Arriver

In the Woods... are a Norwegian avant-garde/progressive metal band from Kristiansand, formed in 1992 from the early Green Carnation lineup. Their debut 'Heart of the Ages' helped shape pagan black metal before the band evolved toward atmospheric, progressive and doom-leaning territory across 'Omnio' and later records, with clean and female vocals broadening the palette. After disbanding in 2000 they reformed in 2014 and continue releasing through Debemur Morti Productions.

Pyrithe are a Pittsburgh, US experimental sludge/post-metal band whose 2022 Gilead Media debut Monuments to Impermanence smears sludge and doom across noise, ambient, post-rock, hardcore and black-metal extremes. The trio treat the studio as a junk-shop orchestra, folding a Finnish kantele, coconuts, egg-shakers and literal trash into their whirlwind, avant-garde compositions. It is a savage, absurdist 'strange symphony' that stays coherent despite trying to do everything at once.

maudlin of the Well (stylized lowercase, often abbreviated motW) was an avant-garde metal band from Boston formed in 1996 around the songwriting core of Toby Driver, guitarist Greg Massi and lyricist Jason Byron. Across the 1999 debut My Fruit PsychoBells... A Seed Combustible and the 2001 companion albums Bath and Leaving Your Body Map, they braided death and doom metal with jazz horns, clean female and male vocals, chamber textures and ambient passages. The group dissolved in 2002 and Driver reconstituted the project as Kayo Dot; motW later reunited to record the fan-funded Part the Second (2009).

The Blue Ghost / Shedding Qliphothplay in the dock

BandcampSpotifyTidal

compare profiles →

Dreadnought is a Denver progressive/avant-garde metal band formed in 2012 that fuses prog, doom, folk, jazz, classical/chamber, post-rock and touches of black metal, distinguished by flute, saxophone, mandolin, keyboards and dual female vocals. Across albums like A Wake in Sacred Waves, Emergence (Profound Lore) and The Endless they build long, dynamic pieces that move between folk delicacy and doom weight. Their genre-defying, chamber-inflected approach makes them a natural fit for the atlas.

A Portuguese progressive death/doom act from Vila Real, active 1997-2011 (as Thanatos until 2001), that pushed from straightforward death metal into an increasingly atmospheric, doom-tinged and progressive direction across five albums. Dual male/female vocals (Guilhermino Martins and Patrícia Rodrigues) traded off over jazzy detours, Middle-Eastern-flavored guitar-and-keyboard passages, and dreamlike, trance-inducing keyboard textures, drawing comparisons to Porcupine Tree and Lacuna Coil before disbanding in 2011.

L.play in the dock

Spotify

compare profiles →

Grayceon are a San Francisco progressive-metal trio formed in 2005, built around Jackie Perez Gratz's electric cello and vocals alongside Max Doyle's guitar and Zack Farwell's drums, releasing through Vendlus and later Profound Lore on records such as All We Destroy (2011). The cello-forward lineup fuses thrash and doom heaviness with chamber-folk melody. Perez Gratz also plays in Giant Squid, with whom Grayceon shared a 2007 split, and has collaborated widely across the Bay Area scene, including with Neurosis.

Russian Circles are an American instrumental post-metal band based in Chicago, Illinois, formed in 2004 by childhood friends Mike Sullivan (guitar) and Dave Turncrantz (drums). Since 2007 the trio has been rounded out by bassist Brian Cook, formerly of Botch and These Arms Are Snakes. Their sprawling, dynamic instrumental albums include Enter (2006), Station (2008), Memorial (2013), Guidance (2016) and Blood Year (2019).

Baroness are a sludge and progressive metal band formed in Savannah, Georgia in 2003 by John Baizley, who writes the songs and paints every cover in the band's colour-titled album cycle. Their records move between pummelling riffs and punk-rock screams and finger-picked acoustic passages with a bluegrass and Appalachian cast — "Cockroach en Fleur", "O'Appalachia", the Blue Record interludes — and the sound drifted steadily from early sludge toward the alternative-rock accessibility of Yellow & Green and the psychedelic space-rock of Gold & Grey. Widely credited across the scene: Baizley is also one of its most prolific cover artists, and the band's ties here run through Mastodon, Converge and the 2019 co-headline tour with Deafheaven and Zeal & Ardor.

Gojira are a French metal band from Ondres, formed in 1996 as Godzilla and renamed Gojira in 2001. They fuse technical death metal, groove, progressive and post-metal into a percussive, pinch-harmonic-driven style, wrapped in lyrics about spirituality, philosophy and the environment. Their lineup of the Duplantier brothers with Christian Andreu and Jean-Michel Labadie has been unchanged since the rename; they became the first French band to top the Billboard Hard Rock Albums chart and, in 2024, the first metal band to perform at an Olympic opening ceremony.

Strandedplay in the dock

BandcampSpotifyTidal

compare profiles →

Yakuza is a Chicago avant-garde metal band formed in 1999, led by saxophonist/vocalist Bruce Lamont. They build a metal base with progressive flair, folding in free jazz saxophone and clarinet, world music, doom, grind, and post-rock ambience into a jazz-metal hybrid sometimes tagged 'jazzcore.' Their discography spans Way of the Dead (2002, Century Media), Samsara (2006) and Transmutations (2007, Prosthetic), Of Seismic Consequence (2010) and Beyul (2012, Profound Lore), and Sutra (2023, Svart Records).