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Thralldom is the long-running studio project of Ryan Lipynsky (aka Killusion, also of Unearthly Trance) and Jared Turinsky (aka Jaldagar), formed on Long Island, NY in 1997. Deliberately never a live band, Thralldom trades in a blackened dark metal that folds in noise, drone, and industrial texture - 2006's 'A Shaman Steering the Vessel of Vastness' was reviewed for its 'lo-fi drone and dread' and 'doom-laden ambience,' built from what its label describes as 'an amalgam of half-tuned radio channels, machine noises, and shamanistic repetition.' The project returned in 2016 after a decade away with 'Time Will Bend Into Horror,' balancing that same experimentalism against tighter riff-craft.

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Ice Bound Majesty is a one-man atmospheric black metal project from Sheffield, England, run entirely by Bleek (all instruments, vocals). Releases like the 2007 'A Tomb to Erect' EP and 2016's 'SHI.IM.TI' EP appear on the Sheffield tape label Frequency Thirteen Recordings (self-billed as 'true sheffield black psychedelia'), with Bandcamp tagging the music as experimental, ambient, doom metal and psychedelic rather than straight black metal.

Ulveblod is the solo black metal project of Vitriol, formerly guitarist of Dutch black metal band Nihill, launched after the death of Nihill co-founder/vocalist Michiel Eikenaar. The debut full-length 'Omnia Mors Aequat' (Fantoom/Consouling Sounds, April 2020) trades conventional song structure for extended, corrosive drones: reverb-drenched shrieks and 'demonic, sizzling guitars' sit on a single idea for minutes at a stretch (one closing track runs 21 minutes) until, per one review, 'static morphs into beautiful pulses.' The result sits at the abrasive, noise-soaked edge of black metal, with doom-paced riffs breaking through the wall of distortion.

Omega Centauri is a UK-based atmospheric black metal project built around multi-instrumentalist Tom Vallely, blending glacial tremolo-riff black metal with dark ambient textures, doom-paced passages, and cinematic post-rock swells. Recorded piecemeal between 2006 and 2011, debut Universum Infinitum favors slow-burn atmosphere and philosophical/theological themes over aggression. The project sits in the same cold-and-spacious atmospheric black metal lineage as labelmates on Duplicate Records.

Chiva was a Swiss atmospheric doom/black metal and darkwave project from Sion, Valais, formed in 1996 as a parallel/solo outlet for the person behind the band Sadness, described in its own liner notes as 'a desire to realise my personal work through a different and majestic music.' The sole release, the CD 'Oracle morte' (1996, Witchhunt Records/SPV), features four tracks exploring sadness, loneliness, winter and majesty, with additional vocals from Robert Frost on 'Fire And Ice.'

One-person black/doom project from Seattle helmed by J.B., active since 2020, exploring prehistoric mysticism and psilocybin-tinged, entheogenic themes across the demo MMXX (2020) and a 2023 split with fellow Balor's Eye Productions act Graal. J.B. also drums in Graal, making the split a genuine bandmate connection rather than a mere label pairing.

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Todesstoß is the solo experimental black metal vehicle of German musician, poet and painter Martin Lang, active out of Munich since the early 2000s. Releases like Hirngemeer and the 46-minute single-track Ebne Graun fold harmonica, funeral-doom pacing and abrasive electronic texture into a deliberately disorienting, self-willed strain of black metal, released via I, Voidhanger Records.

Moroghor was the solo studio vehicle of Massachusetts musician David Lanciani (aka Dimaension X), active 2007-2010 and built around a fictitious three-person lineup of invented characters (Ndethatl, Ygorathla, Zatholal). The 2009 debut '...and Space as Chaos' billed itself as 'Psychedelic Xperimental Black Metal From Beyond,' while its same-year companion 'Darkness...' pivoted to minimal drone/doom the artist himself pitched as sitting alongside Sunn O))), Nortt, and Nadja. Lanciani has continued working similar minimal blackened-drone territory under other names since the project went on hold.

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Umbrtka is a prolific Czech black/doom/industrial project from Plzeň, active since 1999 and centered on a self-invented industrial deity presiding over the city's factories, railways and scrapyards. Their 'grey metal' sound layers dissonant black metal with field recordings, mechanical noise and surreal spoken-word narration. František 'Franta' Štorm — closely associated with Czech black metal pioneers Master's Hammer — served as a past vocalist.

Sghor is a solo Polish dark-ambient/black-metal project that began recording in 2004 under the name "Allen" before rebranding as Sghor in 2006 and shifting toward longer-form ambient composition. Across a large, steadily-released Bandcamp catalog (Depressive Black Ambient, Never Ending Dysphoria, Le Grand Mystère, the multi-part Lux Dei series, Ahrimanic Resignation, and more), the project favors long, hypnotic, drone-like tracks — often 4 to 16 minutes — that foreground funereal, occult-tinged atmosphere over riffing, with black metal, doom, and funeral-doom genre tags layered onto a predominantly dark-ambient core.