The Locust

Monastat 7 was a Cheyenne, Wyoming grindcore trio whose 1993/94 debut 'Now Available Without A Prescription' — produced by Dan Lilker of Brutal Truth and reissued on Relapse — paired technical cybergrind riffing with heavy sampling, comedy/rap interludes and skits (a track built around a grocery-store clerk's price-check announcement over the PA). The lineup leaned into avant-garde instrumentation for a 1993 grind band, with Henkaboo E. Boltz credited on guitar, programming AND violin alongside Dr. Stat3's bass/keyboards. A 1995 follow-up EP, 'Operatic Genitalia Of 7 Bowel Movements,' continued the project on the same Japanese DIY label, Lost Frog Productions.

My Corner of Lifeplay in the dock

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Dead Cross is a Southern California crossover-thrash/hardcore supergroup formed in late 2015, uniting drummer Dave Lombardo (Slayer, Fantômas, Mr. Bungle), bassist Justin Pearson (The Locust, Retox), and guitarist Michael Crain (Retox). The Locust's Gabe Serbian was the original vocalist but left after the debut was recorded; Mike Patton replaced him in December 2016, rewriting the vocals over the existing instrumentals. The band has released two albums via Patton's Ipecac Recordings — the self-titled debut (2017) and II (2022) — delivering short, violent blasts of thrash and hardcore punk.

Grave Slaveplay in the dock

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Inferno Sci-Fi Grind'n'Roll was an Italian grindcore/mathcore band from Rome, active 2002-2012, founded by five friends with disparate musical influences. Signed to Subsound Records, their sound mixed distorted, metallic grind/mathcore riffing with 'electro-noise sonorities' and unexpected quieter 'roots'-inflected passages, wrapped in sci-fi/pop-culture conceptual song titles.

Today Is the Day is an American noise-rock and experimental-metal band led by guitarist/vocalist and producer Steve Austin, formed in Nashville in the early 1990s. Blending grindcore, hardcore and avant-garde metal with heavy sampling and unhinged, erratic arrangements, the group became a touchstone for the noisecore and mathcore underground. Their 1999 Relapse album In the Eyes of God featured a young rhythm section of bassist Bill Kelliher and drummer Brann Dailor, both formerly of Lethargy, who soon left to co-found Mastodon.

Angelwings Marmalade is Angel Marcloid's noise/cybergrind outlet — the looser, harsher counterpart to her better-known blackened-new-age project Fire-Toolz. Where Fire-Toolz builds structured genre-collage songs, Angelwings Marmalade leans into harsh noise, musique concrete, noisecore and cybergrind textures, often stitched together from years of accumulated source material and guest vocal/sample contributions. It's one of several aliases (alongside MindSpring Memories, Nonlocal Forecast, Toad Computers) through which Marcloid works out a specific corner of her sound.

Vortices Are Born.exeplay in the dock

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SikTh are a British progressive/technical metal band formed in Watford, Hertfordshire in 1999, known for their dual-vocalist attack, dissonant mathcore-adjacent riffing, and unorthodox compositions. They are widely cited as pioneers of the djent and tech-metal movement, breaking through with their debut album The Trees Are Dead & Dried Out Wait for Something Wild (2003), followed by Death of a Dead Day (2006) and, after a reunion, The Future in Whose Eyes? (2017).

If You Weren't So Perfectplay in the dock

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Melt-Banana is a Japanese noise-rock band formed in Tokyo in 1992, built around vocalist Yasuko Onuki's rapid-fire, high-pitched yelp and guitarist Ichiro Agata's surgical, effects-drenched noise assault. Blurring grindcore velocity with electronic glitch, pop hooks and pure sound-sculpture, they became one of the defining bands of a new Japanese hardcore, finding a bigger audience abroad than at home. John Zorn captured them for his Tzadik label on the 1998 live album MxBx 1998/13,000 Miles at Light Velocity, and their relentless touring saw them open for Mr. Bungle, the Melvins, Fantômas and Tool.

The Hiveplay in the dock

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Worm Hero is a UK avant-grind outfit from Stoke-on-Trent, formed in 2020, spinning sprawling in-house mythology (personas like Opalescent O'Coinn, Countess Chellibal, and Dildwuar Esquire) across concept releases such as "The Dastardly Dangerous Misadventures of the Maverick Marauders" and "The Scarrakh's Contradiction." Their Bandcamp/RYM tags stack avant-garde metal and grindcore alongside mathcore, nintendocore, powerviolence, and spacegrind, reflecting a genuinely genre-promiscuous, electronics-laced take on extreme metal rather than straight grind. Splits with acts like Lure In and a four-way split ("FUCK YOU LIKE AN OUROBOROS") point to an active underground grind/avant-grind scene presence.

Sectlinefor is an NYC/London duo of Jared (vocals) and Piton (guitar, production, drum machine) making deliberately genre-shredding 'cinematic rock' that collides alternative/psychedelic metal, hardcore-ish punk energy, hip-hop-inflected interludes, and glitchy 80s/90s electronica. Formed in 2015 and solidified as a two-piece by 2018, they're compared to Faith No More, Sleepytime Gorilla Museum, Deftones, Devin Townsend, and early Ministry; their pandemic-era third album Kissing Strangers During an Outbreak (2021) leans hardest into disturbing, comedic, boundary-smashing songwriting.

The Saddest Face in All of Existenceplay in the dock

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Phantomsmasher is a glitch-grind / digital-hardcore project led by guitarist James Plotkin, previously known as Atomsmasher, that fuses grindcore with electronic noise and cut-up programming. The trio of Plotkin (guitar, bass, electronics), vocalist DJ Speedranch, and drummer Dave Witte released their self-titled album on Mike Patton's Ipecac Recordings on August 19, 2002. Plotkin is a prolific experimentalist also known for OLD, Khanate, Khlyst, Jodis, and Scorn.