Red Side Visible
Red Side Visible is a Cleveland/Akron, Ohio project built around multi-instrumentalist Tim Mirth, fusing odd-metered metal riffing with genuine free-jazz improvisation and alto saxophone. Press copy invokes Meshuggah, Mr. Bungle and Zappa as touchstones; the 2021 album 'A Break from Normality' collects material written and re-recorded across a decade since the project's 2010 debut 'Enter Entropy'.
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
WHY THOSE SCORES
- Jazzy 7 — Bandcamp credits confirm Chris Herald on alto saxophone; the album is tagged 'jazz metal / free jazz / fusion' and described as blending 'jazz oriented' backgrounds with metal, with substantial improvisational space.
- Technical 5 — Bio describes 'super tight odd time' composed sections and Meshuggah-indebted metric complexity underpinning the improvisation.
MEMBERS
- Tim MirthGuitar/primary composer
- Paul StranahanDrums
- Chris HeraldAlto saxophone
FURTHER LISTENING
Nearest score profiles in the atlas.
- UnaffiliatedEI 8Burning GhostsJazzyTechnical
Los Angeles metal-jazz quartet fronted by trumpeter Dan Rosenboom and guitarist Jake Vossler, pairing lyrical, Miles-Davis-lineage trumpet against Vossler's distorted, noise-inflected guitar over double bass and drums. Their 2017 debut Reclamation (Tzadik) was tracked in 72 hours as a politically charged 'jazz protest record,' moving between free improvisation, heavy thrash riffing, and balladic passages.
- UnaffiliatedEI 8Cartel CarnageJazzyTechnical
Cartel Carnage is a French quintet of jazz-scene musicians (guitar, bass, trumpet, tenor sax, drums) fusing free jazz, heavy metal, pop and progressive rock into what reviewers called a 'musical UFO.' Their sound and stated influences — Naked City, Fantomas, Mr. Bungle, Zorn, Ornette Coleman, alongside Meshuggah and Slayer — place them squarely in genre-collision RIO/avant-prog territory, though no sourced personnel or label ties connect them to the existing atlas. Their sole full-length, Incorporated, was released in 2012 on Great Winds/Musea Records.
- ZornEI 11Unnatural WaysJazzyTechnical
Unnatural Ways is guitarist/vocalist Ava Mendoza's power trio with bassist Tim Dahl and drummer Sam Ospovat, formed in 2012 and drawing on noise rock, free jazz and metal for a raw, heavy, unpredictable sound built around Mendoza's angular, distorted guitar work. The band's second album, We Aliens, came out on John Zorn's Tzadik label in 2016, and Mendoza herself has a deep pedigree in Zorn's orbit, having played his 1984 'game piece' Cobra and recorded in his Arcana series. She's also a recurring guest on saxophonist Jon Irabagon's improv-noise 'I Don't Hear Nothin' But the Blues' series alongside guitarist Mick Barr.
- Tool-verseEI 11Volto!JazzyTechnical
Volto! is an American jazz-fusion jam band based in Los Angeles, best known as the side project of Tool drummer Danny Carey. Formed in the early 2000s from improvised sessions with guitarist John Ziegler and bassist Lance Morrison at a San Fernando Valley jazz club, the group spent nearly a decade as a live-only act before releasing its debut album Incitare (2013) on Fantasy Records. Their heady, genre-spinning instrumental sound bridges King Crimson, Liquid Tension Experiment, and 1970s fusion, foregrounding the improvisation that Carey has cited as his main motivation for the project.
- UnaffiliatedEI 8Tear Light From MatterJazzyTechnical
Tear Light From Matter is a Massachusetts-based instrumental act pairing saxophone with a standard metal rhythm section, self-tagged on Bandcamp as experimental/jazz metal/fusion/prog metal. Their debut, "In Statu Nascendi" (released 25 January 2019, recorded and mixed by Jerry MacDonald at Odd Fellows Recording), sits alongside a further release, "Fœtal Præyers", in a small but pointed discography. The saxophone-led interplay places them in the lineage of jazz-inflected heavy bands rather than straightforward metal songwriting.
- Dissonant tech-deathEI 11The Pitts Minnemann ProjectJazzyTechnical
The Pitts Minnemann Project is an instrumental progressive-rock/jazz-fusion collaboration between keyboardist Jimmy Pitts (Scholomance) and drummer Marco Minnemann, joined by rotating guest virtuosi on guitar, bass, saxophone, and violin. They released two albums, '2 L 8 2 B Normal' (2014) and 'The Psychic Planetarium' (2016), both blending heavy fusion with progressive-metal complexity.
- UnaffiliatedEI 10Blind Idiot GodJazzyTechnical
Blind Idiot God is an instrumental trio formed in 1982 in St. Louis, fusing noise rock, dub, funk, free jazz and metal; Greg Ginn signed them to SST Records after hearing their demo. Their 1988 album Undertow was produced by Bill Laswell and featured saxophonist John Zorn, and the full band performed on Laswell's Praxis album Sacrifist (1993) alongside Buckethead, Bootsy Collins and Yamatsuka Eye. Khanate drummer Tim Wyskida joined in 2001 and remains the band's drummer through their 2015 reunion album Before Ever After.
- UnaffiliatedEI 13ValtozashJazzyTechnical
Valtozash is a fifteen-to-seventeen-piece 'jazz-thrash-metal' big band out of Brisbane, Australia, led by composer and electric vibraphonist Andre Bonetti. A full horn section collides free-jazz harmony and improvisation with thrash-metal aggression, drawing press comparisons to a conducted orchestra 'brutally assaulting' jazz standards. Albums like Wizard-Bird (2017) and Boiling Solitude (2021) showcase the ensemble's scale, arranging dense big-band charts against metal riffing.
- UnaffiliatedEI 11CoinmonsterJazzyTechnical
Coinmonster is a Pennsylvania/Ohio-border progressive-metal outfit (New Castle, PA, formed 1990) built around guitarist-vocalist Jon Reider's fusion chops — self-described 'avant-garde jazzcore' that threads Holdsworth/Herring-style jazz-rock guitar through off-kilter time signatures, with detours into banjo-and-brushes Americana on tracks like 'Wake Up Tilton.' Largely a private-press/regional act (The Schematic, 2000; Tilton Johnson, 2002) rather than a scene band, it's an outlier RYM-tagged avant-garde-metal entry with no documented ties to the wider atlas.
- UnaffiliatedEI 11NeumaJazzyTechnical
Neuma emerged in 2001 from the ashes of Polish prog/noise-metal cult act Kobong, and by 2006's 'Weather' had built a sound around crushing, djent-like bass vamps under free-jazz saxophone improvisation. Reviewers compare its skronking, Colin Stetson-esque sax runs to a slow-motion 'jazz drone,' with fuzzy guitars splitting the difference between post-punk and post-hardcore. It reads as a sparser, stranger cousin to the metal/jazz-fusion lineage of bands like Estradasphere.