Ploughshare

Ploughshare is a Canberra, Australia black/death metal trio-turned-collective that folds industrial electronics, noise rock, and jazz-inflected bass work into long, dissonant compositions. Their 2024 album Second Wound (Brilliant Emperor/I, Voidhanger) was praised for pushing further into warped electronic textures and technical death metal complexity while retaining the project's blast-driven black/death core.

SCORE PROFILE

JazzyBalkanHardcoreSurfBarbershopDeathBlackTechnicalGlitchTheatricalFolkDoomDroneShoegazeAmbient8-bit
Jazzy4
Balkan0
Hardcore3
Surf0
Barbershop0
Death5
Black6
Technical6
Glitch5
Theatrical2
Folk0
Doom3
Drone1
Shoegaze0
Ambient5
8-bit0

Accent numbers counted towards the index. Hover an axis — or hold it on a phone — for what it means.

WHY THOSE SCORES

  • Jazzy 4No Clean Singing's review highlights the bass work's 'jazziness' and 'nimble' character running through the chaos.
  • Hardcore 3Reviews describe 'industrial-strength pulverization' within a black/death framework consistent with blast-driven tempos.
  • Death 5No Clean Singing's Second Wound review calls the sound 'black/death catastrophe,' and other reviews cite 'more than a soupçon of Technical Death Metal.'
  • Black 6Genre-tagged Black/Death Metal on Bandcamp/Metal Archives-derived listings; listener commentary places the band in 'dissonant/weirdo BM space.'
  • Technical 6Metal Temple's review of Second Wound explicitly notes technical death metal complexity on 'The Mockery of the Demons.'
  • Glitch 5Same review describes 'warping electronics both hostile and hypnotic,' 'theremin-like vapors,' and 'rapidly quivering alien electronics.'
  • Theatrical 2Second Wound is a loose concept record inspired by Julian of Norwich's 'Revelations of Divine Love.'
  • Doom 3Bandcamp/Metal Archives-derived genre tags include Doom Metal alongside black/death.
  • Drone 1No Clean Singing's review notes 'ambient drifts' within the longer tracks, implying brief sustained-tone passages.
  • Ambient 5Same review repeatedly cites atmospheric, texture-driven electronic passages amid the extremity.

CONNECTIONS

label
  • Midnight Odysseypath →

    I, Voidhanger Records artist (Tellurian Insurgency; Second Wound, 2024, co-released with Brilliant Emperor) — anchored at Midnight Odyssey, the label's longest-running signing. source ↗

FURTHER LISTENING

Nearest score profiles in the atlas.

  • UnaffiliatedEI 15
    Xenoch
    BlackAmbientTechnical

    Xenoch is a solo New York City black-metal project stacking bardo-metal dissonance against chamber music, modern classical, and free-jazz textures. 2023's 'poison lotus corpse pearl' pairs blackened death riffing with classical and free-jazz Bandcamp tags across five sprawling 'sign' movements, while 2026's 'Shedding Broken Shells like Feathers' pushes further into electroacoustic, glitch, and xenharmonic/microtonal territory. Dense, philosophical liner notes about the 'abolition of the temporal dimension' frame the project as bedroom avant-garde black metal rather than a full band.

    compare profiles →
  • UnaffiliatedEI 13
    Biesy
    BlackTechnicalDeath

    Biesy is a Kraków trio formed in 2014 around guitarist/bassist PR, joined by vocalist Stawrogin (also of Odraza, Totenmesse) and drummer MP (also of Outre), taking their concept from Dostoevsky's Demons and the alienation of urban life. Their 2017 debut Noc Lekkich Obyczajów (Third Eye Temple) delivers dissonant, disjointed black/death riffing compared to Ulcerate, Deathspell Omega, Immolation and Gorguts. The 2020 follow-up Transsatanizm (Godz ov War Productions) pushed further into avant-garde territory, layering industrial synths and looping electro beats over blackened riffs, described by reviewers as 'avangardish, industrial-infused post-rock/post-black.'

    compare profiles →
  • UnaffiliatedEI 16
    Kekal
    BlackTechnicalAmbient

    Kekal is an Indonesian avant-garde/experimental act formed in Jakarta in 1995, one of the first Southeast Asian extreme-metal bands to reach an international audience. Beginning in black/death metal, they transformed across their discography into a genre-collapsing project spanning progressive metal, jazz fusion, trip-hop, electronic/IDM, ambient and post-rock — the 2003 breakthrough 1000 Thoughts of Violence being the pivot. Since August 2009 the band has operated as a 'memberless' collective, with former members and volunteer contributors assembling new albums.

  • UnaffiliatedEI 13
    If Nothing Is
    TechnicalBlackDeath

    If Nothing Is (stylized/credited as INI on Metal Archives) is a Trondheim, Norway avant-garde metal project fronted by vocalist Boeddelen, guitarists Håkon Grytvik and Mats Stenberg, drummer Vegard Myrdal Berg, and bassist/main composer Lars Emil Måløy — also the bassist of Dødheimsgard. Emerging from the ashes of an earlier band called Revocation around 2008, the group self-released its sprawling, ten-track debut "If Nothing Is" digitally in 2015, later remixed, remastered and issued physically by Dark Essence Records in 2021 with a guest synth/sample contribution from Dødheimsgard's Vicotnik. The record moves through thrash, speed, death and black metal within long-form, technically demanding compositions compared to early Atheist and Cynic.

  • UnaffiliatedEI 22
    Kur-Nu-Gi-A
    BlackTechnicalDeath

    Mysterious, anonymous Polish avant-black-death act on Godz Ov War Productions whose debut Carmina Inferorum (2026) foregrounds trumpet and saxophone over guitars, layering demonic spoken word and industrial/electronic textures into a dissonant black/death frame; reviewers reached for Voivod, Gorguts, Imperial Triumphant, Igorrr, Dødheimsgard, Oranssi Pazuzu and Krallice as touchstones, "but with extra madness."

    compare profiles →
  • UnaffiliatedEI 14
    Nirrti
    BlackTechnicalAmbient

    Nirrti is a solo psychedelic black metal project based in Orlová, Czechia, signed to Depressive Illusions Records. The project's music has been described as eerie, dissonant, and 'progressive black metal played through the lens of psychedelics and jazz,' aiming to convey darkness, uncertainty, and glimpses of other dimensions rather than adhering to traditional black metal norms. Releases include 'Psychonautix' (2022), 'Palindromos' (2023), and 'Cyberpsychosis' (2024), the latter continuing the project's cyber/psychedelic conceptual throughline.

  • Blackgaze / avant-blackEI 19
    Mayhem
    BlackTechnicalGlitch

    Mayhem is a Norwegian black metal band formed in Oslo in 1984, and one of the founding architects of the Norwegian black metal scene whose cold, abrasive sound shaped the entire genre. Their debut full-length De Mysteriis Dom Sathanas (1994) — completed amid the deaths of vocalist Dead and guitarist/founder Euronymous — remains a defining record, and its signature song "Freezing Moon" a black metal touchstone. The long-running lineup pairs founding bassist Necrobutcher and drummer Hellhammer with Hungarian vocalist Attila Csihar, whose otherworldly, ritualistic delivery also anchors the drone-metal group Sunn O))).

    compare profiles →
  • UnaffiliatedEI 17
    Atrorum
    BlackTechnicalDeath

    Atrorum is a two-person avant-garde/progressive black metal project from Munich, Germany, formed in 1998 by vatroS (guitars, bass, clean vocals, programming) and umbrA (vocals, keyboards, programming). Across three albums on Apathia Records — most notably 2015's Structurae — the band folds symphonic black and death metal into gothic organ, choir, cabaret, funeral-doom, jazz, and industrial-electronic passages, alternating harsh and clean vocals delivered in French, German, and English.

  • UnaffiliatedEI 14
    Tabernacle ov Thee Flesh
    BlackTechnicalGlitch

    Tabernacle ov Thee Flesh is a Brazilian avant-garde/experimental black metal project from Joinville, released via Ultra Gash Records, featuring Naboth E. Coli (vocals, keyboards), L. Borgia Rossetti (guitar, also of Esmectatons and Os Legais) and Leal Barroso (drums, also of Esmectatons and Zombie Cookbook). Their sole album Versículos de Autoflagelo (2021) comprises 25 short tracks forming one continuous suite steeped in free improvisation, jazz and noise traditions.

  • UnaffiliatedEI 16
    Plebeian Grandstand
    BlackTechnicalHardcore

    Plebeian Grandstand is a French extreme-metal band formed in Toulouse in 2005, evolving from blackened mathcore into a dissonant hybrid of avant-black metal, chaotic hardcore, noise and experimental electronica. Their promo material frames the sound as 'avant-Black Metal, chaotic Hardcore, blown-out Jazz, corrosive Noise, experimental Electronica and death Industrial.' Releases include 'False Highs, True Lows' (2016) and 'Rien ne suffit' (2021), with a lineup that includes a dedicated modular synthesist.

1a9cfef