn Sora: Blut Aus Nord's "Memoria Vetusta III – Saturnian Poetry" (2014, Layout/Illustration credit) and 6:33's "The Stench From The Swelling (A True Story)" (2013, Artwork credit). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Dehn Sora is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Burning Witchpath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Burning Witch's "Crippled Lucifer" (2008). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Decline of the Ipath →
Both bands' cover art was done by freelance artist Dehn Sora: 6:33 & Arno Strobl's "The Stench From The Swelling (A True Story)" (2013, "Artwork") and Decline of the I's "Wilhelm" (2025, "Artwork By"). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Dehn Sora is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Earthpath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Earth's "Live Europe 2006" (2007). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Ephel Duathpath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Ephel Duath's "Through My Dog's Eyes." (2009). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Fredrik Thordendal's Special Defectspath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Fredrik Thordendal's Special Defects's "Sol Niger Within" (2016). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Goatsnakesatellitepath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Goatsnake's "1" (2022). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- House of Low Culturepath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and House of Low Culture's "Live From The House Of Low Temperature!" (2003). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Howling Sycamorepath →
Both bands' cover art/design work was done by freelance artist Dehn Sora: 6:33's "The Stench From The Swelling (A True Story)" (2013, Artwork credit) and Howling Sycamore's self-titled 2018 album (Artwork/Layout credit). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Dehn Sora is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Jarboepath →
Both bands' cover art/design work was done by freelance artist Dehn Sora: 6:33's "The Stench From The Swelling (A True Story)" (2013, Artwork credit) and Jarboe's "Illusory" (2020, Artwork credit). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Dehn Sora is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Jesupath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Jesu's "Sun Down / Sun Rise" (2007). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- KK Nullpath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and KK Null's "Extropy" (2009). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Lotus Eaterspath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Lotus Eaters's "Lotus Eaters" (2002). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Made Out of Babiespath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Made Out of Babies's "The Ruiner" (2008). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Nadjapath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Nadja's "Thaumogenesis" (2007). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Neurosispath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Neurosis's "A Sun That Never Sets" (2001). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Orthodoxpath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Orthodox's "Amanecer En Puerta Oscura" (2007). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Pelicanpath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Pelican's "Live In Chicago 6/11/03" (2005). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Sunn O)))path →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and Sunn O)))'s "Black One" (2005). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- The Oceanpath →
Both bands' cover art/design work was done by freelance artist Seldon Hunt: 6:33's "Orphan Of Good Manners" (2011) and The Ocean's "Pelagial" (2013). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7, the exception to hub-and-spoke) — Hunt is not an atlas band member so there is no anchor band. One representative Discogs credit cited; the companion credit is logged in research/edge-taxonomy-ledger.json. source ↗
- Wormfoodpath →
Both bands' cover art/design work was done by Strychneen Studio (Discogs artist id 3275736): Wormfood's "Posthume" (2011, Artwork) and "L'Envers" (2016, Artwork [Visuals]), and 6:33's "Deadly Scenes" (2015, Layout [Album Layout], Design [Booklet Design]). Pairwise artwork tie per the 2026-08-07 ruling (PROTOCOL rule 7) — Strychneen Studio is not an atlas band so there is no anchor band. source ↗
- Tigran Hamasyanpath →
Shared label roster: Universal Music France, per MusicBrainz. source ↗
FURTHER LISTENING
Nearest score profiles in the atlas.
- UnaffiliatedEI 14Kokumaromilk (こくまろみるく)TheatricalTechnicalJazzy
こくまろみるく (Kokumaromilk) is a Japanese avant-garde outfit that dresses power and symphonic metal foundations in noise interludes, jazz-pop detours, and a vocalist who swings between saccharine-cute and unhinged within the same song. Reviewers place it alongside Sigh and Gonin-Ish in Japan's weird-metal lineage, praising its whiplash genre-shifts. Documentation outside Metal Archives is thin, so several details (full lineup, precise formation year) remain unconfirmed.
- UnaffiliatedEI 11FlagmanTheatricalTechnicalGlitch
Flagman is a funk-metal/avant-metal band founded in 2015 in Orlando, Florida by bassist-vocalist Sam Stewart and guitarist Cody Singleton, later relocating to Seattle, Washington. Their sound centers on Stewart's Les Claypool-indebted slap bass and theatrical, character-voiced vocals, wearing clear influences from Primus, Mr. Bungle, System of a Down, and Faith No More across releases like 'Thank You, Come Again' (2022), 'Tastes Incredible' (2024), and the industrial-tinged EP 'Before The Blast' (2025). Press coverage has also compared their more recent, blunter material to 'funky Chat Pile.'
- UnaffiliatedEI 10Aberrant VascularTheatricalTechnicalGlitch
Aberrant Vascular is a Helsinki, Finland project built in 2003 around opera vocalist Vladimir "Lumi" and keyboardist Heikki "Mr. Rych" Pöntinen, releasing a single album, Aegisthus (2012), that layers operatic vocal theatrics over trip-hop beats, industrial synths and guitar riffing. It has been namechecked alongside Arcturus, Solefald, Vulture Industries and Sleepytime Gorilla Museum for its bombastic, genre-blending approach, though reviewers note the metal riffing itself stays fairly conventional under the vocal pyrotechnics.
- UnaffiliatedEI 13HeadkaseTheatricalTechnicalJazzy
Headkase were an Australian avant-garde metal band from Brisbane (2001-2014) built around a genuine circus stage show — masks, face paint and carnival theatrics — layered over a genre-blending sound mixing metal with jazz, techno, salsa and swing. Frequently billed as 'Brisbane's own Mr. Bungle,' their sole full-length was 'The Worm County Circus' (2009); they disbanded in 2014.
- UnaffiliatedEI 17ArchangelTechnicalTheatricalJazzy
Archangel is an avant-garde/electronic metal band from Venice, Italy, formed in 1994, notable for a groove-metal-rooted early sound that evolved into a symphonic, industrial, and electronically-inflected style incorporating elements as varied as saxophone passages within metal arrangements. Their 1996/97 debut 'In Tears the Angel Falls...' is often cited as a landmark avant-garde metal record and the band has been credited by some (including their own promotion) as the first metal act to tune entirely to the Golden Mean-derived 432 Hz standard. They continued releasing conceptually ambitious albums through 2010's 'The Story of My Immor(t)al Life', with core member Vam Kama Ocean Archangel (vocals/keyboards) present since formation.
- UnaffiliatedEI 15Anthurus d'ArcherTheatricalTechnicalJazzy
Anthurus d'Archer is a five-piece experimental metal-jazz fusion outfit from Poitiers, France, blending free jazz, industrial textures and avant-garde rock with saxophone, flute, brass, percussion and samples. Their releases lean into absurdist song titles and elaborate visual/theatrical presentation, including a trilogy culminating in the stage-based piece "Le voyage d'André" (2008). The project has self-released steadily since the debut album Plastofilène (2004), often partnering with visual artist Patrice Le Garrec and percussionist Frank Quintard.
- UnaffiliatedEI 13Harmony BayTheatricalJazzyTechnical
Harmony Bay is a Czech avant-garde extreme metal band from Jihlava, formed in 1998, classified by Metal Archives under absurdist/nonsense/humorous lyrical themes. Their sound is built around live drums, guitar, and vocals from core members Petr "Bob" Pokorný and Petr "Gravyy" Stáva, with a synthesizer filling in the remaining instrumentation, resulting in a described fusion of metal with jazz and other genres. Best known locally for songs like "Žbluňk" and their album Bezcharakterní Šprým Idiomiasmatického Koníka, the project has stayed a deep-underground, self-released concern for over two decades.
- Patton-verseEI 13Peeping TomTechnicalTheatricalGlitch
Peeping Tom is Mike Patton's self-described 'version of pop music' — chart-radio hooks, trip-hop and hip-hop production run through his warped sensibility, named after Michael Powell's 1960 voyeur thriller. Its sole, self-titled album (Ipecac, May 30, 2006) took roughly six years to assemble, built by swapping song files through the mail with a rotating cast including Dan the Automator, Rahzel, Norah Jones, Massive Attack, Kool Keith, Amon Tobin and Bebel Gilberto. Widely called Patton's most mainstream-accessible work since Faith No More, it reached #103 on the Billboard 200 and #1 on the Heatseekers chart — the atlas's clearest case of an avant-metal lifer infiltrating pop rather than escaping it.
- UnaffiliatedEI 9AngererTechnicalTheatricalJazzy
One-man Vienna-based experimental progressive metal project helmed by David Angerer, whose 2026 album Palingenaeon plays like 'a film score at a party' -- neoclassical/symphonic prog metal stitched together with circus music, absurdist black comedy, and a loose concept about botched reincarnation. Extremely new and thinly documented outside a handful of prog/metal press write-ups.
- UnaffiliatedEI 15Edge of RealityTheatricalTechnicalJazzy
Edge of Reality is a Nashville art-metal quintet whose 2019 album In Static packs jazz-inflected saxophone, carnival theatrics, and djent-adjacent riffing into a maximalist, constantly shifting progressive-metal frame. Reviewers place them alongside Native Construct, Thank You Scientist and Haken: dense, technically ambitious, occasionally overstuffed songwriting paired with a comedic, narrative-driven concept. Guitarist Joey Frevola also plays in UK prog act KYROS and LA's An Endless Sporadic, though neither is part of the EMMA atlas.