The Pitts Minnemann Project
United States · last active 2016
The Pitts Minnemann Project is an instrumental progressive-rock/jazz-fusion collaboration between keyboardist Jimmy Pitts (Scholomance) and drummer Marco Minnemann, joined by rotating guest virtuosi on guitar, bass, saxophone, and violin. They released two albums, '2 L 8 2 B Normal' (2014) and 'The Psychic Planetarium' (2016), both blending heavy fusion with progressive-metal complexity.
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
WHY THOSE SCORES
- Jazzy 7 — Instrumental jazz-fusion project explicitly genre-tagged 'Jazz Fusion,' featuring saxophonist Joshua Thomson and violinist Joe Deninzon (Stratospheerius) as core guests.
MEMBERS
- Jimmy Pittskeyboards, composer
- Marco Minnemanndrums· also in Ephel Duath, Felix Martin
- Joe Deninzonviolin (guest)
- Joshua Thomsonsaxophone (guest)
CONNECTIONS
- Ephel Duathpath →
Drummer Marco Minnemann of the Pitts Minnemann Project also played drums (and engineered) on Ephel Duath's 'Through My Dog's Eyes' (2008), 'On Death and Cosmos' (2012), and 'Hemmed by Light, Shaped by Darkness' (2013). source ↗
- Felix Martinpath →
Marco Minnemann in both — drums in The Pitts Minnemann Project, drums in Felix Martin. source ↗
FURTHER LISTENING
Nearest score profiles in the atlas.
- Tool-verseEI 11Volto!TechnicalJazzy
Volto! is an American jazz-fusion jam band based in Los Angeles, best known as the side project of Tool drummer Danny Carey. Formed in the early 2000s from improvised sessions with guitarist John Ziegler and bassist Lance Morrison at a San Fernando Valley jazz club, the group spent nearly a decade as a live-only act before releasing its debut album Incitare (2013) on Fantasy Records. Their heady, genre-spinning instrumental sound bridges King Crimson, Liquid Tension Experiment, and 1970s fusion, foregrounding the improvisation that Carey has cited as his main motivation for the project.
- UnaffiliatedEI 8Cartel CarnageTechnicalJazzy
Cartel Carnage is a French quintet of jazz-scene musicians (guitar, bass, trumpet, tenor sax, drums) fusing free jazz, heavy metal, pop and progressive rock into what reviewers called a 'musical UFO.' Their sound and stated influences — Naked City, Fantomas, Mr. Bungle, Zorn, Ornette Coleman, alongside Meshuggah and Slayer — place them squarely in genre-collision RIO/avant-prog territory, though no sourced personnel or label ties connect them to the existing atlas. Their sole full-length, Incorporated, was released in 2012 on Great Winds/Musea Records.
- UnaffiliatedEI 8Burning GhostsJazzyTechnical
Los Angeles metal-jazz quartet fronted by trumpeter Dan Rosenboom and guitarist Jake Vossler, pairing lyrical, Miles-Davis-lineage trumpet against Vossler's distorted, noise-inflected guitar over double bass and drums. Their 2017 debut Reclamation (Tzadik) was tracked in 72 hours as a politically charged 'jazz protest record,' moving between free improvisation, heavy thrash riffing, and balladic passages.
- Dissonant tech-deathEI 10ZeviousTechnicalJazzy
Brooklyn/NYC instrumental trio blending prog, jazz, and metal into knotty, polymetric compositions; began as an acoustic jazz unit before electrifying into an aggressive math-rock/tech-metal power trio. Drummer Jeff Eber doubles in Dysrhythmia, and the band's Cuneiform-era records were engineered by Dysrhythmia's Colin Marston, tying them into the Brooklyn tech-metal underground.
- ZornEI 12Jon IrabagonTechnicalJazzy
Jon Irabagon is a Filipino-American jazz saxophonist and composer, founder of Irabbagast Records and winner of the 2008 Thelonious Monk International Jazz Competition, whose work runs 'from postbop to free improvisation, avant country to doom metal.' He performed on John Zorn's Bagatelles Vol. 13 (Tzadik, 2023) as half of the Speed-Irabagon Quartet with Chris Speed, Christian McBride and Ches Smith, with Zorn himself guesting on alto sax.
- UnaffiliatedEI 10Blind Idiot GodTechnicalJazzy
Blind Idiot God is an instrumental trio formed in 1982 in St. Louis, fusing noise rock, dub, funk, free jazz and metal; Greg Ginn signed them to SST Records after hearing their demo. Their 1988 album Undertow was produced by Bill Laswell and featured saxophonist John Zorn, and the full band performed on Laswell's Praxis album Sacrifist (1993) alongside Buckethead, Bootsy Collins and Yamatsuka Eye. Khanate drummer Tim Wyskida joined in 2001 and remains the band's drummer through their 2015 reunion album Before Ever After.
- Dissonant tech-deathEI 9Felix MartinTechnicalJazzy
Venezuelan-born instrumental guitarist known for playing two self-designed 14- and 16-string guitars simultaneously, tapping both necks to emulate two guitarists at once. Signed to Prosthetic Records, his 2013 debut The Scenic Album is a trio recording with bassist Nathan Navarro and drummer Marco Minnemann, fusing progressive-metal technicality with jazz-fusion vocabulary and a tapping technique inspired by Venezuelan traditional ensemble music.
- UnaffiliatedEI 8Tear Light From MatterJazzyTechnical
Tear Light From Matter is a Massachusetts-based instrumental act pairing saxophone with a standard metal rhythm section, self-tagged on Bandcamp as experimental/jazz metal/fusion/prog metal. Their debut, "In Statu Nascendi" (released 25 January 2019, recorded and mixed by Jerry MacDonald at Odd Fellows Recording), sits alongside a further release, "Fœtal Præyers", in a small but pointed discography. The saxophone-led interplay places them in the lineage of jazz-inflected heavy bands rather than straightforward metal songwriting.
- UnaffiliatedEI 8Red Side VisibleJazzyTechnical
Red Side Visible is a Cleveland/Akron, Ohio project built around multi-instrumentalist Tim Mirth, fusing odd-metered metal riffing with genuine free-jazz improvisation and alto saxophone. Press copy invokes Meshuggah, Mr. Bungle and Zappa as touchstones; the 2021 album 'A Break from Normality' collects material written and re-recorded across a decade since the project's 2010 debut 'Enter Entropy'.
- UnaffiliatedEI 13ValtozashJazzyTechnical
Valtozash is a fifteen-to-seventeen-piece 'jazz-thrash-metal' big band out of Brisbane, Australia, led by composer and electric vibraphonist Andre Bonetti. A full horn section collides free-jazz harmony and improvisation with thrash-metal aggression, drawing press comparisons to a conducted orchestra 'brutally assaulting' jazz standards. Albums like Wizard-Bird (2017) and Boiling Solitude (2021) showcase the ensemble's scale, arranging dense big-band charts against metal riffing.