Dark Fortress

Junon is a German psychedelic black metal project whose debut LP The Golden Citadel of the Astral Sphere (2026, I, Voidhanger Records) warps second-wave black metal through avant-garde songwriting and a vocal performance that swings from shrieks to operatic wails to laughter. Bandcamp credits it as uniting musicians who have spent decades in bands like Hidden in the Fog, Imha Tarikat, and Temple Koludra, though press coverage instead frames it as a single artist's solo vehicle — individual identities remain undisclosed either way.

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A Montreal avant-garde black metal trio whose 2015 album 'Une voûte sans clef' has been described by reviewers as a terrifying, exhilarating merger of black metal and circus music — cinematic, synth-layered black metal that lurches between harsh blast passages and eerie, carnivalesque calm. Roots trace back to the black metal project Esker before the 2015 rename.

Lengsel are a Norwegian progressive/avant-garde 'unblack' metal band formed in 1995, whose 2000 debut Solace won a following for its atmospheric, experimental take on black metal. The band is tightly bound to Extol: guitarist Tor Magne Glidje joined Extol in 1999 (first on bass, later guitar) and, over time, all three Lengsel members became members of Extol. The overlap left Lengsel a largely studio-bound project.

Alfa Obscura is a one-man Norwegian black metal/avant-garde project based in Oslo, run since around 2010 by Bjeima (Bjørge Eide Martinsen), who writes, performs, and produces all instruments and vocals. Musically it is rooted in cold, dissonant '90s Norwegian black metal tradition pushed into more avant-garde territory across the albums 'Plutonian Shores' (2011) and 'Sisyfos Speil' (2023), the latter drawing critical comparisons to Ved Buens Ende, Virus, and Manes. Bjeima is also a session/touring bassist for the Norwegian avant-garde black metal band Virus, appearing on their album 'The Agent That Shapes The Desert' (2011) and 'Oblivion Clock' EP (2012).

Beannachd Leibh is the Toronto solo project of Alec McKay (formerly recording as Crux), pairing melody-driven black metal in the vein of Blut Aus Nord with the twisting, prog-damaged structures of Kayo Dot and Time of Orchids. Debut full-length Walking in His Works (2025) stretches songs past nine minutes, mixing blasting extremity with symphonic passages and near-hallucinatory melodic detours. It's black metal built for patience — technically dense and unwilling to settle into a single mode for long.

Titaan is the one-man occult black metal project of Italian musician Lalartu, based in Trieste, built around a conceptual exploration of ancient Mesopotamian mythology across Kadingir (2016) and ITIMA (2020). The project fuses aggressive second-wave black metal with dark ambient textures and ritualistic vocal chanting, aiming for a 'cinematic' rather than song-based listening experience. Releases are issued via the Italian label ATMF.

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Morpheus Tales is a Greek experimental/progressive black metal project from Thessaloniki, built around core member Paris (guitars, drums/keys programming) with Georgios P on guitars and Lee on vocals for their most recent work. Their music is billed as 'avantgarde post black metal' that's psychedelic, strange and concept-driven — 2014's Secular Noir is a 'cosmic noir tale of greed and lust,' while 2017's II is an 8-chapter concept record about hypocrisy, false prophets and the denial of reality, featuring a guest saxophone part from Orestis Exidaris. The project appears self-released/unsigned, distributing exclusively through its own Bandcamp.

Echo Zero is a Kraków project that debuted in 2026 with "E0," a concept album about an antenna recovered from the Arctic Ocean floor — "the first rung of Jacob's Ladder" — released on Pest Productions. No Clean Singing folded the band into Poland's long tradition of weird black metal, praising its mind-warping ambient stretches, groove-heavy riffs, prowling bass, and "constantly-mutating" multi-tongued vocal performance that never lets the strangeness dull the aggression. The project is led by IHS (Patryk Rzeszutek, aka Faustyna IHS Moreau), also the mainman of atlas act Biesy.

Old Man's Child is a Norwegian symphonic/melodic black metal band formed in Oslo in 1993 (out of the earlier death/thrash outfit Requiem), and effectively the vehicle of sole permanent member Galder (Thomas Rune Andersen), who later also joined Dimmu Borgir. Their sound welds tremolo-driven melodic black metal to early-death-metal influence and symphonic keyboard orchestration, with a classic lineup that included drummer Tjodalv and guitarist Jardar. For the third album, Ill-Natured Spiritual Invasion (1998), Galder brought in American drummer Gene Hoglan as a session player, recording at Sunlight Studio in Sweden with Tomas Skogsberg.

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De Magia Veterum is the guitar-driven black metal outlet of Dutch multi-instrumentalist Maurice "Mories" de Jong, founded in 2003 as a dedicated counterpart to his more electronic/drone-leaning project Gnaw Their Tongues. Across five studio albums released between 2005 and 2017 (Spikes Through Eyes, Migdal Bavel, The Divine Antithesis, The Deification, Naked Swords into the Wombs of the Enemy) the project pursues dissonant, atonal black metal steeped in esoteric and biblical imagery. De Jong self-releases the project through his own label Transcendental Creations and hosts it on the shared Gnaw Their Tongues Bandcamp alongside his other aliases Aderlating, Cloak of Altering and Seirom.