Havohej

One-man experimental black metal/noise/dark-ambient project from Arlington, Virginia, active since the mid-2000s, self-releasing a run of CDs before signing to Flingco Sound System for Oneiromantical War (2008) and Myrmidon (2009). The project layers dense, guitar-driven noise with buried vocals and programmed drums, veering between thrash-punk combustion and extended dark-ambient passages; reviewers note closing tracks that build from acoustic beginnings into twenty-minute noise excursions.

Adaestuo is an international black metal project built around VJS (also known for Nightbringer, Demoncy, Incursus) and P.E. Packain (ex-Horna, Sargeist), with Hekte Zaren on vocals. Across Tacent Semitae (2016), Krew za krew (2018), and Manalan virrat (2020), raw black metal dissolves into extended dark-ambient and musique-concrete passages built around occult, ritual, and cosmogonic lyrical themes. It's a well-pedigreed underground black metal outfit, but none of its members' other projects currently appear in the atlas.

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Solo raw black metal project of Ottawa multi-instrumentalist Jessica Kinney, running since 2016 across roughly eight releases including full-lengths and splits. The sound layers harsh, noise-caked black metal against warped, decayed ambient passages, earning press comparisons to Sutekh Hexen, Gnaw, and dark-ambient artist The Caretaker. Albums build a recurring retro-futuristic, dystopian mythos described by Vice as 'Metropolis meets Victorian death cult.'

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Dargar is a Los Angeles-based experimental black metal studio project by Pete Majors (vocals/guitars, also of Harassor) and James Brown III, aka Horus (programming/mixing/editing; the solo USBM artist behind the Rising Beast label/archive). The project's name is an inside joke referencing Marc Singer's 'Dar' (The Beastmaster) and Sam Elliott's 'Gar' (Mask). Songs were built by having Horus program drum-machine beats in GarageBand, Majors improvise guitar/vocals over them, then Horus sample and loop those fragments into finished compositions — yielding a lo-fi, glitchy, ambient-tinged black metal sound. The debut was recorded in 2006 and released on cassette in 2012 (100 copies); a second collection, The Shores of Space, followed in 2017.

Dosanjos is a Sao Paulo black/death metal project built around raw riffing, claustrophobic dark-ambient drones, and dense noise textures, tagged by the band itself as 'schizometal.' Their lyrical world draws on cursed Brazilian poet Augusto dos Anjos, framing decomposition and existential horror through necro-poetic themes. The project is frequently likened to Abruptum, Gnaw Their Tongues, and Blut Aus Nord (comparisons only, not verified ties), and has steadily released full-lengths since 2014, most recently 2025's 'Funeral 23.'

Caged Bastard is the solo project of Tunisian multi-instrumentalist Muhammad Oun (Bizerte, Tunisia), formed in 2018 as a blackened hardcore/grindcore act before evolving since 2019 into a broader fusion of black metal, sludge, drone, noise and ambient textures. Oun writes, performs, records, mixes and masters all material himself. Releases include "Inhumane Intentions" (2024), "Solace in Virtue's Absence" and "Mantra of Psychological Violence."

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Locrian are an American experimental trio formed in late 2005 in Chicago by André Foisy and Terence Hannum, with drummer Steven Hess joining permanently in 2010. AllMusic characterizes their sound as an eclectic mixture of black metal, electronics, drone and noise rock, shot through with ambient and industrial textures and dystopic, apocalyptic imagery. In 2012 they made the collaborative album Bless Them That Curse You with Mamiffer, released on Profound Lore alongside Sige and Utech.

Echo Zero is a Kraków project that debuted in 2026 with "E0," a concept album about an antenna recovered from the Arctic Ocean floor — "the first rung of Jacob's Ladder" — released on Pest Productions. No Clean Singing folded the band into Poland's long tradition of weird black metal, praising its mind-warping ambient stretches, groove-heavy riffs, prowling bass, and "constantly-mutating" multi-tongued vocal performance that never lets the strangeness dull the aggression. The project is led by IHS (Patryk Rzeszutek, aka Faustyna IHS Moreau), also the mainman of atlas act Biesy.

Reverorum ib Malacht is a Swedish black metal outfit formed by Karl Hieronymus Emil Lundin and Karl Axel Mikael Mårtensson, evolving out of earlier projects PTC and Symphonia Sacrosancta Phasmatvm. Both members converted to Roman Catholicism between 2007 and 2009, and the band has since styled its output as 'Roman Catholic Black Metal,' blending droning dark ambient passages, sampled Latin liturgy, church bells, and organ with distorted black metal. Their album De Mysteriis Dom Christi is a deliberate title-inversion of Mayhem's De Mysteriis Dom Sathanas.

The solo vehicle of British multi-instrumentalist A. White, Vessel of Iniquity builds an oppressive catalogue of black/death metal fused with industrial noise, drum machines, and power-electronics-style sound design, citing Coil and Godflesh alongside Mayhem and Napalm Death as touchstones. Signed to Sentient Ruin Laboratories (with European releases via Xenoglossy Productions), the project favors a druggy, atmosphere-first sound closer to Gnaw Their Tongues than to melodic black metal. 2022's The Path Unseen introduced eight-string guitars, pushing the sound lower and more oppressive still.

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