Caspian
United States · formed 2003 · last active 2023
Caspian are an instrumental band from Beverly, Massachusetts, formed in 2003, and they use post-rock's crescendo shape as a container for far more than post-rock. Three guitars, pedal steel, synthesizers and tape loops build the quiet halves; the loud halves reach genuine post-metal weight, PopMatters calling Dust and Disquiet (2015) a 'prog-metal melee, equal parts resplendent and eviscerating' full of 'distorted clangor, rife with feedback and guitar squeals'. Around the edges sit things the genre usually leaves out — programmed voices, beats and loops, a crooning trumpet, piano and glockenspiel, and on later records obscured vocal melody and outright screams cutting through the shimmer. Where their peers treat atmosphere as the destination, Caspian treat it as one instrument among several, which is why the records keep changing texture from track to track instead of repeating the same slow build.
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
WHY THOSE SCORES
- Jazzy 1 — A 'crooning trumpet' opens Dust and Disquiet (PopMatters); a colour, not a harmonic language.
- Hardcore 1 — Post-hardcore intensity surfaces in the loudest climaxes and in the screamed vocals PopMatters notes on the later records.
- Technical 4 — Long-form pieces layered across three guitars, loops and 'rhythmic and melodic polyphonies' (PopMatters), with meters that move - complex arrangement rather than instrumental display.
- Glitch 2 — PopMatters credits 'programmed voices, beats, and loops', a 'polylogue of electronic loops' and 'electronic pulses' inside the arrangements - electronics as material, though not manipulated to the point of stutter or breakage.
- Doom 3 — The heavy halves land in genuine post-metal weight: 'thrashing metal', 'distorted clangor, rife with feedback and guitar squeals', a 'prog-metal melee, equal parts resplendent and eviscerating' (PopMatters).
- Drone 2 — Sustained pedal-steel and guitar tones underpin the quiet passages, but the music keeps moving rather than sitting on a single tone.
- Shoegaze 4 — Blurred, melodic wall-of-sound is the band's default loud texture - reviewers single out 'a shoegaze edge on some tracks' and climaxes stretched 'across permutations of guitar shimmer'.
- Ambient 5 — Atmosphere is structural, not incidental: 'lush soundscapes', 'iridescent interludes and denouements', standalone ambient interlude tracks, and Philip Jamieson's synthesizers plus Calvin Joss's pedal steel shaping texture where a riff would otherwise be (PopMatters; Wikipedia member credits).
MEMBERS
- Philip Jamiesonguitar, keyboards, synthesizers (2003-present)
- Calvin Jossguitar, pedal steel guitar (2003-present)
- Jonny Ashburnguitar (2009-present)
- Jani Zubkovsbass (2013-present)
- Justin Forrestdrums (2018-present)
- Chris Friedrichbass (2003-2013, died 2013)
- Erin Burke-Moranguitar (2007-2021)
- Joe Vickersdrums (2003-2018)
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