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Zevious

NON-METAL

United States · last active 2018

Brooklyn/NYC instrumental trio blending prog, jazz, and metal into knotty, polymetric compositions; began as an acoustic jazz unit before electrifying into an aggressive math-rock/tech-metal power trio. Drummer Jeff Eber doubles in Dysrhythmia, and the band's Cuneiform-era records were engineered by Dysrhythmia's Colin Marston, tying them into the Brooklyn tech-metal underground.

SCORE PROFILE

JazzyBalkanHardcoreSurfBarbershopDeathBlackTechnicalGlitchTheatricalFolkDoomDroneShoegazeAmbient8-bit
Jazzy6
Balkan0
Hardcore2
Surf0
Barbershop0
Death2
Black1
Technical8
Glitch0
Theatrical0
Folk0
Doom1
Drone0
Shoegaze0
Ambient2
8-bit0

Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.

WHY THOSE SCORES

  • Jazzy 6Began as an acoustic jazz trio and retains 'short, nimble-fingered jazz solos'; JazzTimes said they 'split the difference between Tony Williams Lifetime and the 80s Downtown scene' (freejazzblog.org; cuneiformrecords.bandcamp.com).
  • Hardcore 2Lowlands draws comparisons to Fugazi/Sonic Youth-style no-wave/art-rock aggression (nefariousindustries.com).
  • Death 2Instrumental but 'devastating' heavy riffing is noted on Lowlands (nefariousindustries.com).
  • Black 1Lowlands review cites influences 'ranging from new-wave...to doom and black metal' (nefariousindustries.com).
  • Technical 8Reviewers cite 'repetitive, syncopated rhythms,' dissonant chords, and radical reduction/repetition math-rock technique pushed further than peers like Bastro/Shellac (freejazzblog.org).
  • Doom 1Same Lowlands review notes doom-metal influence alongside black metal (nefariousindustries.com).
  • Ambient 2Lowlands is described as 'atmospheric, completely devastating' instrumental metal (nefariousindustries.com).

MEMBERS

  • Mike Eberguitar
  • Johnny DeBlaseelectric bass
  • Jeff Eberdrums· also in Dysrhythmia

CONNECTIONS

member
  • Dysrhythmiapath →

    Drummer Jeff Eber of Zevious is also Dysrhythmia's drummer (credited '(Dysrhythmia)' on the Lowlands release; confirmed as Dysrhythmia drummer since 1998 on Wikipedia) source ↗

producer
  • Dysrhythmiapath →

    Passing Through the Wall (2013) was recorded/engineered by Colin Marston of Dysrhythmia at his Menegroth studio in Queens, NY source ↗

label · 2

FURTHER LISTENING

Nearest score profiles in the atlas.

  • UnaffiliatedEI 10
    Blind Idiot God
    TechnicalJazzy

    Blind Idiot God is an instrumental trio formed in 1982 in St. Louis, fusing noise rock, dub, funk, free jazz and metal; Greg Ginn signed them to SST Records after hearing their demo. Their 1988 album Undertow was produced by Bill Laswell and featured saxophonist John Zorn, and the full band performed on Laswell's Praxis album Sacrifist (1993) alongside Buckethead, Bootsy Collins and Yamatsuka Eye. Khanate drummer Tim Wyskida joined in 2001 and remains the band's drummer through their 2015 reunion album Before Ever After.

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  • Dissonant tech-deathEI 11
    The Pitts Minnemann Project
    TechnicalJazzy

    The Pitts Minnemann Project is an instrumental progressive-rock/jazz-fusion collaboration between keyboardist Jimmy Pitts (Scholomance) and drummer Marco Minnemann, joined by rotating guest virtuosi on guitar, bass, saxophone, and violin. They released two albums, '2 L 8 2 B Normal' (2014) and 'The Psychic Planetarium' (2016), both blending heavy fusion with progressive-metal complexity.

  • Dissonant tech-deathEI 14
    Dysrhythmia
    TechnicalJazzy

    Dysrhythmia is an instrumental progressive/technical metal trio formed in Philadelphia in 1998 by guitarist Kevin Hufnagel and drummer Jeff Eber, now based in Brooklyn. Bassist Colin Marston — also of Krallice, Behold...The Arctopus, and the reunited Gorguts — joined in 2004, and the band's eight studio albums fuse jazz-inflected chord work, technical/progressive-death riffing, and prog-rock structure into a wordless, largely live-tracked instrumental attack.

  • UnaffiliatedEI 8
    Cartel Carnage
    TechnicalJazzy

    Cartel Carnage is a French quintet of jazz-scene musicians (guitar, bass, trumpet, tenor sax, drums) fusing free jazz, heavy metal, pop and progressive rock into what reviewers called a 'musical UFO.' Their sound and stated influences — Naked City, Fantomas, Mr. Bungle, Zorn, Ornette Coleman, alongside Meshuggah and Slayer — place them squarely in genre-collision RIO/avant-prog territory, though no sourced personnel or label ties connect them to the existing atlas. Their sole full-length, Incorporated, was released in 2012 on Great Winds/Musea Records.

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  • UnaffiliatedEI 8
    Tear Light From Matter
    TechnicalJazzy

    Tear Light From Matter is a Massachusetts-based instrumental act pairing saxophone with a standard metal rhythm section, self-tagged on Bandcamp as experimental/jazz metal/fusion/prog metal. Their debut, "In Statu Nascendi" (released 25 January 2019, recorded and mixed by Jerry MacDonald at Odd Fellows Recording), sits alongside a further release, "Fœtal Præyers", in a small but pointed discography. The saxophone-led interplay places them in the lineage of jazz-inflected heavy bands rather than straightforward metal songwriting.

  • Tool-verseEI 11
    Volto!
    TechnicalJazzy

    Volto! is an American jazz-fusion jam band based in Los Angeles, best known as the side project of Tool drummer Danny Carey. Formed in the early 2000s from improvised sessions with guitarist John Ziegler and bassist Lance Morrison at a San Fernando Valley jazz club, the group spent nearly a decade as a live-only act before releasing its debut album Incitare (2013) on Fantasy Records. Their heady, genre-spinning instrumental sound bridges King Crimson, Liquid Tension Experiment, and 1970s fusion, foregrounding the improvisation that Carey has cited as his main motivation for the project.

  • ZornEI 15
    Titan to Tachyons
    TechnicalJazzy

    Titan to Tachyons is a New York instrumental quartet led by guitarist Sally Gates, built around a two-bassist frontline (Trevor Dunn and Matt Hollenberg) with drummer Kenny Grohowski, fusing free-jazz improv, prog counterpoint, and metal violence into sci-fi-themed instrumentals. Their 2022 album Vonals was released on John Zorn's Tzadik label (following 2020's Cactides on Nefarious Industries), and the polyrhythmic, two-bass arrangement gives the compositions an unusually dense, contrapuntal low end. Every member's other credits (Mr. Bungle, Fantômas, Tomahawk, Secret Chiefs 3, Cleric, Imperial Triumphant) wire this band into the Zorn/downtown-jazz and Patton-adjacent avant-metal orbit.

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  • ZornEI 11
    Ahleuchatistas
    TechnicalJazzy

    Ahleuchatistas are an American instrumental avant-prog / math rock group formed in Asheville, North Carolina, in November 2002, mixing jazz, progressive rock, noise, African and Chinese traditional music into block-form, thru-composed and improvised pieces. Their name fuses Charlie Parker's 'Ah-Leu-Cha' with the Zapatistas. Their 2004 album The Same and the Other was reissued on John Zorn's Tzadik in 2008 after Zorn took interest, and the current lineup pairs founder Shane Parish with bassist Trevor Dunn.

  • UnaffiliatedEI 8
    Burning Ghosts
    TechnicalJazzy

    Los Angeles metal-jazz quartet fronted by trumpeter Dan Rosenboom and guitarist Jake Vossler, pairing lyrical, Miles-Davis-lineage trumpet against Vossler's distorted, noise-inflected guitar over double bass and drums. Their 2017 debut Reclamation (Tzadik) was tracked in 72 hours as a politically charged 'jazz protest record,' moving between free improvisation, heavy thrash riffing, and balladic passages.

  • ZornEI 13
    Trevor Dunn's Trio-Convulsant
    TechnicalJazzy

    Trevor Dunn's Trio-Convulsant is the avant-garde jazz vehicle of Mr. Bungle bassist Trevor Dunn, active since 1997 and built on the idea of a compositional jazz trio that also wields rock's power chords — AllMusic called the result "moody jazz with convulsive rock." The group debuted with Debutantes & Centipedes (1998, Buzz Records) featuring guitarist Adam Levy and drummer Kenny Wollesen, then re-emerged on Ipecac with Sister Phantom Owl Fish (2004) in a new lineup with guitarist Mary Halvorson and drummer Ches Smith. That trio returned on Séances (2022, Pyroclastic Records), expanded by the chamber quartet Folie à Quatre — including Sleepytime Gorilla Museum violinist Carla Kihlstedt — for music inspired by the 18th-century French Convulsionnaires of Saint-Médard.

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