Darth Vegas

Sydney-based seven-piece avant-garde act led by Michael Lira (formerly of Vicious Hairy Mary), fusing free jazz, swing, surf rock, carnival music and death metal into a B-movie/circus aesthetic often compared to Mr. Bungle and John Zorn's Naked City. Their second album, Brainwashing for Dirty Minds (Romero Records, 2012), layers brass and strings over rock instrumentation.

SCORE PROFILE

JazzyBalkanHardcoreSurfBarbershopDeathBlackTechnicalGlitchTheatricalFolkDoomDroneShoegazeAmbient8-bit
Jazzy7
Balkan0
Hardcore0
Surf6
Barbershop0
Death4
Black0
Technical5
Glitch0
Theatrical6
Folk0
Doom0
Drone0
Shoegaze0
Ambient1
8-bit0

Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.

WHY THOSE SCORES

  • Jazzy 7Bandcamp/press genre tags list free jazz as a core blended element, with reviewers comparing the band to John Zorn's Naked City (https://romerorecords.bandcamp.com/album/brainwashing-for-dirty-minds)
  • Surf 6Surf rock is explicitly listed among the album's genre tags alongside jazz, Latin and lounge
  • Death 4Death metal is named as one of the styles the seven-piece merges into its sound
  • Technical 5Seven-piece lineup with brass and strings blending free jazz, swing, surf, carnival and death metal into single compositions
  • Theatrical 6Described as evoking '50s B-grade horror film and deranged circus mayhem,' with a stage persona of having 'relocated to Sydney from another galaxy' (https://cityhub.com.au/darth-vegas/)

MEMBERS

  • Michael Liravocals / bandleader
  • Neill Duncansaxophone
  • Julian Curwinguitar

FURTHER LISTENING

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  • UnaffiliatedEI 32
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  • UnaffiliatedEI 16
    Celebrity Sex Scandal
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  • UnaffiliatedEI 12
    Psykup
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  • Estradasphere / MimicryEI 18
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  • Estradasphere / MimicryEI 16
    Don Salsa
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  • Estradasphere / MimicryEI 27
    Traditionalists
    TheatricalTechnicalJazzy

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  • UnaffiliatedEI 17
    Duct Tape Mustache
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    Duct Tape Mustache were a Chicago-area experimental/metal/jazz band active in the early-to-mid 2000s, releasing a self-titled EP in 2002 and 'Mise En Scéne' in 2004 before disbanding in 2005. The lineup blended saxophone, keyboards, and dual guitars into a genre-hopping, horn-driven sound described online as circus-tinged avant-garde metal. Following the split, members scattered into other Chicago-scene projects including Ideamen.

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    Panzerballett
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