Dola

Wyrmwoods is a one-man experimental/atmospheric black metal project from Oulu, Finland, active since 2014 under the alias Nuurag-Vaarn and signed to Inverse Records. Its four full-lengths (Earth Made Flesh, 2017; Spirit & Teeth, 2019; Gamma, 2020; No Sun Nor Moon, 2022) fold progressive rock, doom, jazz saxophone and ambient texture into a black metal core, with Gamma marking a deliberate turn from a chaotic, lo-fi approach toward more progressive, Opeth-indebted songwriting.

Noosefiller is a South Lake Tahoe, California project centered on Loren Zibull (synthesizers, samples, drum programming, production, vocals) and Christophe Bassett (guitar, vocals, saxophone), with A.O.S Heirdrain contributing vocals/lyrics, releasing through Deafbox Industries. Their self-titled 2017 album is tagged atmospheric and psychedelic black metal alongside IDM, industrial metal, dark ambient, and avant-garde metal on Bandcamp, reflecting a sound that folds electronic programming and saxophone into a blackened, atmospheric metal base; the artist's wider Bandcamp tag cloud also includes atmospheric sludge metal, progressive metal, and noise rock.

Prague's Voluptas channel 90s Norwegian avant-black (Ved Buens Ende, Dodheimsgard, Enslaved) through psychedelia, free jazz and drone-rock, with a recurring guest saxophonist smearing Alban Berg-inspired lines across the riffs. Their debut EP Ved Rums Ende (2016) closed out a punkier chapter before Towards the Great White Nothing (2020) and the guest-cello-and-sax Where Celestial Bodies Guide Not (2025) pushed further into dynamic, atmospheric territory. The band's name is a direct nod to Ved Buens Ende.

Xenoch is a solo New York City black-metal project stacking bardo-metal dissonance against chamber music, modern classical, and free-jazz textures. 2023's 'poison lotus corpse pearl' pairs blackened death riffing with classical and free-jazz Bandcamp tags across five sprawling 'sign' movements, while 2026's 'Shedding Broken Shells like Feathers' pushes further into electroacoustic, glitch, and xenharmonic/microtonal territory. Dense, philosophical liner notes about the 'abolition of the temporal dimension' frame the project as bedroom avant-garde black metal rather than a full band.

sign v: …the night will never sleepplay in the dock

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In the Woods... are a Norwegian avant-garde/progressive metal band from Kristiansand, formed in 1992 from the early Green Carnation lineup. Their debut 'Heart of the Ages' helped shape pagan black metal before the band evolved toward atmospheric, progressive and doom-leaning territory across 'Omnio' and later records, with clean and female vocals broadening the palette. After disbanding in 2000 they reformed in 2014 and continue releasing through Debemur Morti Productions.

Nirrti is a solo psychedelic black metal project based in Orlová, Czechia, signed to Depressive Illusions Records. The project's music has been described as eerie, dissonant, and 'progressive black metal played through the lens of psychedelics and jazz,' aiming to convey darkness, uncertainty, and glimpses of other dimensions rather than adhering to traditional black metal norms. Releases include 'Psychonautix' (2022), 'Palindromos' (2023), and 'Cyberpsychosis' (2024), the latter continuing the project's cyber/psychedelic conceptual throughline.

Avant-garde metal sextet from Poznań, Poland, founded in 2019 by guitarist Marcin Tuliszkiewicz and drummer Krzysztof Kulis. Their self-titled debut (10 January 2025) fuses black/death metal harshness with dark jazz, doomy drone and trumpet (Magdalena Andrys), driven by dual vocals between clean singer Julita Dąbrowska and growler Michał Sosnowski.

Kekal is an Indonesian avant-garde/experimental act formed in Jakarta in 1995, one of the first Southeast Asian extreme-metal bands to reach an international audience. Beginning in black/death metal, they transformed across their discography into a genre-collapsing project spanning progressive metal, jazz fusion, trip-hop, electronic/IDM, ambient and post-rock — the 2003 breakthrough 1000 Thoughts of Violence being the pivot. Since August 2009 the band has operated as a 'memberless' collective, with former members and volunteer contributors assembling new albums.

Tabernacle ov Thee Flesh is a Brazilian avant-garde/experimental black metal project from Joinville, released via Ultra Gash Records, featuring Naboth E. Coli (vocals, keyboards), L. Borgia Rossetti (guitar, also of Esmectatons and Os Legais) and Leal Barroso (drums, also of Esmectatons and Zombie Cookbook). Their sole album Versículos de Autoflagelo (2021) comprises 25 short tracks forming one continuous suite steeped in free improvisation, jazz and noise traditions.

Lychgate is a London-based avant-garde black/doom metal band formed around 2011-2012, built on a foundation of pipe/church organ used as the compositional backbone of every track. Their influences span late-19th/early-20th-century art music, Rock in Opposition and musique concrete. They record for Debemur Morti Productions, with a discography running from the 2013 self-titled debut through 2025's 'Precipice.'