Furia

Thorne was a short-lived experimental/atmospheric black metal band from Río Gallegos, Argentina, that recorded one demo (Until Their Ruins Be Our Trench, 2013) and one full-length, Ekpyrosis & Restitutio in Pristinum Status, released as a limited cassette in 2017 by Brotherhood of Light Recordings. The album mixes Spanish-language black metal with lengthy instrumental passages and a lute-song arrangement of Renaissance composer John Dowland's 'Grief'. The band split up after this release.

In their early era Sólstafir, formed in Reykjavík in 1995, played raw, epic Icelandic black/viking metal in the vein of Bathory and Enslaved: cold tremolo riffing, harsh vocals and pagan atmosphere. The debut full-length Í Blóði og Anda ("In Blood and Spirit", 2002) crystallized this sound, and its follow-up Masterpiece of Bitterness (2005, Spinefarm) began folding in the progressive and post-metal textures that would later define the band. This era established Sólstafir as one of Iceland's most distinctive extreme-metal exports before their gradual drift away from black metal orthodoxy.

Í Blóði og Andaplay in the dock

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Mêlée des Aurores is a Québec City atmospheric/dissonant black metal project formed in 2002 by members also of Chasse-Galerie. After a hiatus, returned in 2023 with 'Aube cannibale,' critics placed 'somewhere between Blut Aus Nord, Portal and Deathspell Omega.'

Ulver (Norwegian for "wolves") formed in Oslo in 1993 around vocalist Kristoffer "Garm" Rygg, and their first three albums — Bergtatt (1995), Kveldssanger (1995) and Nattens Madrigal (1997) — form the so-called "Black Metal Trilogie" that defines this era. The sound fused raw, buzzing Norwegian black metal and harsh vocals with quiet acoustic folk passages, classical guitars, cello and choral chamber chants, drawing on Scandinavian folktales and Baroque poetry. Kveldssanger dropped electric instruments entirely for a wholly acoustic record, while Nattens Madrigal swung back to deliberately underproduced, abrasive black metal. Together the trilogy made Ulver one of the most distinctive and literary voices of the 1990s Norwegian black metal scene.

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Post-black metal duo from Saint Petersburg, Russia, active as Swampborn since 2011. Guitarist Pathrone and vocalist Sur released their debut full-length Beyond Ratio via Hypnotic Dirge Records in 2022, weaving brass, violin, cello and accordion into a black-metal core across a concept narrative about existential horror and urban decay.

Korova is an Austrian avant-garde black metal band formed in Innsbruck in 1990 by Christof Niederwieser, Michael Kröll, Moritz Neuner and Georg Razesberger. Their 1995 Napalm Records debut A Kiss in the Charnel Fields fused black and death metal with dual vocals, unusual time signatures, and acoustic color from timpani, mandolin and violin, following it with Dead Like an Angel (1998). Niederwieser and Neuner later split off to form Korovakill, with Niederwieser also releasing solo material as Chryst.

Noble Déchet is a Quebec City black metal project active since 2020, built around Le Mangeur de Feuilles Mortes (vocals, guitar, bass, double bass, organ) and Jean-Guilde (drums, vocals). RateYourMusic tags and user reviews mark them as avant-garde/folk black metal, layering 'weird folk and pagan esoterica' over raw, occult-themed black metal, with the project's own promotional voice leaning hard into absurdist, self-mythologizing humor.

Psychoféodale Herpétocratie (full album)play in the dock

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Crestfallen Dusk is a mostly one-man Tennessee project led by Ryan Clackner (also of Primeval Well, Vile Haint, and StumpTail) that reimagines black metal through the lens of Mississippi Hill Country blues, citing Junior Kimbrough and R.L. Burnside as touchstones. The 2022 self-titled debut (Moonlight Cypress Archetypes) pairs blast beats and blackened shrieks with twangy, reverb-drenched blues guitar recorded on a vintage 1958 Fender Musicmaster. Sean Meyers (drums) and Zac Ormerod (lyrics/mixing) round out the record's credits.

Urarv is the avant-black-metal vehicle of Björn 'Aldrahn' Dencker, founding vocalist of Dødheimsgard, conceived in 2003 during a stay in a mental institution and originally aimed at 'true Norwegian folkish black metal' before mutating into something stranger. Across Aurum (2017), Argentum (2018), and Substratum — recorded 2013, finished 2021/22 — it channels Ved Buens Ende-style dissonant terror and folkloric black-metal mutation through Aldrahn's singular howled vocal delivery, positioned by the band itself as parallel to, not part of, the black metal mainstream.

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Gallows' Forest is the solo Hungarian project of JesterOfDestiny, active since 2018 and built around black metal fused with electronic programming and sampled/traditional instrumentation. Across the self-titled debut, Cerulean, and Cosmic Leviathan, Bandcamp credits confirm real didgeridoo, jaw harp, and a sampled koto performance by guest Sachiko Yoshihara layered into the black-metal base, alongside a stated focus on 'the exploration of electronic soundscapes.' The project also released a 2019 split with fellow atlas act Q'uq'umatz, Waxaklahun Ubah Kan.