Doedsmaghird
Norway · formed 2022 · last active 2024
Doedsmaghird is an avant-garde/industrial black metal project formed in 2022 by Yusaf 'Vicotnik' Parvez of Dodheimsgard - its name a literal anagram of its parent band - with fellow Dodheimsgard guitarist Camille Giraudeau co-writing the material. Debut album Omniverse Consciousness (Peaceville, 2024) pushes Dodheimsgard's electronic and industrial tendencies further still, layering glitchy synth textures, samples, and choirs over blasting black metal, and has been described by press as Dodheimsgard's 'more grim and malevolent twin.'
SCORE PROFILE
Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.
WHY THOSE SCORES
- Death 2 — Reviews of debut Omniverse Consciousness note occasional death-metal-adjacent riffing beneath the black metal core.
- Black 8 — Built on relentless blast beats and icy tremolo riffing per multiple 2024 reviews of Omniverse Consciousness.
- Technical 6 — Reviewers describe constantly shifting, warped compositional structures that layer electronics over metal instrumentation.
- Glitch 6 — Described by reviewers as full of 'blips, whooshes, jabs, yips, chimes, and throbs of electronically conjured noise' with a deliberately manipulated aesthetic.
- Theatrical 2 — Branded by press as the 'more grim and malevolent twin' of parent band Dodheimsgard, leaning into heightened, near-cartoonish menace.
- Ambient 4 — Synths described as oozing 'like an alien presence' beneath the blasting drums, shifting the mood.
- 8-bit 2 — One review singles out 'video-game sounding ping-pong balls bouncing' amid the album's electronic texture.
MEMBERS
- Yusaf "Vicotnik" Parvezvocals, composition
- Camille Giraudeauguitar, composition· also in Stagnant Waters, Void (UK)
CONNECTIONS
- Dødheimsgardpath →
Founded by and centered on Yusaf 'Vicotnik' Parvez, also the vocalist/mastermind of Dodheimsgard; the project's name is an anagram of Dodheimsgard, and fellow Dodheimsgard guitarist Camille Giraudeau co-writes for both bands. source ↗
- Smohallapath →
Camille Giraudeau also performs in Doedsmaghird, a Dødheimsgard spinoff, featured on their album Omniverse Consciousness source ↗
- Stagnant Waterspath →
Guitarist/bassist Camille Giraudeau also performs in Doedsmaghird, a Dødheimsgard-alumni side project, and has toured with Dødheimsgard's current lineup source ↗
- Void (UK)path →
Camille Giraudeau (Void guitarist) also performs in Doedsmaghird source ↗
- Dødheimsgardpath →
Shared label roster: Peaceville, per MusicBrainz. source ↗
FURTHER LISTENING
Nearest score profiles in the atlas.
- Blackgaze / avant-blackEI 19DødheimsgardBlackTechnicalGlitch
Dødheimsgard (DHG) are a Norwegian band formed in Oslo in 1994 that mutated from the raw black metal of Kronet Til Konge (1995) into the fractured avant-garde industrial black metal of 666 International (1999). Led throughout by Vicotnik, they became a touchstone of the experimental wing of Norwegian black metal. Kronet Til Konge's lineup featured Darkthrone's Fenriz on bass, and its closer 'When Heavens End' carries an additional-songwriting credit for Ulver founder Sigmund 'Grellmund' Løkken.
- UnaffiliatedEI 19Void (UK)BlackTechnicalGlitch
Void is a UK avant-garde/fringe metal project active since 1999, built around founding member and guitarist/vocalist Matt Jarman. Press consistently bills the band as 'avant-garde metal pioneers,' fusing black, death and industrial metal with noise, electronica and post-metal songwriting, citing touchstones from Dødheimsgard and Emperor to Aphex Twin and Venetian Snares. The current lineup grew directly out of Dødheimsgard's 2019 'Void Dancers' tour, and features musicians who also play in Dødheimsgard and Doedsmaghird. Their fourth album, Jadjow (2023, Brucia Records), was co-written by that touring lineup.
- UnaffiliatedEI 16Decline of the IBlackGlitchTechnical
Parisian avant-garde post-black metal project led by AK (also of Merrimack and Vorkreist, both off-atlas), pairing abrasive tremolo-driven black metal with electro/industrial samples and symphonic passages. The discography runs as two philosophical concept trilogies — the first drawing on neurologist Henri Laborit, the second (starting with 'Johannes,' 2021) on Soren Kierkegaard, continuing through 'Wilhelm' (2025). Released on Agonia Records.
- UnaffiliatedEI 9DSKNTBlackTechnicalGlitch
DSKNT is a shadowy Swiss black/death metal project from Sion, Valais, formed in 2013 as the 'audial subdivision' of the DSKNT Industry recording studio and led by the presumed one-person mastermind Asknt. Since December 2016 vocals have been handled by Antiversum's singer, and the band's two albums for Sentient Ruin Laboratories — PhSPHR Entropy (2017) and Vacuum γ-Noise Transition (2021) — fuse dissonant, complex riffing with harsh noise and a slow, hypnotic drumming approach built around themes of cosmic void and entropy.
- UnaffiliatedEI 14SmohallaBlackTechnicalAmbient
French duo led by multi-instrumentalist Slo (guitars/drums/vocals/keys) with bassist Camille Giraudeau, playing avant-garde/progressive post-black metal descended from Emperor, Ulver, Borknagar and Ved Buens Ende. After a 12-year gap between albums, 2025's Ruina Draconis (I, Voidhanger) piles on 'extremely layered', ambient-electronic interludes between bursts of blackened violence. Giraudeau's parallel work in Dødheimsgard's touring lineup, Doedsmaghird, Stagnant Waters and Void ties Smohalla directly into the same avant-black/noise diaspora.
- Norwegian avant-blackEI 16PeccatumBlackTechnicalAmbient
Norwegian avant-garde project (1998-2006) from Notodden founded by Ihsahn (Emperor), his wife Ihriel and her brother Lord PZ, on their own Mnemosyne Productions. It began as symphonic avant-garde extreme metal and drifted toward classical-tinged avant-garde rock full of twisted synths, electronics, operatic female vocals and Ihsahn's shrieks. Lost in Reverie (2004) is regarded as a landmark of the genre-transcending Norwegian avant-garde.
- UnaffiliatedEI 13Echo ZeroBlackTechnicalAmbient
Echo Zero is a Kraków project that debuted in 2026 with "E0," a concept album about an antenna recovered from the Arctic Ocean floor — "the first rung of Jacob's Ladder" — released on Pest Productions. No Clean Singing folded the band into Poland's long tradition of weird black metal, praising its mind-warping ambient stretches, groove-heavy riffs, prowling bass, and "constantly-mutating" multi-tongued vocal performance that never lets the strangeness dull the aggression. The project is led by IHS (Patryk Rzeszutek, aka Faustyna IHS Moreau), also the mainman of atlas act Biesy.
- UnaffiliatedEI 13OpheBlackTechnicalGlitch
Ophe is a one-man avant-garde/post-black metal project from Châtillon, France, created by Christophe "Bargnatt XIX" Denhez (also frontman of OMRÅDE and Demande à la Poussière), who handles all vocals, instruments and programming. Debut album Litteras Ad Tristia Maestrum Solitude arrived on My Kingdom Music in 2018, followed by Somnium Nocte Mendaciis (2022) on the same label. The project pairs primal black metal with dissonant, hermetic song structures and post-industrial, noise-inflected atmospheres, drawing comparisons to Dodecahedron, Ævangelist and Spektr.
- Blackgaze / avant-blackEI 19MayhemBlackTechnicalGlitch
Mayhem is a Norwegian black metal band formed in Oslo in 1984, and one of the founding architects of the Norwegian black metal scene whose cold, abrasive sound shaped the entire genre. Their debut full-length De Mysteriis Dom Sathanas (1994) — completed amid the deaths of vocalist Dead and guitarist/founder Euronymous — remains a defining record, and its signature song "Freezing Moon" a black metal touchstone. The long-running lineup pairs founding bassist Necrobutcher and drummer Hellhammer with Hungarian vocalist Attila Csihar, whose otherworldly, ritualistic delivery also anchors the drone-metal group Sunn O))).
- Blackgaze / avant-blackEI 24Oranssi PazuzuBlackTechnicalGlitch
Oranssi Pazuzu is a Finnish psychedelic black metal band formed in 2007 in Tampere. Their sound fuses black metal with psychedelic rock, space rock, krautrock, dark ambient and electronic textures into a hypnotic, boundary-dissolving whole, a synthesis critics have struggled to categorize. Across six studio albums, from Muukalainen puhuu (2009) to the acclaimed Muuntautuja (2024), they have become one of the most celebrated exports of Finland's experimental heavy underground.