The Conjuration
United States · last active 2025
The Conjuration is the solo outlet of Danville, Virginia's Corey Jason Cochran, running since around 2010 through albums like Gospel and the sprawling 2.5-hour The Trip (2025). Cochran writes, plays and produces everything himself, ping-ponging within single songs between tech-death riffing, metalcore breakdowns, jazz-fusion detours, industrial electronics and spoken-word skits. Reviewers have called it an unfiltered 'primordial soup' of ideas.
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
WHY THOSE SCORES
- Jazzy 4 — A track 'fucknuckle and Tendon' intermixes jazz fusion with death metal; Gospel has 'lounge lizard exotica' passages.
- Hardcore 4 — The Trip is tagged mathcore with metalcore breakdowns.
- Death 6 — Rooted in 'the harsh abrasiveness of tech death metal' (progarchives.com).
- Technical 7 — Reviews invoke Between the Buried and Me-level intensity and Meshuggah-style guitar across dense, shifting compositions (theprogressivesubway.com).
- Glitch 4 — Industrial-electronic passages likened to 'an old vacuum tube with electrical shocks' (progarchives.com).
- Theatrical 5 — Extensive spoken-word skits and voice-over sections run through The Trip.
- Doom 3 — Reviewer notes plodding doom riffage amid the genre-hopping.
MEMBERS
- Corey Jason Cochranvocals, guitars, bass, drum programming, keyboards
FURTHER LISTENING
Nearest score profiles in the atlas.
- UnaffiliatedEI 15IllogoTechnicalDeathHardcore
Illogo is an experimental band from Ravenna, Italy, whose name is a play on 'il logo' ('the logo') after a stylized emblem designed by Stefano Ricci — the group reportedly avoided printing any band or album name on their physical releases. Their 2007 album 'When Liquids Stay Dry' fuses post-core/grindcore with industrial electronics and jazzy death-metal riffing into what reviewers called a bizarre, treble-heavy, near-avant-garde record; Discogs tags their catalog Death Metal, Grindcore, Industrial, Avantgarde, and Doom Metal. A 2012 follow-up, 'La sorgente del punto di rotazione,' marked a turn toward a leaner, more minimal sound.
- UnaffiliatedEI 18Ottone PesanteTechnicalDeathJazzy
Ottone Pesante is an Italian instrumental trio from Faenza billing itself as the first 'brassmetal' band, replacing guitars with electronically processed trumpet and trombone over grindcore-rooted drums. Their 2024 album Scrolls of War (Aural Music) featured guest spots from Napalm Death's Shane Embury, Cattle Decapitation's Travis Ryan, Messa's Sara Bianchini, and ambient artist Lili Refrain. Reviewers describe their sound as 'jazz-infused metal and noise' that blends small-town brass-band bombast with extreme-metal intensity.
- UnaffiliatedEI 8MastodonTechnicalHardcoreDeath
Mastodon is an American heavy metal band formed in Atlanta in 2000, fusing sludge and stoner metal with progressive rock, hardcore aggression and jazz-influenced drumming into an ambitious, concept-driven sound. Their breakthrough Leviathan (2004), a song cycle built around Moby-Dick, established them as one of the most original and influential American metal bands of the 21st century, and later records like Crack the Skye (2009) pushed further into psychedelic prog territory. The classic four-piece held together for 25 years until guitarist Brent Hinds split with the band in March 2025 and died in a motorcycle accident that August; three of the four members trade lead vocals, giving the band its distinctive multi-voiced attack.
- UnaffiliatedEI 18Lou KellyTechnicalHardcoreDeath
A Northern California one-man band whose 'Never Was' (2024) and 'Shriek' (Lou Kelly...and Friends) LPs bounce between jazzcore, mathcore, grindcore, crust punk and harsh-noise-wall under a self-described 'Progressive-Violence-Jazz' banner, all written, performed and produced solo. The 'Shriek' record began as a drunken online invitation for strangers to sing over Kelly's instrumentals and grew into a 14-track collaborative curio on the tiny label THE HILLS ARE DEAD Records. Listeners have likened the results to a heavier Mr. Bungle/Mike Patton side-project, though that is a stylistic comparison only — no verified personal connection exists.
- Estradasphere / MimicryEI 12Deserts of TraunTechnicalDeathHardcore
The Deserts of Traun (stylized TRAUN) is an experimental, multi-genre metal project from Santa Barbara, California, founded and largely composed by drummer Dave Murray, formerly of Estradasphere. Its self-titled 2003 debut features Murray on numerous instruments alongside contributions from Estradasphere guitarist Jason Schimmel and others, blending metal, jazz, progressive rock and soundtrack styles. Murray later carried the project's polyrhythmic-metal sensibility into High Castle Teleorkestra.
- UnaffiliatedEI 12Killing SpreeTechnicalDeathJazzy
Killing Spree is a French avant-jazz/death-metal duo of saxophonist Matthieu Metzger (Klone, Orchestre National de Jazz) and drummer Grégoire Galichet (Deathcode Society, Kwoon), formed after the pair met on a tour of Japan. Their 2020 debut EP A Violent Legacy reworked Death and Meshuggah tracks through saturated free-jazz saxophone and talkbox, and their 2024 full-length Camouflage (Klonosphere/Season of Mist) pushes further into technical, hardcore-adjacent death-metal-via-jazz territory. Not to be confused with several unrelated straight thrash-metal bands of the same name.
- UnaffiliatedEI 19Fredrik Thordendal's Special DefectsTechnicalDeathJazzy
Fredrik Thordendal's Special Defects is the solo project of Meshuggah lead guitarist Fredrik Thordendal, whose lone album Sol Niger Within (1997) is a landmark of avant-garde metal. Structured as one continuous 43-minute composition indexed into 29 tracks, it grafts Meshuggah's mathematical rhythmic language onto the fluid, Allan Holdsworth-inspired jazz-fusion soloing Thordendal is known for. The record's dense, free-associative sprawl draws comparisons to John Zorn's Naked City and features a cast of Swedish improvisers.
- Devin Townsend-verseEI 13Strapping Young LadTechnicalDeathGlitch
Strapping Young Lad is Devin Townsend's industrial/thrash/death metal band, active 1994–2007 with a stable lineup of Townsend, guitarist Jed Simon, bassist Byron Stroud and drummer Gene Hoglan (also of Dark Angel, Death, Testament). Built on polyrhythmic riffing and blast beats, the band is best known for a hyper-dense, multitracked "wall of sound" production style critics compared to Phil Spector and Frank Zappa, drawing on the harsh industrial/noise lineage of Foetus and White Noise. City (1997) was the critical breakthrough; The New Black (2006) leaned back into the band's tongue-in-cheek black humor before their 2007 disbandment.
- UnaffiliatedEI 9Hunab KuTechnicalHardcoreJazzy
Hunab Ku was a Seattle avant-garde metal act built around vocalist Mike Gilmore, guitarist Luke Jaeger (ex-Sleep Terror, joined 2008 replacing founding guitarist Dan Hagerty), bassist Matt Finn, and drummer Mark Villano. Their 2007 debut "The Gaze Inward" (Black Sheep Records) was reviewed as chaotic mathcore-indebted avant metal, drawing explicit critical comparisons to Dillinger Escape Plan, Cephalic Carnage, and Fantomas, with vocals ranging from screams to croons and moans. IMPORTANT DISAMBIGUATION: this is distinct from an unrelated Costa Rican black metal band of the same name (founded 2016 by Lord Eythraz) and a dark-ambient project — the Seattle act is the one matching the chart description and reviews cited here.
- UnaffiliatedEI 10Psychopathology OrchestraDeathTechnicalTheatrical
Psychopathology Orchestra was a one-man Dijon, France project helmed by a musician known as Timmy (also of the black metal duo Astaarth), releasing a single 2003 album that pairs stop-start death/black/grind riffing with a heavy layer of synths and industrial-style programming. Mr. Bungle-indebted horn stabs, cartoonish pitch-bent keyboard tones, and a thematic fixation on psychiatric insanity give the record a theatrical, unhinged character within an otherwise French death-metal frame.