Murmur

United States · formed 2007 · last active 2014

Chicago's Murmur mutate black metal's frost into something stranger, threading Moog synths, jazz-inflected dissonance, and Midwest punk urgency through shrieked, tremolo-driven songwriting. Where peers double down on cold atmosphere, Murmur's albums (2010's Mainlining the Lugubrious, its 2014 self-titled follow-up) reach for space-rock sprawl and noise-rock grit instead. The result sits closer to post-black-metal's outer edges than to any orthodox scene.

SCORE PROFILE

JazzyBalkanHardcoreSurfBarbershopDeathBlackTechnicalGlitchTheatricalFolkDoomDroneShoegazeAmbient8-bit
Jazzy4
Balkan0
Hardcore3
Surf0
Barbershop0
Death0
Black5
Technical5
Glitch0
Theatrical0
Folk0
Doom2
Drone0
Shoegaze0
Ambient3
8-bit0

Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.

WHY THOSE SCORES

  • Jazzy 4Band bio (Season of Mist) describes the sound as a crossroads of black metal and 'experimental jazz.'
  • Hardcore 3Press bio cites Midwest punk as a core influence alongside black metal and noise rock.
  • Black 5Tagged Experimental Black Metal by Season of Mist/Metal Archives; retains shrieked vocals and tremolo-driven riffing.
  • Technical 5Reviews (Meat Mead Metal) note 'angular and propulsive' songwriting with fluid time-signature changes.
  • Doom 2Meat Mead Metal review explicitly notes the sound 'incorporates progressive rock, doom, post-metal, and fusion elements.'
  • Ambient 3Coverage describes the band stretching 'black metal's possibilities into outer space,' matching spacey track titles like 'Zeta II Reticuli, Pt. 2.'

MEMBERS

  • Matthias Vogelsguitars, moog, vocals
  • Alex Perkolupbass, vocals
  • Shane Prendivilleguitars, moog, vocals
  • Charlie Werberdrums

CONNECTIONS

label

FURTHER LISTENING

Nearest score profiles in the atlas.

  • Blackgaze / avant-blackEI 9
    Wyrmwoods
    BlackTechnicalJazzy

    Wyrmwoods is a one-man experimental/atmospheric black metal project from Oulu, Finland, active since 2014 under the alias Nuurag-Vaarn and signed to Inverse Records. Its four full-lengths (Earth Made Flesh, 2017; Spirit & Teeth, 2019; Gamma, 2020; No Sun Nor Moon, 2022) fold progressive rock, doom, jazz saxophone and ambient texture into a black metal core, with Gamma marking a deliberate turn from a chaotic, lo-fi approach toward more progressive, Opeth-indebted songwriting.

  • UnaffiliatedEI 9
    Altari
    BlackTechnicalJazzy

    Altari is an Icelandic black metal band whose debut album Kröflueldar, released via Svart Records in April 2023, took roughly nine years to complete. The record folds clean, melodic guitar leads and influences from Blue Öyster Cult, Killing Joke and Interpol into a black metal foundation, co-produced by Stephen Lockhart (aka Wann), a central engineer/producer figure in Reykjavík's black metal scene.

  • UnaffiliatedEI 7
    Ebonillumini
    BlackTechnicalAmbient

    Ebonillumini is a female-fronted avant-garde/gothic black metal project from London, founded in 2008 by Meads of Asphodel guitarist James Tait ('The Monk Marshall') alongside vocalist Christina Poupoutsi ('The Maiden'). Across The Ebon Channel (2008), Pacificum (2013) and Arktos (2015) the band frames each record as a concept-driven geographic voyage, pairing Poupoutsi's operatic, 'musky' clean vocals against Tait's harsh growls, with reviewers noting jazz-inflected song structures, neo-classical/symphonic orchestration and black-metal-rooted riffing shading into psychedelia and Viking-metal tropes. Production has drawn criticism for burying the heavier material under brickwalled mastering and overlong running times.

  • UnaffiliatedEI 9
    Deathspell Omega
    BlackTechnicalJazzy

    Deathspell Omega is an anonymous French black metal collective, formed in 1998, that turned from orthodox raw black metal into one of the most cerebral, theologically-preoccupied acts of the 'dissonant' avant-black wave. From Si Monumentum Requires, Circumspice (2004) and Kénôse (2005) onward their music folds jazz-derived chord voicings, math-rock complexity and dark-ambient/choral interludes into blast-driven black metal. The band never confirms its lineup, so personnel details are limited to widely-reported names.

  • UnaffiliatedEI 9
    Kexelür
    BlackTechnicalJazzy

    Kexelür is a Santiago, Chile trio formed around 2021 playing atmospheric, dissonant, and psychedelic black metal built around free improvisation. Their releases are billed as largely improvised live sessions, with reviewers noting 'jazz fusion inspired soloing/leads' layered over the black metal foundation. The band communicates only through single-letter pseudonyms (Λ., V., J.), with Λ. also running the solo project Fatalys (not in the E.M.M.A. atlas).

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  • UnaffiliatedEI 14
    Nirrti
    BlackTechnicalJazzy

    Nirrti is a solo psychedelic black metal project based in Orlová, Czechia, signed to Depressive Illusions Records. The project's music has been described as eerie, dissonant, and 'progressive black metal played through the lens of psychedelics and jazz,' aiming to convey darkness, uncertainty, and glimpses of other dimensions rather than adhering to traditional black metal norms. Releases include 'Psychonautix' (2022), 'Palindromos' (2023), and 'Cyberpsychosis' (2024), the latter continuing the project's cyber/psychedelic conceptual throughline.

  • UnaffiliatedEI 16
    Steve Blanco
    TechnicalJazzyBlack

    Steve Blanco is the bassist and keyboardist of New York avant-garde metal act Imperial Triumphant, but his solo catalog runs on piano: the jazz-rooted Steve Blanco Trio records (Contact, Piano Warrior) gave way to increasingly extreme solo works like Misztikus and 2026's Shadow Arc Suite. The latter pairs virtuosic, Coltrane-indebted improvisation and modernist/serialist piano writing with programmed blast beats, atonal guitar, and ambient textures — an 'extreme ensemble' piece dragging free jazz and metal violence into the same room.

  • UnaffiliatedEI 9
    Virus
    TechnicalJazzyBlack

    Norwegian avant-garde metal band formed in Oslo in 2000 by Carl-Michael Eide (Czral), who considered it a continuation of his earlier band Ved Buens Ende. Their angular, dissonant sound folds jazz and death-metal elements into an idiosyncratic avant-rock framework across albums like 'Carheart' (2003) and 'The Black Flux' (2008, Season of Mist). The band disbanded in 2018.

  • UnaffiliatedEI 15
    Voluptas
    BlackJazzyTechnical

    Prague's Voluptas channel 90s Norwegian avant-black (Ved Buens Ende, Dodheimsgard, Enslaved) through psychedelia, free jazz and drone-rock, with a recurring guest saxophonist smearing Alban Berg-inspired lines across the riffs. Their debut EP Ved Rums Ende (2016) closed out a punkier chapter before Towards the Great White Nothing (2020) and the guest-cello-and-sax Where Celestial Bodies Guide Not (2025) pushed further into dynamic, atmospheric territory. The band's name is a direct nod to Ved Buens Ende.

  • UnaffiliatedEI 20
    Ex Eye
    BlackTechnicalJazzy

    Ex Eye are an instrumental NYC quartet formed in 2016, led by experimental saxophonist Colin Stetson with Greg Fox (Liturgy) on drums, Shahzad Ismaily (Secret Chiefs 3, Ceramic Dog) on synth and Toby Summerfield on guitar. Grown out of Stetson's Gorecki-reimagining sessions, they fuse black metal's hypnotic repetition and blast beats with free-jazz saxophone and drone, releasing a self-titled debut on Relapse Records in 2017. It is one of the more successful jazz-metal syntheses of its era.

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