A.M.E.N.

Nightly Gale are a Polish 'suicidal'/experimental doom metal band from Zabrze, formed in January 1996 and still releasing as of their 2008 album Imprint. Founder Slawek Pyrzyk's slow, melancholic doom foundation has been layered over the years with second-vocalist Waldemar Sagan's black metal screams and, notably, live saxophone passages that reviewers single out as an unusually organic touch for the genre. Their debut ...and Jesus Wept (2001) came out on Pagan Records, and Imprint (2008) pushed the format further into a single continuous 70-minute piece.

A Burlington, Vermont project that began as epic doom metal (lyrics about cartoons and archaeology) before pivoting into what it now calls 'Doom Cabaret' — metal-influenced piano ballads that the band itself likens to 'Voltaire after listening to Candlemass and bingewatching old cartoons.' The Johnsonian Demos blends doom/thrash/power metal roots with free improvisation and dark ambient textures, landing somewhere between symphonic doom and cabaret songcraft.

Obscuring Veil is an international avant-garde black metal project assembled in 2018 around Matron Thorn (also of Ævangelist) on guitars/vocals, with Maurice 'Mories' De Jong (Gnaw Their Tongues, De Magia Veterum) on keyboards/synths, H.V. Lyngdal (Wormlust) on bass/piano, Jarle Byberg (Urgehal) on drums, and Kabukimono on voices, releasing through I, Voidhanger Records. Their 2019 debut Fleshvoid to Naught was described by reviewers as black metal 'played by free jazz musicians,' a dissonant, ghostlike plunge into psychedelic murk.

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Five the Hierophant is a London instrumental quartet formed in 2014 that fuses doom metal with free jazz into what they call 'doom jazz.' Their sound layers improvised saxophone, heavy droning riffs and psychedelic/ambient atmospheres, drawing on the darkness and intensity of black metal without vocals; unconventional instruments such as music saw, zither and assorted percussion widen the palette. Albums including Through Aureate Void (2021) are released through the Norwegian label Dark Essence Records.

Sigihl is a drone/doom/avant-garde metal act from the Silesian Voivodeship, Poland, formed in 2012, describing themselves as 'drone jazz from the hellyard.' Their sole full release, Trauermärsche (and a tango upon the world's grave) (2014, Arachnophobia Records), fuses sludge, doom, drone and black metal with saxophone, funereal atmosphere, and tango-inflected song titles.

Umbra Nihil is a Finnish doom metal project built around multi-instrumentalist Vilpir (Ville Vierimaa), pairing slow, expansive doom weight with 70s progressive rock and Zeuhl-inflected passages, flute textures, and Lovecraft/weird-fiction-derived ritual concepts — The Borderland Rituals draws on William Hope Hodgson's The House on the Borderland. The band shares lead guitarist Master Warjomaa with atlas act Aarni, tying it directly into the same oddball Finnish doom orbit. Largely dormant since 2008 due to lack of motivation from its songwriters.

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Ashenspire is a Glasgow avant-garde/progressive black metal act formed in 2015, one of Scotland's most distinctive experimental metal bands. Their acclaimed 2022 album 'Hostile Architecture' (Code666) welds black-metal dissonance to avant-garde jazz, weaving saxophone, violin, Rhodes and prepared piano beneath vocalist Alasdair Dunn's Sprechstimme delivery. Lyrically it is a scathing, class-conscious critique of late capitalism, gentrification and urban design.

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Zhertvoprinosheniya (Жертвоприношения, 'Sacrifices') is a St. Petersburg experimental funeral-doom/black metal project that explicitly reconstructs the late Sergey Kuryokhin's improvisatory 'Pop-Mechanics' performance-art tradition. 'Некромеханика' (2020) centers the self-built Soviet-era 'utyugon' synthesizer alongside trombone, radio noise and electronics for a drone-heavy, ritualistic funeral atmosphere rather than conventional riffing. It reads as a direct lineage act carrying Russian avant-garde/noise performance art into black/doom metal territory.

Drainbow is the Austin, Texas one-man vehicle of multi-instrumentalist Nicholas Sarcophagus, who writes, performs and records everything himself. Its debut full-length 'The Tower of Flints' (2020) careens between thrash riffing, doom weight, gothic atmosphere, jazz-tinged lounge interludes and ambient post-metal passages inside a single kaleidoscopic record. It occupies the DIY, one-person-band corner of the avant-garde metal scene, prioritizing eclectic mood-shifting over any single subgenre identity.

Epectase is a Paris duo that folds frantic tremolo-picked black metal into long-form suites of 70s prog, jazz-tinged interludes, and hazy krautrock electronics, sliding between shrieks, operatic cleans, and meditative ambient passages within a single track. Since forming in 2018, multi-instrumentalist Vague and vocalist Avitus have released a steady run of albums and EPs on I, Voidhanger Records and Frozen Records, sitting among the more overtly progressive-rock-indebted corners of the French avant-black underground.

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